Terminator 2: Judgment Day (1991)

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I may not be the biggest fan of James Cameron, but when he approaches sequels, he hits the ground running and aims for the throat. First with “Aliens,” and then with “Terminator 2” in which a full fledged horror science fiction movie, becomes an action horror film with a wider scope and explorations of time paradoxes and the like. While I much prefer the original mainly for its tone and sense of urgency, “Judgment Day” is quite excellent. I saw it in theaters when it arrived, and years later, it’s still a stellar science fiction film from James Cameron.

Set years after the original movie, Sarah Connor raised John Connor to become an apocalyptic warrior. But after the confrontation with the T-800 cyborg at the bomb factory, she’s arrested and placed in a mental health facility. John is raised by his dysfunctional aunt and uncle and is mostly a wayward youth. The evil Skynet is once again intent on ending the war before it starts, sending a new advanced cyborg back in time to assassinate John Connor. Branded the T-1000, this new cyborg is made of liquid metal that can imitate anything it touches.

Just then, a new model of the T-800 is sent back in time, but this time its mission is to find and protect John and Sarah Connor at all costs. Now with the T-800, John races against the clock to find his mother and avoid every clever assassination attempt by the advanced new cyborg that will stop at nothing to end the Connor bloodline. Skynet also plans to initiate a Judgment day by unleashing a nuclear warhead that will destroy humanity and unleash a robotic rule on the planet. Sarah decides the best cause of action is to murder Miles Dyson, a Cyberdyne Systems engineer whose new computer processor will become the template for Skynet.

Where as the original movie was more centered on a behemoth rampaging through civilization to murder Sarah Connor, this time around Cameron opts for a sleeker new villain that really does pose an even more vicious threat to our heroes. B movie actor Robert Patrick gives a fantastic performance as the seemingly inconspicuous T-1000 whose façade of an average beat cop helps him blend in to civilization and infiltrate any strong hold. He’s made even deadlier with his ability to form massive blades, and sharp objects with his constantly shifting metallic body. Arnold Schwarzenneger shifts his title character in to the hero role, now becoming a protector who also gradually learns about humanity and emotions.

Linda Hamilton is also a welcome face as she reprises her role as the iconic Sarah Connor, whose welfare is of great importance to the fate of the world. Cameron approaches the continuation of his storyline well but never quite as seamless as he thinks. One thing that always bothered me is if they can create a robot made of pure metal that can become anything it touches, why not wait a few years and build a robot that can become a weapon of mass destruction? That way it can appear in John Connor’s general vicinity and blow itself up, thus ending the war? And if the robots can’t grasp concepts like emotions and feelings, why can they understand existential ideas of fate and inevitability? While Cameron never quite masters the ideas of time paradoxes, or time travel in general, “Terminator 2” still succeeds in being a raucous, beautifully directed action epic.

Robot Ninja (1989)

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J.R. Bookwalter‘s movie about a comic book artist that becomes a superhero seems to have had a budget of fifty bucks. Because of that much of the movie’s elements are sacrificed. This includes common sense, continuity, logic, a coherent story, tolerable acting, and even the most fundamental special effects. Somewhere embedded in the seams of this nearly unwatchable farce is a good movie. But the director spends more time trying to get mileage out of the cameos by Linnea Quigley and Burt Ward, than he does trying to elicit a genuinely good narrative. Who can blame him when the movie garners a cast of terrible unknowns? I’m surprised Ron Jeremy doesn’t pop up at some point.

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The Karate Kid (1984)

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Even as a kid, I was constantly replaying my parents’ VHS copy of “The Karate Kid” and never quite found it to be a masterpiece. Not that it’s a bad movie, in fact “The Karate Kid” is a very good under dog action drama with director Roger Avildsen taming the tale of “Rocky” for a younger more diverse audience. It’s a film for an audience that can identify with the slim Daniel who has to learn how to defend himself, or suffer endless torment by the violent Cobra Kai dojo and their ring leader Johnny.

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Top Gun (1986)

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It’s hard to believe that Tony Scott’s “Top Gun” was not only a pop culture milestone, but very influential for its time. It’s such a ridiculous and silly testosterone laced fantasy based around sexy women, war machines, and a military comprised almost exclusively of sweaty Caucasian young men. It’s tough to take it as anything other than an absurd cartoon that’s valuable for its laugh out loud camp value, and bold faced homoeroticism it embraces and yet ignores like the elephant in the room until the very end. You can argue that it’s a cool movie, but is “Top Gun” a good movie? I’d definitely say “Hell no,” topped with “Are you kidding me?”

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The Raid 2: Berandal (2014)

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Way too often have I invested time in a martial arts film only to find the sequel is pretty much just a repeat of the same beats from the original. Thankfully “The Raid 2” is a wonderful and seamless extension of the original Gareth Evans’ crime thriller. Evans returns to deliver what is now a much more complex narrative based around deception, the mafia, and a very elaborate revenge ploy that promises to bring down even the most valiant heroes in the story. Evans manages a very fluid timeline that makes “The Raid 2” a very good chaser for the powerful first action entry. Immediately after the massive raid in the first film, we find out that things never quite worked out too well for hero Rama.

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Teenage Mutant Ninja Turtles (1990)

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It’s surprising that for a movie about anthropomorphic talking turtles that director Steve Barron takes the premise with as much seriousness as possible. Director Barron just seems to get the appeal of the Ninja Turtles, walking the line between the mainstream versions and the original Eastman and Laird R rated comic book. The turtles here have a hard edge, but are entertaining sympathetic heroes, and they’re the center of what is still a damn good action film about family, revenge, unity.

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Divergent (2014) (DVD/Digital)

Divergent

Ultimately the adaptation of “Divergent” is a mixed bag that left me conflicted toward the level of quality presented. The film is almost two and half hours in length that does nothing but set up the premise for future events, and yet I found the world unfolding to be pretty fascinating. When it tries to be anything other than simple science fiction fodder, it clubs us over the head with on the nose clunky metaphor and social commentary. When it stopped trying for profundity, it actually managed to entertain and kept me very engrossed in the events that unfolded. It’s not at all as intelligent as it thinks it is, but it’s a pretty solid epic all things considered.

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