Teen Witch (1989)

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“Teen Witch” is one of the last relics of the eighties that isn’t just a fantasy for teen girls based around the joy of superficiality and empty popularity, but something of a cheesy comedy that absolutely embraces its idiocy time and time again. The unapologetic cheesiness and truly awful values of “Teen Witch” is often so bad, and yet so damn charming to endure. You almost have to admire it for building up to an anti-climax that boasts about how great it is to have the guy of your dreams, even if he’s as deep as a Koi pond. Dorian Walker’s film also dares to embrace the hip hop genre with a trio of young white men from the suburbs. Thank goodness for Larry Weir.

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The House Where Evil Dwells / Ghost Warrior: Double Feature [Blu-ray]

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Scream Factory offers movie fans a double feature on Blu-Ray with the theme of Asian culture driving the plots for both films. For folks that love Asian films, these two films offer up a helping of Asian genre entertainment with slight twists to them. The first feature is 1982’s “The House Where Evil Dwells,” a supernatural thriller that is basically “Amityville Horror” with a Japanese twist. It’s also just as goofy as the former ghost film. The Fletchers have migrated from the US to Japan in hopes of taking a long needed vacation. Writer Ted is intent on finishing his novel and is anxious to relax. The trio along with Ted’s friend Alex ends up at a small house in the woods of Kyoto where they’re told by Alex’s friend that the house’s rent is cheap due to suspected ghosts.

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Avenged (2015)

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I wish “The Crow” sequels took as much of an advantage with a creative premise as director Michael S. Ojeda does with “Avenged.” While his film isn’t exactly a revenge masterpiece, it’s a strong contender for one of the finer revenge films of the past five years, working as a tragic love story, and a vicious horror themed tale of vengeance. Amanda Adrienne Smith is rather compelling as the victimized Zoe, a deaf mute who ends up at the wrong place at the wrong time.

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Sinister 2 (2015)

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Someone should really tell the creators of Slender Man that Focus Features went ahead and ripped off their character, except their version sports rockin’ long black hair. Here we are with the direct follow-up to “Sinister” and the mystery of who or what Bughuul still isn’t interesting, nor is the actual character of Bughuul. His motives are still a mystery, his quest for luring children still unknown, and there’s not a lot of explanation to what purpose the children serve for him. Are they his willing minions? Are they individual manifestations of his persona through the souls of the children he’s consumed? Are they possessed by him? Or are they his eternal slaves? The writers don’t seem to know just yet.

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Martyrs (2016)

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Pascal Laugier’s 2008 “Martyrs” was a grueling experience that masked blatant misogyny and torture as a pseudo-intellectual transcendental tale about the afterlife and the pressing question about where we go when we die. Kevin and Michael Goetz’s remake of “Martyrs” is not only a pointless exercise in futility, but it dodges any and all attempts to improve on the goofy ideas about spirituality by mostly dodging them. By dodging the torture and pegging this as cheap exploitation, and alternately dismissing the ideas about the afterlife and transforming this in to a spiritual horror film, it effectively renders itself pretty damn pointless and dull.

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The Guardian (1990) [Blu-Ray]

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William Friedkin has a knack for creating genuinely uneasy horror films that destroy the concept of domesticity. “The Guardian” completely turns the idea of parenthood on its head, transforming the suburban family in to a veritable nightmare. “The Guardian” carries on the tradition of a menace from the outside ruining the family unit, this time following mundane couple Phil and Kate Sterling as they greet a new child in to their home. “The Guardian” is directed and staged very much like a nightmare that never ends, even with normal scenes of happiness depicted in a very surreal lens.

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Chilling Visions: 5 States of Fear (2014)

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Chiller Films’ “Chilling Visions” is on its way to being a solid series of anthology films made up of some of the best horror voices around. While I really enjoyed “5 Senses of Fear” despite being a mixed bag, “5 States of Fear” is a noticeable step down in quality. I really like the devotion of horror tales to certain ideas of psychology and fear. I also really like giving indie filmmakers a voice with highly publicized anthology horror films, I just wish “5 States of Fear” was more well put together and coherent. It’s not a bad movie, but the producers stretch the idea so far, it’s kind of pointless continuing the gimmick by tale two.

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