Hold the Dark (2018)

With a Jeremy Saulnier movie there’s always the feeling of hopelessness and existential dread. Saulnier is a man who doesn’t let his characters or his audience off easily, opting for narratives that explore the bleakness of life, and how remorseless human beings can be. With “Blue Ruin” and “Green Room,” Saulnier kept the audience in a choke hold and didn’t relent until the end credits, and he continues that tradition with “Hold The Dark” a flawed but stellar thriller about the darkness in the human soul and how it easily connects with the darkness of the wild. “Hold the Dark” is about the darkest and bleakest film Saulnier has yet to deliver to fans, because his new cinematic offering relies on slow mounting terror and inherent menace.

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Ride (2018)

It’s saying a lot when you finish with a movie and the best thing you can say is “Well, at least it was a short movie.” At seventy six minutes in length, “Ride” is never quite sure what it wants to be. It tries to be this thriller about a villain kind of bringing two people out of their shells with violence, and then other times it feels like some goofy drama with a thriller bent injected in for the sake of broader appeal. Really it just feels like writer and director Jeremy Ungar loves that segment from “Fight Club” with the convenience store worker and decided to extend it in to a feature film.

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Reality Bites Back: “Dead Set” Ten Years Later

If any case could be made for the advantage of running zombies in the zombie film sub-genre, “Dead Set” would easily trump any argument against the device. I’m a zombie enthusiast who loves the lumbering dead, and in all honesty prefers them above all. “Dead Set” not only endorses the idea of running zombies, but makes turns them on to a world of lazy, complacent television addicts, with remorseless fervor. Like the reality shows that have become fixtures of civilization, we’re turned in to blood thirsty monsters that feed off of one another, and show little empathy for the weak.

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Ash vs. Evil Dead: The Complete Collection [Blu-Ray/Digital]

Yes, you could say it only had three seasons on television, but I prefer to think of it as we horror fans had an “Evil Dead” series for three whole years. While Starz! Didn’t stick to their guns in the long run, we had a good run re-visiting Ashley Williams once again in his journey to bring down the deadites from hell and track down the necronomicon. “Ash vs. Evil Dead” is a stellar horror comedy series that didn’t shy away from anything that made the original movies so fantastic, and if you’re flexible, you’ll love how the writers even stretch the mythos for a wider scope and more interesting depth, as well as a new variety of deadites like a hand puppet, a high school mascot, and a cell phone.

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Hell Fest (2018)

I should say that I love slasher movies. I adore the sub-genre and long before I fell in love with the genre of horror cinema, slasher movies were my bread and butter. I am all for a resurgence of slasher movies but if Gregory Plotkins’ “Hell Fest” is the attempt at starting a new renaissance of the sub-genre, it’s a horrible step forward. I don’t know how audiences will greet “Hell Fest” in ten years, but save for Tony Todd’s appearance I imagine this will be thought of as another horror groaner banking on the thirst for horror for the season. With five writers, “Hell Fest” never quite rises above utterly abysmal, and at best, would probably make okay background noise at a Halloween party.

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The [REC] Collection [Blu-Ray]

While the rest of the horror community are celebrating the big releases from Scream Factory this year like “Creepshow” and “Trick r Treat,” in comes a somewhat overlooked horror child known as the “[REC] Collection.” Shout! outdoes themselves packing together all four films from the found footage horror series from Jaume Balaguero and Paco Plaza, and it’s a box set that should be explored if you’ve never seen the “[REC]” films or have only ever seen the original.

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