I continue my top ten with the final five celebrating ten modern horror actresses I’m quite a fan of. The rankings aren’t definitive, nor a reflection on the quality of these actresses, it’s just arbitrary ratings for the sake of the list. These are the remaining five great modern horror actresses making their mark in the horror world in celebration of “Women in Horror Month 2017.”
Category Archives: Festivals & Events
My Ten Favorite Modern Horror Actresses, Part One [WiHM 2017]
It’s February at last, and February marks “Women in Horror Month,” a twenty eight day celebration of women’s contributions to horror in all forms and mediums. From directing, writing, acting, graphic art, modeling, etc. The month represents the impact women have made in the horror world. In honor of the month, I thought I’d list ten of my favorite modern horror actresses that are currently making waves in horror film and horror television. This list pays tribute to ten talented, savvy, charismatic, and beautiful actresses that have chilled, riveted, and made an impact in the genre.
Let Me Know Some of Your favorite modern horror actresses in the comments.
Withdrawn (2017) [Slamdance Film Festival 2017]
Adrian Murray’s “Withdrawn” is like Gus Van Sant attempted mumblecore but decided to make it even more droning and monotonous. It’s kind of like performance art through and through, all testing our patience for the insanely mundane and minute, while character Aaron goes through his every day life literally doing nothing. About halfway he has some financial scheme planned to keep his rented room but that’s not the important element. It’s all about how tedious the film can get and if we’re willing to wait for our pay off, if it ever comes at all. Aaron fixes a fern. He looks up tutorials on trying to solve a rubiks cube, and even has a five minute telephone discussion where we only hear him talking to and responding to the individual. Yes, I get it.
Hotel Coolgardie (2017) [Slamdance Film Festival 2017]
I’m pretty surprised at how entertaining and compelling Pete Gleeson’s documentary “Hotel Coolgardie” ends up being. It has such a weird and odd premise that threatens to be so dull and monotonous. But by the end of the movie I was more than thrown in to this surreal situation and cared about the two focal points of the movie Lina and Steph. It doesn’t have a huge social message or political aspirations but is a pleasantly engrossing tale about two foreigners in a new land, both of whom struggle to adapt amidst a large lifestyle of sexism, xenophobia and alienation. You’d think a premise for a documentary of this ilk would be reserved for art house movie fodder, but the fact it has happened for years is so fascinating and makes you wonder who else has walked in to Hotel Coolgardie.
Suck it Up (2017) [Slamdance Film Festival 2017]
I’ve always been a fan of movies that examine how deaths can affect the ones we love and how it can create a pretty significant ripple. “Suck It Up” is a bit of “Garden State,” and “Ordinary People” mixed with mumblecore here and there. While I appreciate director Jordan Canning’s efforts to create this drama about how the death of one of the more important people in their lives affected them drastically, the script from Julia Hoff seems to be almost bereft of drama to the point where scenes just stretch out in to nothingness. There are a lot of really drawn out moments where almost nothing happens. In brief scenes where Canning tackles the dynamic between our characters Ronnie and Faye, “Suck It Up” presents only slight glimmers of an emotional character study.
Emilie Black Wraps Up Blood in the Snow 2016
Blood in the Snow, also known as BITS, ran from November 25th to the 27th in Toronto, Ontario, Canada and showcased as it usually does a wide array of horror and genre related feature films, short films, and documentary. This year’s crop of films has something from everyone including a documentary on the resurgence of posters as collectibles, a postpartum-tinged thriller, a short about a cannibal runner, etc.
The films were of high quality and most were great fun to watch. In case you missed any of Cinema Crazed’s coverage, here it is in one nifty spot.
The Shorts of Blood in the Snow 2016 – Part Three
Ingrid & the Black Hole (Canada) (2016)
A boy and a girl see what they think is a black hole one night and ponder on time travel. Written and directed by Leah Johnston, this short is sweet without being saccharine and it has a touching way of going through these two kids’ lives and showing how a small thing can affect someone for a very long time. The cinematography by Christopher Ball looks great and shows the night sky in a beautiful manner as well as the interpersonal relationships of the characters through the years.