One of the aspects of “Isa” that I enjoyed beyond the predominantly latino cast, is the fact that its heroine “Isa” is a strong individual. When we first meet her, she’s a brilliant tech wiz who sells jail breaking cards on the side for extra cash. She always seems one step ahead of everyone, even at her most vulnerable, and uses a troubling dilemma as an opportunity to find out about her shady past. She has memories of parents she barely knew, and is living a life she doesn’t quite trust to be her actual one, and she’s capable of finding out and giving the villains of the film a damn hard time working around her brain.
Tag Archives: Suspense
Static (2013)
Todd Levin’s “Static” would work a lot better if it were shorter, better paced, and didn’t give away the surprise ending in the opening seconds. Seriously, if you’ve seen this type of film with this kind of set up before, you’ll catch on to where the entire premise is going. I figured it for a home invasion thriller like “Ils Them,” but then I eventually pinpointed where they were headed once Sara Paxton reared her gorgeous face.
Crave (2013)
I really wanted to like Charles de Lauzirika’s “Crave,” because while it is painfully boring, it plants seeds for some chaos and havoc when it begins. The problem is that it never follows through on those seedlings of story potential. At least Charles de Lauzirika doesn’t seem to know how. What could be a demented look at a descent in to darkness turns in to a soapy, dripping melodrama with a hint of violence added all for a very lame pay off.
Assault On Precinct 13 (1976): Collector’s Edition [Blu-ray]
Almost forty years later, director John Carpenter’s “Assault on Precinct 13” is still an excellent and mean contemporary western that never lets up on its audience. Director Carpenter has a knack for lensing the world to look like an alien habitat filled with despair and evil, and “Assault” is no exception. What begins as moving day for a local precinct descends in to violence, chaos, and murder with an enemy that will stop at nothing to quench its thirst for vengeance.
American Blackout (2013)
I’m sure National Geographic would love viewers to believe that “American Blackout” is exactly what would happen during a week long black out in America, but while the film itself is an entertaining horror film, it’s played mostly for shock value. Truly, “American Blackout” is fact based, presenting facts about our current emergency preparedness in America, but the narrative plays it to extremes. In either case, “American Blackout” does offer the notion that we’re screwed if we ever had a national catastrophe. Even in 2003 when the entire North American grid went dark, the US Government didn’t change their system, and won’t invest time in fortifying the power grid for the sake of emergencies.
Riddle (2013)
It’s a movie about a girl solving a mystery in a town called Riddle. Soak that in. If anything, “Riddle” isn’t a complete loss of time when you consider that Elizabeth Harnois and co-star Diora Baird are mind-blowingly gorgeous. The pair can also provide good performances when given the right material. I’m still not sure why Elizabeth Harnois keeps being handed these roles that straddle the line between horror and drama. Is she trying to garner a fan base while not being pegged a horror scream queen? She’s very pretty and a decent performer. Diora Baird is now and will always be a bombshell of a woman, so her presence is welcome. She has charisma that make almost any movie watchable. That said, “Riddle” is not quite a drama, and not quite a horror film. It’s just right there in the middle for a broad audience.
Nobody Can Cool (2013)
The directing and writing team of DPYX manage to concoct “Nobody Can Cool,” a dramatic thriller that’s one half really damn good suspense ride, and one half forgettable fodder. “Nobody Can Cool” manages to pack in an interesting premise and one that definitely tries to cover all bases in terms of logic and excitement. At times I was very engrossed in what was happening, and while the film isn’t perfect, it’s saved by the tight direction and great performances.





