Sometimes during these survival films, we meet people that are either too dumb, or too reckless, but “47 Meters Down” chronicles the plight of two of probably the most unlucky women on planet Earth. A lot of what goes down in the film really poses a logical set up, because when we meet characters Lisa and Kate, they’re both anxiously trying to find an adventure and escape from the doldrums of their lives. Mandy Moore especially is the focal point of “47 Meters Down” where she plays a girl getting over a bad break up who literally has to muster up the will to live in an extraordinary situation. “47 Meters Down” is a pretty basic survival thriller, but it’s definitely helped by the very good performance by Mandy Moore.
Tag Archives: Thriller
Dead Man’s Shoes (2006)
Shane Meadows previously worked with Paddy Considine in the criminally underseen “A Room for Romeo Brass.” Considine is a man capable of playing many things, and someone without much of a mental balance is probably his best character yet. Paddy Considine is admittedly one of the most unorthodox choices for the lead in a very dramatic and powerful revenge thriller, but he’s a man who can lend a lot of menace and terror to someone who doesn’t quite look like someone who’d knock heads. When he first meets the men that tormented his younger brother, he lays the fear of God in to them by merely glaring at them when they attempt to crowd him. One scene even finds him rattle a power drunk thug in the middle of a crowded bar.
The Purge: Election Year (2016)
James DeMonaco’s second sequel to the exploitative and silly “The Purge” series reaches the masses in a very politically fueled year, and while DeMonaco and Blumhouse have the advantage of very much satirizing the current political climate, “Election Year” just continues the same routine we’ve seen with this movie series so far. It’s a lot of the same where there is an opportunity to offer a scary dark satire of America, but it backs off in favor of a lot of goofy plot twists and meandering sub-plots. Once again the annual the Purge is about to commence where every year for one night there is no such thing as law. So you can murder as you please, rape as you please, pillage, plunder, take a penny without leaving a penny, pick at a buffet without the sneeze guard, leave your trash with the recyclables included, walk on the grass, loiter like hell for hours on end, the sky is the limit.
Alien: Covenant (2017)
With “Prometheus” Ridley Scott met the other side of his “Alien” mythology by visiting the very early dawn of his universe that saw the very evolution of his xenomorphs. After it hit with a thud resembling a wet diaper smashing in to a garbage can, Scott hits the other extreme by delivering a movie in the vein of “Prometheus” that’s just as flat and just as stupid. Director Ridley Scott has lost the grasp of his own film and has really failed to learn how to deliver a well measured and compelling horror tale teeming with themes about sexuality and human biology. Instead now he gets to literally have his cake and eat it too, by offering up a ham fisted goofy prequel that feels like a glorified fan film. All the while also continuing his descent in to pseudo-intellectualist allegories and on the nose metaphors about God, the Devil, Heaven, Paradise, evolution and birth.
Ben (1972) [Blu-Ray/DVD]
There aren’t many movies out there that offer audiences a sequel that is so drastically different in tone. The biggest comparison I can draw is the original horror thriller “Cat People” and dramatic “The Curse of the Cat People.” While “Willard” was basically a twisted thriller involving a dysfunctional young man’s self destructive relationship with rats, “Ben” is a more dramatic family film with elements of horror thrown in. It’s a very tonally confused and muddled melodrama that doesn’t do much to make Ben in to an interesting horror villain. To prove how utterly confused the movie is in terms of intentions, watch the final scene in which Ben stares in to the camera menacingly in the vein of the climax of “Willard” while the sappy “Ben’s Song” from Michael Jackson plays as the credits roll. So—what are we supposed to feel by this?
Willard (1971) [Blu-Ray/DVD]
You have to give Shout Factory credit for at least trying to connect “Willard” to “Ben” for audiences. In the original 1971 movie, Willard Stiles is dysfunctional man whose rat of choice is white and named Socrates. For some reason he harbors an adversarial relationship with Ben, first scolding him like an embarrassed parent and then lashing out at him violently time and time again. Ben is always a mysterious element in the tale of Willard Stiles, an animal that has a lot more to him than simply being a rodent. He’s sometimes a sentient and very clever animal that feeds Willard’s own sense of need for family. “Willard” is kind of a demented thriller that’s always been considered a horror classic. And though it’s not scary at all, it does bear elements of horror with an EC Comic bent in rare moments.
Seoul Station (2016)
Yeon Sang-ho and the studios were wise to capitalize on the running juggernaut that was the success of “Train to Busan” in 2016. Often times studios or directors wait two to five years for a prequel or a sequel, but “Train to Busan” gets an almost immediate prequel that helps expand the story and mythology of the live action film. One of the best zombie films of the last fifteen years, and perhaps of all time, “Train to Busan” was an action packed blockbuster disaster film set to the tune of the zombie apocalypse. The animated prequel is a bit more downbeat but still maintains the same social relevance and commentary that “Train to Busan” did so well.