Director John Gulager is not above making entertaining horror films, as we saw with “Feast,” but his offering for the current zombie movie craze ends up being surprisingly conventional and dull. It doesn’t really offer anything new or unique in terms of the zombie movie realm, and to make things worse there are just too many sub-plots. We literally follow almost a dozen characters and their efforts to make it through the beginning of a zombie apocalypse, and beyond their efforts to stay alive, there’s not a lot to them or their personalities.
Tag Archives: zombie apocalypse
Zombie Massacre (2013) [Blu-Ray]
I’m still not entirely sure if “Zombie Massacre” knows how utterly idiotic it is, or if it’s in on the joke. In one instance, Uwe Boll appears on a television as the American president, German accent and all, discussing the zombie conspiracy and how he wants to get back to golfing and vacation. It’s a perplexing moment, because I’m not sure if the writers and Boll thought the scene would be a wonderful bit of biting social commentary, or if they were just pulling our leg through the cameo. Yes, we Americans love our golfing and vacationing. Good one, Boll! You’re such a witty satirist, you are.
Clandestine government, chemical accident, zombie apocalypse, characters with nothing to lose, you’ve seen it all before, and “Zombie Massacre” brings it in spades. The prologue is solid with the accident at a power plant affecting an entire town thanks to chemicals falling from the sky. Whatever comes in contact with bare skin turns its victims in to flesh eating deformed zombies. But that’s immediately contradicted when we later see zombies dressed in Hazmat suits, so that’s ultimately irrelevant to the narrative. The rest of “Zombie Massacre” is a half assed amalgam of “The Dirty Dozen” and “Mission Impossible,” with the government composed of mostly Eastern European men bringing together a team of rogue soldiers.
They all have their special talents, and oddly enough they, too, are Eastern European. They’re all vicious and cold soldiers, and surely enough we have to know that because they spend a lot of time talking. I mean, they spend obscene amounts of time standing around talking, and conversing about sex and life. The narrative introduces a silent female warrior who is a master with a samurai sword, not to mention a conflicted leader who is being allowed freedom for his crimes if he pulls off the operation. And yet the film is still so painfully boring to endure. Mid-way when it becomes apparent this team can barely pull off their mission as half of them die from a zombie attack, we’re introduced to a mysterious scientist who may have the answers to the infection (original!).
To make things even more grueling, there’s a red neck couple that joins the team to help fend off the zombies. I was never sure if I was supposed to find this twist ridiculous or offensive, but clearly the producers of the movie don’t have a flattering idea of America. For some contrived reason, the pair of redneck gun nuts are visiting Eastern Europe, get caught in the zombie apocalypse, and decide to help the team finish their job. “Zombie Massacre” is too tedious to be taken as an action movie, and much too boring to taken as a zombie film. The zombie rampaging only occurs in mild bursts, offering little to no gore, while the action is only sporadic. “Zombie Massacre” is a ridiculous and tepid attempt at a zombie film, one that really doesn’t re-invent the formula, nor does it seem to want to.
The Blu-Ray from E1 comes with a two minute Storyboard Prologue, the one minute storyboards presentation, and two trailers. There’s also “Superfreak,” a forty minute glossy making of featurette with typical production tidbits and interviews.
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Detention Of The Dead (2013)
Director Alex Craig Mann’s horror zombie comedy would probably like to be considered an amalgam of “Shaun of the Dead” with “The Breakfast Club.” And while those attempts at claiming both territories are admirable, his film never quite lives up to aspiring for both heights at all. Mann’s film starts out respectably, taking beats from “Shaun” with moments of school activity interrupted by zombies lurking in the background and stumbling in to class. And then suddenly everything goes to hell. The problem is while it seems to enjoy “Shaun” very much, it’s never as humorous or clever. When it has the chance to compensate for that flaw by focusing on rich and complex characters, it doesn’t do that as well as it should, either.
Perished (2011)
Despite its brutally predictable ending, the Australian short zombie film “Perished” is a grueling and terrifying horror entry. Once again, a storyteller has the idea to feature less zombie carnage and explore the minutiae of survival where every little step dictates whether you live or die by tooth and nail of the walking dead.
The Battery (2012)
I wish more zombie movies could be like Jeremy Gardner’s “The Battery.” The problem with most modern zombie films is that the writers forget that the humans should be the centerpiece of the film, and not the zombies. Director Jeremy Gardner’s “The Battery” is the prime example of how to handle this kind of genre entertainment with a low budget. Rather than flood the screen with zombies, the monsters are used sparingly and for great moments of terror and memorable scenes, while Gardner focuses primarily on character, building two complex and unique people we can love and hate, in many ways.
Afterlife with Archie #1
Spawned from a mock variant cover last year, “Afterlife with Archie” is another of the many unique attempts by Archie Comics to re-claim their relevance. After wisely acknowledging that there are such things as gay people in their universe, Archie is now embracing the horror genre. Thankfully, this crossover isn’t disastrous like their crossover with The Punisher. This is more demented with a hint of genius like “Marvel Zombies.” I don’t know how long this series can go before it gets boring, but so far I’m loving the dark nature of the Archie Universe.
The Walking Dead: The Oath [Web Series]
It’s a small world, after all! Set immediately after a zombie siege on a survivor camp, Karina and Paul flee from a horde of the undead. In a scenario similar to the episode “Wildfire” Karina and Paul decide to escape the clutches of the dead. Little does Karina know that her only surviving companion Paul is bleeding to death from a mortal wound during combat. Ashley Bell and Wyatt Russell give solid and compelling performances as the pair of survivors sticking to their own oaths that could guarantee them survival. They both want something different and have varying outlooks on the new world ahead of them. Karina is hopeless and lingering on the edge of insanity, especially when she discovers Paul is bleeding badly.






