Blame (2018)

It’s hard to believe that “Blame” is a debut feature, as Quinn Shephard manages to develop a drama that’s so richly layered and filled with so many themes about consent, sexual abuse, and the boundaries between mentors and their protégés. “Blame” is by no means a perfect drama, but as a debut it sure manages to be a compelling character study through and through. Quinn, who also writes, edits, and stars, manages to explore the whole dynamic involved in grooming and the inherent power play that arise from them. “Blame” is a lot about the idea of groomers and the entire interplay between adults and younger people that can tend to cross lines often.

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Women Talking (2022)

“What follows is an act of female imagination.”

Sarah Polley has always been a wonderful actress who turned in to an Oscar worthy director. It’s just a shame she’s yet to be recognized as one by the Academy. “Women Talking” is a potent indictment of modern civilization where women are gradually losing not only bodily autonomy, but the clear power to punish those that do harm to their bodies. “Women Talking” and its release does not seem like an accident, as Polley, a staunch activist manages to create a very tense tale of women grappling with their duties to themselves, their community, and their faith.

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Evil Dead Rise (2023)

Sam Raimi perfected the cabin in the woods formula with “The Evil Dead” and as a series it’s managed to grow and evolve in to something different but just as good. The new sequel to the “Evil Dead” series places us in to an urban setting now, turning a dilapidated apartment complex in to pure hell. It’s amazing what Lee Cronin pulls off, carrying the torch for Sam Raimi and turning this new setting in to an absolute hellscape for the Deadites. You can seriously sense Sam Raimi’s company had their hands in the development of “Evil Dead Rise,” as this sequel is everything we’ve come to expect from the franchise, only with just a little more spice added in.

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Martha (2019)

Director Christopher Haydon’s short film is both a compelling drama, and a rather captivating mystery. In its own way it’s a horror movie, but more a horror movie about loneliness, isolation, and repetition. The entirety of “Martha” is meant to be cryptic, as Haydon begins the film on a single scene of a woman sitting in a hall with a single red balloon.

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House of 1000 Corpses (2003): 20th Anniversary Edition [SteelBook] [Blu-ray/Digital]

Rob Zombie making his own horror films was only a matter of time. The rocker turned filmmaker has always implemented horror movies in to his music and general content, so “House of 1,000 Corpses” is a culmination of all that creativity. Suffice to say I wouldn’t particularly call “House of 1,000 Corpses” a masterpiece. It’s rough around the edges, and often times feels like a film school project more than a feature film. But there’s no denying Zombie has a real love for horror. Even more he has a real love for the characters he’s created, all of whom are a beautiful hodgepodge of various pop culture facets.

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Triangle of Sadness (2022)

There’s always a point where fiction begins to catch up with reality, and even sometimes forecast it, and we’re at a pivotal point of pop culture where artists are commenting on the class divide. What with the rich becoming richer and the poor becoming poorer, now more than ever the film world is ripe for commentary through various genres. We saw it with “Glass Onion” and we basically see it with “Triangle of Sadness” which wears its social satire on its sleeve, and relishes in its darkness and penchant for spitting on social structures.

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Dead Silence (2007): Collector’s Edition [2 Disc 4K UHD/Blu-Ray]

I think with the massive reputation James Wan has built, as well as the large success he’s had with genre films, the modern horror icon’s weaker works have aged well. “Dead Silence” was initially considered one of Wan’s lesser genre fare, but in light of a lot of his contemporary entries, “Dead Silence” has come full circle. It’s now become a somewhat underrated genre gem, and I think in spite of its obvious flaws, it’s another of James Wan’s ace horror films.

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