Lloyd Kaufman and Michael Herz’s “Sgt. Kabukiman N.Y.P.D.” is that kind of zany superhero spoof that, with some watering down, probably could have been a Warner Bros. cartoon in the nineties. After having such immense success with Toxie, Troma makes a second grab for cult fame, hoping to catch lightning in a bottle once again. Thankfully, not only is Sgt. Kabukiman N.Y.P.D. one of Troma’s most iconic and popular characters who stands proudly beside Toxie, but his movie is good to boot. “Sgt. Kabukiman N.Y.P.D.” is filled with the typical Troma tropes that make it such a blast. The acting is iffy, the violence is gruesome, the humor is off the wall and original, and the pacing is break neck.
Category Archives: Action Packed April
Teen Titans: The Judas Contract (2017)
Sam Liu’s “The Judas Contract” is both a sequel to “Justice League vs. Teen Titans,” and an adaptation of perhaps one of the most iconic storylines in comic book history. And, I’ll just say it: The animated series of “Teen Titans” accomplished this storyline so much better. With “The Judas Contract” we’re given literally eighty four minutes to know, understand and empathize with the Teen Titans and perhaps feel a twinge of shock when they’re betrayed by a close ally. With the animated series, we were given so much more build up and time to understand the betrayal of Terra, as well as dodge all the creepy pedophilia overtones between villain Deathstroke and his assistant. The animated series allowed for a lot of build up and when Terra does make her descent in to the dark side it stings so much that even levelheaded Raven begins to shed a tear.
Stan Lee’s Lightspeed (2006)
It’s not that “Lightspeed” is pseudo-superhero junk; it’s that its pseudo-superhero junk that’s so painfully derivative, it’s boring to endure. Its ninety minutes of an origin story of two very uninteresting characters, both of whom are the resident hero and villain of said film, no less. The titular Lightspeed is just downright dull, even when the writers borrow (read: rip off) heavily from the lore of Spider-Man, Fantastic Four, and The Flash. With executive producer Stan Lee, the writers have license to rip off the aforementioned, I assume, but said elements are so poorly implemented that the movie itself is a chore. The derivative material wouldn’t be so bad, even, if Don E. FauntLeroy’s direction wasn’t so lackluster.
Model by Day (1994)
If you ever wonder what comic book fans who grew up the nineties mean when they mention there being slim pickings on television by way of superheroes and fantasy, look no further than “Model By Day.” Penned by Jeph Loeb “Model by Day” was about as good as it got in the realm of live action superheroes. Before she became an X-Man, Famke Jannsen took on the role of the hero known as Lady X for this failed television movie and backdoor pilot. Back in 1994, The Fox Network’s big draw was sleazy soap operas, so they endeavored to make their own superhero show by adapting an indie comic that was a weird mixture of “Models, Inc.” and “Batman.”
The Death of the Incredible Hulk (1990)
Even with the success of “Batman” a year prior, director Bill Bixby had a hard time accumulating the budget and network support for what became the final hurrah for the famed seventies series. Apparently “Death” was supposed to be a vehicle for Iron Man and She-Hulk, but the budget just didn’t allow for it. Not to mention around this time Bill Bixby received the unfortunate news that he had prostate cancer, so “Death” was ultimately a swan song for the series as a whole. It’s a mixed blessing, though, since the budget allows for this final film to give the Hulk what is a bittersweet finale. The movie isn’t at all perfect, and completely meanders in the middle of the film, but overall the final scene paired with the classic theme song is gripping and a great testament to Bill Bixby’s commitment as an actor before his untimely death.
The Trial of the Incredible Hulk (1989)
It’s been a while since David Banner has been on the road and he’s now looking for new lodgings in New York (aka Canada) under the guise of David Belson. After an incident involving a pair of jewel thieves on a train attacking a woman, David is forced to invoke the monster of the Hulk, which results in unfortunate casualties. After wreaking havoc as the green monster, David is arrested and is shocked to learn the women he saved on the train from the robbers is claiming David attacked her. He’s also being blamed for the unfortunate shooting of an elderly man during the attack. Realizing the pair of criminals were under the pay of local crime boss Wilson Fisk, David tries to clear his name along with his new attorney Matt Murdock. Little does David know that Matt is a vigilante by night known as Daredevil.
The Incredible Hulk Returns (1988)
Even after “Superman: The Movie” and its somewhat successful franchise, the idea of turning comic books in to movies or a TV show was a rare prospect. Studios considered it a gamble as then comic books were considered a kids medium, so it was an anomaly for something like the Incredible Hulk to be adapted in to a successful drama that stayed in syndication for a long time. Six years after the end of the series, Bill Bixby returns to the role of David Banner, a scientist now living in a seaside town with his girlfriend. He’s mostly lived a quiet life and is helping to create a machine that can decay gamma radiation. Though he’s helping the local lab to create it, he’s also hoping to use it as a means of killing the hulk and end his curse.