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Reversion (2015)

reversionThe makers of Oubli, a device that allows its wearer to relive moments from their past, prepare for a huge launch which could make or break the company.  Sophie Cle, daughter to Oubli’s creator Jack Cle, is the biggest proponent of the device.  That is until she gets kidnapped and shown a different truth which makes her question everything she knows.

Reversion was directed and co-written by Jose Nestor Marquez with writer Elissa Matsueda. Previously, Marquez worked on a film called Isa about a conspiracy through the government to control thoughts/minds.

This film is connected to Reversion on more than a thematic level as one of the supporting characters in Reversion is named Isa and played by the same actress.  The story here revolves around a device called Oubli which means something akin to “forgotten” or “not remembered” in French, a device made to help people remember and relive specific memories.  The cost of this is not simply monetary as more is at risk.  The story here explores the ethics and repercussions of technological advancements.  The main character is Sophie Clé whose last name means “key” in French, another name that is not accidental.

The characters and situations build a mystery wrapped up in technological advancements which keep the viewers’ attention throughout. Sophie Clé is interpreted by Aja Naomi King who turns in a solid performance of a character with hidden information within herself which is not an easy part.  Supporting her are Gary Dourdan as her driver, Colm Feore as her father, Jeannette Samano as her kidnapper, and Amanda Plummer as the mysterious woman with a lot of information.  All turn in good performance, Feore and Samano giving the best ones of the support group with layers being peeled back as the story evolves.

The film is shot in two different styles, one for the main story and one just slightly different for the memories brought back by the Oubli device, adding to the mystery of whether or not these memories are real or not and as to if they have been tinkered with to make their owner happy. To support these styles, the score is created in part within the movie for the Oubli sequences which have a dream like feeling in great part due to the sounds and music making their ambiance felt by the viewers, immersing them into the character’s experience. This effect adds a lot to the movie and its atmosphere as a whole.

Reversion is an interesting watch that will make the viewer think about how far technology has come, how far it could go, and if it should be allowed to go that far.  The film keeps the mystery and intrigue going throughout its runtime while not giving everything away, making it a movie with a rewatchability factor.

You Have to See This! Contamination .7 (1993)

contamination7-1What if “The China Syndrome” was remade but featuring the budget of the Craft Services, three writers amounting to a horrible script, and a cast with zero skill to deliver even the most fundamental dialogue? You ultimately get the utterly awful “Contamination .7” where in a small town named Smallsville, is being terrorized by a deadly outbreak of man killing tree roots that murder anyone and everyone for reasons unexplained. They reside in a contaminated forest covered in radioactive waste. Not a single troll rears its head at any point in the movie.

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Streets of Fire (1984)

streetsoffireIt’s difficult to explain “Streets of Fire” to anyone and make it sound coherent. Walter Hill’s action film has just about everything, and ends up creating one of the most vivid and exciting amalgams of genres and themes I’ve ever seen. “Streets of Fire” is a film you just have to sit down, shut up, and experience. It’s a post depression, mid-fifties, action, crime thriller and romance noir with a rock and roll and soul beat. See? I can’t sum this movie up in one whole sentence, and I’m not going to try to. I’m ashamed I took so many years getting around to watching “Streets of Fire,” but goddamn I’m very glad that I did.

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The Funhouse Massacre (2015)

FunhouseMassacreHaunted attractions are big business in the US around Halloween time, each one trying to outdo the other.  In the countryside, a new one called “Land of Illusion” decides to use local killers and their stories to up their scare factor.  Little do they know, the six maniacs escaped the asylum housing them and find their way to the fun house and bloody, bloody mayhem ensues.

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Five Favorite Filmmakers Working Today

tiwestWith the revolving door of filmmaker working in today’s movie industry, Hollywood is thankfully being more and more open to the works of independent filmmakers. They’re welcoming self made directors more and more, offering them bigger projects and the chance to prove themselves. While sometimes they can stumble, often times they prove they can access any audience, and stand alongside the cinematic titans of yesteryear. Every year there’s a new success story, and these are only five of my favorite filmmakers working today, all of whom have broken through on their own terms.

Who are some of your favorite filmmakers working today?

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Lurking Fear (1994)

lurkingfear-1994Courtney Joyner’s “Lurking Fear” is classic Full Moon Entertainment from the nineties. It has a modicum of a budget, some great production value and a solid horror story. Thought it’s a loose adaptation of the HP Lovecraft tale, it does take the elements and combine them to form a classic folklore horror tale about greed and criminals getting their comeuppance. John Martenses is an ex convict who has just been released from prison and is seeking a new start. As well as the fortune apparently left behind by his family.

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Five Ways to Fix “Arrow”

Arrow-season4Well, “Arrow” season four has come and gone and let’s face it: The season finale stunk on ice. Even “The Flash” season finale, which didn’t progress our characters very much, was still so much better than “Arrow’s” finale which, from beginning to end, was a sloppy, silly, stupid, plot hole filled mess. Once upon a time, “Arrow” was the big gun in the CW action universe, but now it’s lagging behind. The goofy “Legends of Tomorrow” is assembling the mythical “Justice Society of America,” while “Supergirl” is set to join her DC super pals on the CW Network very soon.

If “Arrow” doesn’t pick up its game, it’s going to be the show that’s wading in tepid water, while the other action series’ are aiming for bigger ambitions and outside the box storytelling. Here are five ways “Arrow” can be fixed to get back to when it was an entertaining crime thriller about a vigilante seeking redemption.

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