Steve Gleason was a New Orleans Saints linebacker whose career hit a peak in September 2006 at the Superdome, when he blocked an Atlanta Falcons punt that was picked up by teammate Curtis Deloatch for a touchdown, the first score for the Saints on their home turf since Hurricane Katrina. Gleason retired from football in 2008, and three years later his life took a double twist: he was diagnosed with ALS (more commonly known as Lou Gehrig’s disease) shortly before his wife Michel learned that they were expecting their first child.
Category Archives: A+ Indie
Hive (2016)
In the end what will win out and be our undoing will be apathy. It’s the willingness to just sit back and allow evil, to apathetically cling to our faith without challenging those that seek to do wrong. It’s our talent for not doing anything, and allowing injustice. It doesn’t matter what we believe, what politics we subscribe to, but when the world comes literally crashing down on us, we’re all just bugs ready to be squashed. “Hive” is set in a world where its breed of insectoid people have been split and divided by beliefs, religion, and class.
Numb (2016)
Rebecca Martos is a pretty fantastic and mesmerizing actress who manages to successfully lead what is an utterly compelling look at the state of grief and depression. Martos plays Astrid a young woman who has been driven to alcoholism thanks to her utterly consuming depression. Most of her time is spent in a perpetual state of numbness as she hangs out in bars and looks for new ways to feel something. She’s accepted a long time ago that she can’t feel anymore, and now looks for new sensations that could potentially drive her down a dark road.
Steve McQueen: The Man & Le Mans (2015)
The 1971 feature Le Mans is mostly notable as the rare commercial flop during the height of Steve McQueen’s box office reign. Gabriel Clark and John McKenna’s documentary on the making of Le Mans offers an intriguing look at why the film failed, with most blame going on the star.
Fetish Factory (2017)
In the “Fetish Factory” every male client comes attached with his own fetish and arrives to the special mansion to watch some of the best and sexiest burlesque performers realize some of their weirdest fantasies. Director and writer Staci Layne Wilson delivers a horror comedy that’s admittedly rough around the edges but has enough charm and laughs to entertain audiences that enjoy a bit of kink with their zombie carnage. Carrie Keagan plays burlesque performer Bettie, a dancer at the Fetish Factory who takes on the persona of Bettie Page for her clientele and dances almost every night. After a mysterious wild storm takes hold of Hollywood, the walking dead begin swarming the Fetish Factory mansion, prompting the surviving dancers to fight off the hordes of flesh eating zombies.
The Cleansing Hour (2016)
It’s very rare that short horror films leave me wanting more once the credits have rolled, but “The Cleansing Hour” pulls off a short but eerie tale about possession gone wrong. Damien LeVeck’s short film feels like an episode of “Tales from the Crypt” where the characters get exactly what is coming to them when they dare to dabble in the supernatural as a means of deception. Lance and Drew are two failed filmmakers that have managed to storm the web with their webcast that streams live exorcisms to the public.
The Call of Cthulhu (2005)
From The H.P. Lovecraft Historical Society and Andrew Leman comes the excellent “The Call of Cthulhu,” a short film I was lucky enough to experience years ago and was lucky enough to re-visit. From 2005, the independent effort channels the horror and sheer terror of HP Lovecraft’s mythology so well, the time manages to fly by without a hitch. “The Call of Cthulhu” is a brilliant throwback to the silent film era channeling the likes of Val Lewton to bring audiences a love letter to a time in film when horror meant the twang of the score, and focusing on the horror of our actors.