I like the premise behind “Superargo,” and while he’s not the most competent superhero, I think in the serial world he could have thrived. The Spanish Italian superhero is a wrestler who once accidentally killed one of his opponents. Seeking redemption he spends his time as a superhero known as Superargo. Superargo is a man who has a ton of superpowers, none of which are ever too effective against his enemies in “The Faceless Giants.” He knows martial arts, and has the power to persuade people to do his bidding. He can also hover in mid-air as a means of meditation, can bend matter to his will, and is apparently bullet proof when it’s convenient to the narrative.
Category Archives: Action Packed April
V: The Final Battle (1984)
This time around “V” embraces its science fiction roots more, allowing for a lot more looks in to the rebellion, and the inclusion of new corners of the visitors’ world and the rebels. Most of all, there’s the introduction of a Visitor/Human hybrid that becomes one of the larger symbols of the war, and is pushed back and forth between the resistance and people that think the visitors can stop the invasion and work with Earth. Months after the humans sent out the beacon for other alien species to help them take down the Visitors, nothing has happened and the humans are still trying to stop the Visitors and their plans. Now the Visitors are building new tactics, which includes armor that can deflect bullets, and a form of torture leader Diana has concocted that allows her to convert humans to the side of Visitors for programming.
V: The Original Miniseries (1983)
It’s been said time and time again that if we don’t learn from history that we’re doomed to repeat it, and “V” is a remarkable miniseries that examines what happens when history repeats itself. Set in a not too distant future, Earth is visited by a massive race of anthropomorphic alien beings that looks very human in nature. Though imposing, the alien race presents itself in a charming and docile manner, and interrupts civilization to settle alongside us. Known as the Visitors, they’re a very uniform mass of beings, all of whom proclaim themselves our friends after arriving in a fleet of large ships one day. By garnering help from various governments and influential people to acquire various chemicals and minerals for their ailing world, they agree to give Earth access to their advanced technology which they promise will cure diseases of all kinds. Soon enough, though they begin to insinuating themselves in to the general populace and before long create an environment of unease and tension among some individuals.
Hercules and Xena – The Animated Movie: The Battle for Mount Olympus (1998)
In the nineties, Hercules and Xena garnered humongous fan bases that were vocal and loud. And this was long before the internet became a common facet in every home in the world. Hercules begat Xena and Xena became the more popular of the pairing, with Hercules still showing up every so often to remind us that, yes, Kevin Sorbo was still on his journeys as the half god. Both series were so big they even prompted a ton of merchandise, including a prequel TV series aimed at kids starring a very young Ryan Gosling, and this animated action movie, which barely clocks in at eighty minutes. I’m not sure if this movie is even considered canon, but it is Hercules and Xena together again, fighting evil Titans and trying to stop the evil Goddess Hera.
Mortal Kombat: The Journey Begins (1995)
The first time I ever saw “Mortal Kombat” was in 1992 when I stopped by a grocery store on the way to school and saw a pair of guys battling one another on the arcade cabinet. Though “Street Fighter 2” was huge, “Mortal Kombat” made its own waves by realistic character models and some of the most vicious video game violence ever conceived in its era. So came the 1995 movie where not even then was there this much babbling about supernatural forces, and tournaments. “The Journey Begins” works overtime to build a mythology from this simple video game, and fails big time. It feels like someone at Threshold Studios were alerted about the upcoming movie and only had about two weeks to build a respectable animated tie-in.
Cobra (1986)
I am not ashamed to admit that not only is “Cobra” a child hood favorite of mine, but it’s a movie I still quite love, if only for its unique villain. When you take a pumped up anti-hero like Cobra, you have to give him someone to match, and George P. Cosmatos gives us a serial killer cult leader who plans to lead a New World Order of other serial killers. Their plan is to begin a new civilization by—um—killing a lot of people? I wasn’t quite sure what the big plan was. The muddled plan by the film’s villain is made up for by Brian Thompson who is just the ultimate bad guy on film. He’s creepy, menacing, and can deliver lines with his deep grunt that make him sound otherworldly. The best aspect of “Cobra” though is Sylvester Stallone who plays Marion “Cobra” Cobretti. How cool and convenient is that name?
Hard Ticket to Hawaii (1987)
Where else but an Andy Sidaris film can you watch a movie involving drug smuggling gangster, a busty pair of Blonde mercenaries running around in short shorts, and a sub-plot involving a sneaky venomous snake prone to popping up in oddest places? And what’s more is that “Hard Ticket to Hawaii” is played with the utmost sincerity, as director Sidaris unfolds a movie that’s as deliciously bad as its theme song. If there’s any film that should act as an entry point for Andy Sidaris’ repertoire, “Hard Ticket to Hawaii” is a great summary of what Sidaris is capable of. “Hard Ticket…” is often silly and so utterly awful from acting to sound mixing, but it embraces its trappings by injecting as much softcore sex and nudity as humanly possible. Did I mention the sub-plot involving the killer snake (read: obvious hand puppet) that spends its time sneering through crevices and murdering random characters?