Justice League of America (1997)

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The nineties were filled with an almost endless stream of pretty bad comic book adaptations. From the awfully boring “Generation X” that featured a goofy Matt Frewer doing his best Joker impression to a bunch of interchangeable teen superheroes, the ridiculous “Fantastic Four” which while strictly a cult movie in the comic underground, was a pure travesty, to the utterly abysmal “Batman Forever” and “Batman and Robin,” we saw it all, and most of it was things we wish we wouldn’t have. And then there’s “Justice League of America.” Boy oh boy. The problem with this product is that it’s not awful as it is unintentionally ridiculous, and while the cast tries their damndest, we can never get past the horrible costumes, and the terrible special effects.

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KillerKiller (2007)

killer-killer-horror-movie-posterKarma is a bitch and many times the manifestation of payback can provide some truly blood drenched results. “KillerKiller” is not a horror film that started off on the right foot with me. The audio was pretty crummy and the story began like a typical slasher film, but as the story progressed, “KillerKiller” won me over. Not only is it a great little horror film, it’s a great survival film, and a very good branch off the “strangers in a house” sub-genre tree that soon becomes a fascinating glimpse at predator and prey formulas. In Higgins’ slasher mystery, the victim is the murderer and soon the killers will make for the body count. A horror movie of this gamut with such a low budget would usually fall flat on its head, but thankfully it doesn’t.

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Spider Baby or, The Maddest Story Ever Told: Director's Cut (1968) (DVD)

spiderbaby“Spider-Baby” is without a doubt one of the oddest cannibal movies I’ve ever come across. And it’s not because it’s old, but because the cannibalism ends up becoming much more implied than explored in the end. There isn’t exactly anyone eating other folks here, but there are often the signs. Young Virginia collects ears, and eats bugs, while Elizabeth attempts to guilt her into her natural urges, even though she’s experiencing the same cravings to give in.

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After (2006)

after-06The apocalypse. I love it. I love everything about it, I love the potential for story and human study is presents, I love the whole idea of society crumbling under the threat of some force, and I revel in writing about it. “After” is yet another take on a zombie apocalypse, except this time… it’s through the eyes of a zombie. After a presumably horribly bloody death, three survivors, held up in a large house, draw their attention elsewhere as their father lays in the next room slowly dying. Through his eyes, we watch his last sights as his children run back and forth planning an escape from the zombies outside. He then emerges and begins wandering the house, with his children struggling to fend him off without killing him.

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Hobo with a Shotgun (2007)

hobowithashotgunNow living as an online cult gem, “Hobo with a Shotgun” has an interesting history. Around the time the craze for the Tarantino-Rodriguez “Grindhouse” rolled around, there was a lot of excitement. Fake trailers, the Grindhouse feel, and two big movies, and then they offered young filmmakers at SXSW a chance to create their own fake trailer to be featured during the actual movie. “Hobo with a Shotgun” won out. Granted, it only was featured in a few theatrical showings across the US, it was praised as one of the few entries to capture that truly trashy atmosphere that made Grindhouse so much fun. And shockingly, Eisener captures the time much better than Rob Zombie’s trailer did.

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Superman: Doomsday (2007) (DVD)

To this day, “Superman: Doomsday” is still one of the most gut wrenching graphic novels I’ve ever read. As a hardcore Superman geek since the age of five, Superman has been one of my recurring beacons of heroism and courage, and something that’s still very representative of what man is capable of. Superman is possibilities, and that’s why I still stick by this character for better or for worse. And as you can imagine, reading the entire graphic novel as a young boy, seeing Superman’s lifeless body in Lois’ arms as he faded away from the vicious attack from Doomsday really bummed me out. And quite frankly, it left a pure lump in my throat. “Superman: Doomsday” truncates everything about the graphic novel into a movie that’s a little over an hour. And I accept that. Due to DC’s issues with superheroes in multiple formats, we couldn’t have had all the guest stars and the Reign of the Superman in this movie. Instead, Timm and co. focus on the meat and bones of the story: Superman vs. Doomsday, and then Superman’s death.

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Hollywoodland (2006)

On June 16, 1959, George Reeves committed suicide; which was then later thought to be and is still heavily debated as a murder. This death was important to many people for the simple fact that it was the end of a beloved icon, and one of the earliest people to bring Superman to life. Reeves is also one of the earliest to help fuel the alleged Superman Curse, a series of coincidences later touted and tagged as a black mark on the folks who played Superman, for the sake of selling books. Is it a curse that brought about such bad ends to these men who played Superman? I say no. It was merely a bunch of coincidences that lent credence to the term “Shit happens.”

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