Ultimately, I wanted to like this movie. I really, really wanted to love it, on the contrary, but damn it, I just couldn’t, because Within twenty minutes of the movie I had this very grim sour look on my face and I was just so disappointed. Judging by the trailer and pictures from Entertainment Weekly I thought this would be great, I love fantasy, I love the genre of it, but this just wasn’t anything good. Forgettable, and just plain bleak, too bleak for a child’s cartoon. Not even teenage boys are going to like this, and the reason is it’s just so damn confusing.
Tag Archives: Science Fiction
Mansquito (2005)
This is the hybrid we’ve been waiting for, the combination of the mosquito and man that not even the best filmmakers could manage, Mansquito! I can just imagine the pitch meeting for this film at the studios. It’s comedy gold. Regardless, this is the kind of shlock drive-in movie you would have loved to see back in the fifties, though it follows along the vein of past movies plot-wise. The premise sounds cheesy even after considering it came from the Scifi channel who are now known for cheesy flicks, but it’s actually an interesting movie. I didn’t hate it. I was surprised also that Lorenzo Lamas wasn’t in this flick since he usually is in about every other Scifi Channel flick… maybe he was holding out for more money. After a new strain of disease rivaling west nile hits a worldwide epidemic, scientists are now working on a new antidote researching mosquitoes. A convicted murderer is being transferred to the lab to become a guinea pig for the antidote, but when he breaks free he raises hell in the lab and ends up being doused with experimental liquids.
AVP: Alien vs. Predator (2004)
This is it, the two bad asses of science fiction cinema finally clash. Fans have been waiting years for the chance where we’d see them finally go head to head, and we get… this. In the right hands, with the right people, “Alien vs. Predator” had the potential to be a balls to the wall action packed epic, and that’s what’s sad. Anderson is not a good writer, decent director, but no good as a screenwriter. There’s not a lot of set up until we get to the actual plot at hand. Anderson surely wastes no time in taking us to what is the actual point of the movie. But it wouldn’t have hurt to spend time with the characters before we got into the action, which would have made us care more for these people who were basically trade offs. I didn’t really care who died or who lived because there’s nothing for us to care about in this movie.
The Incredibles (2004)
While comic book movies are shooting to audiences in theaters at an almost rapid fire pace, very rarely does the film medium examine the person behind the superhero, the true human and “The Incredibles” does that. Few films such as the underrated “Unbreakable”, “Spider-Man 2” and “The Hulk” have taken the time to examine the psyche and basic mundane aspects of being a superhero and living with the persona as a human too. As a comic book geek since childhood I always relish the chance to catch my superheroes on the big screen despite the fact that rarely is the transference ever satisfying, but few films create their own heroes and then work from the ground up, and instead of focusing on the superhero aspect and then the human, films such as Shyamalan’s “Unbreakable” and this, work on focusing on the humanity and then the hero which is more secondary.
Sky Captain and the World of Tomorrow (2004)
I suspect one of the reasons why “Sky Captain” failed to bring in any money and make any profits was because a movie such as this only appeals to a certain audience. Director-writer Kerry Conran is a lover of old serials and comic books, so when he created Sky Captain in 1998, he had in mind only a certain audience for the movie. Also, it was poorly advertised, but aside from that, there’s an exclusive audience who loves pulp novels and serials, and yes, I’m one of them. I love it all; serials, pulp superheroes, comic books, and anyone who loves either of these genres will appreciate “Sky Captain” as I did. Taking nearly ten years to make, this was a personal project for Conran who hit a basic luck streak casting people such as Jude Law and Gwyneth Paltrow on its bill. But great casting is only one of this film’s main achievements.
Species III (2004)
After the sequel to Species, the army is now transporting her body to the morgue for testing, but discovers she’s not exactly dead and has given birth to two offspring. Sil, the original species (cameo by Natasha Henstridge) is killed, but not before she gives birth to a child which is stolen by a soldier and taken in. The name of the child is Sara a brand new species/half-breed. Sara is played by the beautiful and angelic Sunny Mabrey, who pulls in a good performance as the new creature forced to discover the world. She presents the same sexual appeal predecessor Henstridge did, and is just as threatening.
Resident Evil: Apocalypse (2004)
Though the film is clearly lacking in many things, what it doesn’t lack is an opening that is bland. I liked the beginning more than the film as a whole, mainly because it succeeds in setting forth what is about to happen despite robbing us of terror. The opening is very close to what the opening of the remake of “Dawn of the Dead” was except it doesn’t take the same risks and supply the same frantic nihilism, however it does succeed in tension from the workers going back into the hive being overrun by zombies, right down to the calm neighborhood interrupted by a car crash which essentially sets the stage for the “plot” of the missing daughter of the scientist of the hive and fades away to Jovovich in her delicious glory on the stretcher where we last left off from the ending of “Resident Evil.”