Resolution (2013)

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One of my top ten films of 2013, it’s so refreshing to see indie filmmakers actually try to challenge the conventions of not just horror but of fiction altogether. A film like “Resolution” would easily be a terrible effort in the wrong hands, but the combined genius of Justin Benson, and Aaron Moorhead make it a success on every conceivable level. This is a more cerebral take on 2012’s “Cabin in the Woods,” where in the world visited by the viewer is very self-aware. In fact, “Resolution” is so much more aware of the audience and yet it still comes out a winner in the end.

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The Gallows (2015)

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“The Gallows” watches like a really bad “Fear Street” novel. If it were written by RL Stine at gun point. It’s beyond me that “The Gallows” managed to achieve a wide North American theatrical release with a pretty good ad campaign all around. Meanwhile, “It Follows,” a brilliant horror offering, had to rely on word of mouth. Beneath the hype “The Gallows” is a brutally boring and unscary attempt to cash in on the found footage fad that reaches the scares you’d find in a normal young adult novel. And I am being kind, since even young adult novels can often achieve some semblance of suspense and tension when they want to. “The Gallows” however is a forgettable and downright stupid effort that lacks in brains, common sense, and general creativity.

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The Invoking 2 (2015) (DVD)

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It’s unusual that a sequel to a horror film would suddenly switch formats to an anthology, but horror anthologies are all the rage these days. What were once reserved for horror heavyweights like Romero, Savini, and Zemeckis, are now platforms for rising up and comers of the indie film world. I’m glad that these movies are allowing indie filmmakers to show off their short films, as there is a treasure trove of short horror films out there that almost never get seen by a wide audience. Thankfully you don’t have to see the first film to enjoy the sequel, since it basically bears no connections to the original narrative. This time, it’s an anthology of short horror segments with the recurring theme of ghosts and demons.

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Martyrs (2008)

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I think if it weren’t so obsessed with its own self-indulgent pseudo-spiritualism and didn’t stop to tell four different stories simultaneously, “Martyrs” may have been a decent film. It begins as a solid revenge picture, but then devolves in to an absurd campaign in torture and pain. It’s a grueling sadistically boring horror drama with a narrative so convoluted I stopped caring about what was unfolding after the first half hour. “Martyrs” loves to pretend it’s this transcendent statement about our questioning of the afterlife, but in reality it’s just misogynist torture porn painted as art house dribble that will make you feel dirty.

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Ouija (2014)

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The only terrifying thing about “Ouija” is that there’s going to be a sequel. In the final scene our main character holds up the pointer to the screen to look in to it, almost as if warning us that a second part is inevitable. It’s horrifying to see how little is made up of such a paper thin concept. If it didn’t take itself so seriously, I think “Ouija” could have been good old fashioned fun. It should have been a self aware and very tongue in cheek horror comedy about a board game that channels ghosts. Almost like a supernatural Jumanji. Instead we’re given the cinematic equivalent of a sleeping pill that fails to channel anything horrific in its entire ninety minutes.

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Manos: The Hands of Fate (1966) [Blu-ray]

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Like most people, I was introduced to “Manos” through the spectators of “Mystery Science Theater 3000” in what is perhaps their funniest episode. Sadly, while the episode itself is a riot, “Manos” doesn’t hold up well to watching for the pure fun of it. That’s because “Manos” is primarily a really awful movie with nothing worth salvaging. There are absolutely no pros that can be taken from watching “Manos,” and it’s mainly appreciated for being so awful and nothing more. It’s shocking how a film that’s barely seventy minutes feels like an utter eternity to sit through. Many films are given “Worst” tags by everyone, but “Manos” genuinely deserves its label as one of the worst movies ever made.

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Scooby Doo Meets KISS: Rock and Roll Mystery (2015)

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If you’re one of the many KISS fans that have always wondered what a sequel to “KISS Meets the Phantom of the Park” would look like, look no further. “Scooby Doo Meets KISS” should be more aptly titled “KISS Meets the Crimson Witch featuring Scooby Doo.” In all honesty, while this is primarily a cartoon for the Scooby Doo franchise, the majority of the film is based around KISS and their magical presences. Even the opening sequence is comprised of wonderful animated KISS montages with “Rock and Roll All Night” playing rather than the Scooby Doo theme song.

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