So, the sequel to Tobe Hooper’s “Texas Chainsaw” wasn’t the sequel. They were sequels, but perhaps there’s a parallel Sawyer family out there somewhere. Maybe there’s a Leatherface A and a Leatherface B? The stories from parts two, and three in the eighties that followed Tobe Hooper’s original “Texas Chainsaw” were all nonsense that–I’m presuming–were just Nam flashbacks told by a hippy or something. Maybe there were “What If?” storylines. Or perhaps they were scenarios about what became of the Sawyers after Sally managed to escape Leatherface’s clutches. In truth, it’s just hackey studio tinkering that works best if you ignore it. At this point the “Texas Chainsaw” series is more convoluted and confused than “Halloween” and “Nightmare on Elm Street.”
Tag Archives: Thriller
I Do (2013)
Director Patrick Rea has a great skill for misdirection, where you think you’re going somewhere in a story, but suddenly you’re in a completely different avenue, plot wise. Patrick Rea delivers another really fine short film called “I Do” that begins like every Patrick Rea movie to date. Something is amidst, and the minute we enter in to the scenario, we want to know what is happening. When we finally do, it’s outstanding.
Ten Reasons "Hush" Is the (Second) Best Buffy Episode Ever Made
1. You can tell a story without dialogue – Go in to any movie catalogue and rent a silent film, and the best silent films will tell you that you don’t need dialogue to tell a good story. “Modern Times,” “The Gold Rush,” “Laugh Clown Laugh,” all amazing stories without dialogue. Human expression, body gestures, idiosyncrasies, they can do so much that dialogue can’t. And “Hush” dares to defy the stereotype that “Buffy” is not funny without the clever one-liners, and it succeeds. You do not need to club us over the head with dialogue to let us know what we should feel, and it’s flawless in its delivery.
Superman: Unbound (Blu-ray + DVD + Digital Copy + UltraViolet) (2013)
I never really read the graphic novel upon which “Superman Unbound” is based on, but I thankfully know of it, and what the new Brainiac is supposed to look like in the mini-series. With the adaptation, there really isn’t a lot to “Superman Unbound.” Brainiac wants to go to Earth to collect a city, Superman and Supergirl have to stop him. Fighting ensues. As an adaptation, it’s an entertaining animated film with some great action sequences, but not too much substance. The focus of “Superman Unbound” is mainly on Superman trying to live the human life, now that he and Lois are a relationship. Lois wants Superman/Clark to become the boyfriend she needs, the supportive and loving man who can give her a life. But Clark is hesitant to press his luck. Especially when she’s always in peril.
Mama (Blu-ray + DVD + Digital Copy + UltraViolet) (2013)
I can see why Guillermo Del Toro would be attracted to a film like “Mama.” While it is a horror film in nature, deep down it is a tragic drama about the power of love and the lengths we’ll go to preserve it. “Mama” is the first fantastic film I’ve seen in 2013, a film about spirits and how immense love can be. After their dad murders their mother in a murderous rage, sisters Lily and Victoria are taken to an abandoned cabin where their father looks to mercifully murder them. There, they’ve found something that is not only intent on keeping them safe, but in maintaining their innocence. Years later, the daughters are discovered much older and in a feral state, clinging to a presence they call Mama. Their uncle Luke and aunt Annabel seek to take them back home and establish a life free from the pain of their original lives. But the girls find it impossible not only to adjust, but to display physical affection toward the young couple. Jessica Chastain gives a strong performance as the unkempt Annabel who finds her loyalties lying with her husband Luke when he fights to take care of his nieces Victoria and Lily, and transforms in to a bonafide mother figure of their very own.
The Texas Chainsaw Massacre Part 2 (1986)
From what I’ve read, Tobe Hooper pretty much had to make a sequel to his masterpiece “Texas Chainsaw Massacre” in order to make films he wanted. And the sequel to his slasher classic is exactly the type of film Hooper has to make, It’s forced, tired, and a complete retread of the original film. To add to the utter lack of entertainment value, there’s even plots that are completely unresolved or unfinished that I would have enjoyed seeing explored expanded just to give this film the feeling that it was an extension of the first film rather than just a retread.
In spite of the family hiding in the outskirts of Texas and hunting travelers for meals, now we learn that the head of their family is a local celebrity thanks to his entering of his prize winning chili and wonderful meat that he keeps a secret. Dennis Hopper is Lefty, a mysterious cowboy hunting the cannibal family and trying to uncover their secrets and put an end to their chaos. And in the opening the two unlucky schmucks that get killed by Leatherface are dismissed as accidents, in spite of one of the two getting his head sawed off. Nothing is ever really expanded or realized beyond these nuggets of ideas.
The Vampire Lovers (1970) [Blu-ray]
The goddess Ingrid Pitt roams the European Countryside spreading lesbianism–er–vampirism to hapless farms and mansions as the dreaded Mircalla. Pitt is at her absolute sexiest in one of the most erotic Hammer films ever made. Pitt stars as the buxom and desirable Mircalla who masquerades as damsels and maidens thanks to her handler. Left at the manors of her hosts for weekends, she insinuates herself in to the family, and eventually seduces the innocent taut daughters of the owners of the house, engaging in affairs, eventually transforming them in to her own vampiric minions. Pitt absolutely glows on screen as the irresistible Mircalla who worms her way in to households across the countryside, and takes every chance to romance young daughters whose lives are filled with monotony and suppression.