This extremely rare Halloween special may deliver varying results depending on how lenient you are willing to be in production quality. The claymation here isn’t exactly top notch and the producers of “Follow That Goblin!” fill the gap with ancient computer animation that pops up every now and then. Deep down though, it’s a unique Halloween movie with a fun premise that deserves to be seen by folks that love this kind of entertainment.
Category Archives: Movie Reviews
The Addams Family (2019)
It’s a brand new era for the classic clan of weirdoes and eccentrics, all of whom get a chance to show a new generation how much fun they can be. I’ve always been a big fan of the Addams family since I was a child, as they always felt more genuine than the Munsters. While the Munsters spent their time trying to fit in to modern society, the Addams family always stuck true to who they were, and rarely ever changed their own rituals or style to fit some new standard of what normal is. They are who they are, like it lump it.
Shorts Round Up of the Week: Halloween Horror Month Edition
It’s October once again! Finally! It’s our favorite time of year, a time where we can drown in horror and genre cinema without coming up for air. For the return of “Shorts Round Up of the Week” I bring you the Halloween edition, where I review short films of the horror, thriller, and dark fantasy variety. Hopefully we can dig up a second edition of this column before the month is up.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
Happy October, boils and ghouls.
Little Monsters (2019)
One of the highlights of 2019 has been the rise of lighter zombie films that skirt the whole gloom and doom in favor of something more. Abe Forsythe’s “Little Monsters” is one of the most satisfying zombie movies of the year, and one of the best movies of the year. It’s a movie that offers everything from laugh out loud comedy, creepy zombie carnage, vicious gore and grue, great music, and a very touching story of two adults that find purpose in innocent children that need them to survive an extraordinary situation.
The Dead Don’t Die (2019)
I have to say that I liked “The Dead Don’t Die.” It feels a lot like Jim Jarmusch’s “The Dead Don’t Die” doesn’t just seem to feel like his effort to give his own spin to the sub-genre, but it also feels like the proving ground for the man to be as bizarre and often stupid as he possibly can. With “The Dead Don’t Die” it’s a bit of an experimental and bizarre zombie comedy that has absolutely no breaks on. It throws everything at the wall to see what sticks, from terrible breaking of the fourth wall, clunky symbolism (chairs that look like tombstones! Hah! Get it?), sub-plots that go nowhere, and space ships.
C.H.U.D. (1984)
I’ll plead guilty in admitting that I’ve never understood why “C.H.U.D.” is considered a horror classic. The title is great, as it completely lays the cards out on the table for the audience. The concept is golden, as underground mutants that eat random people in the big city is ripe for a great monster movie. But when you get down to the actual movie itself, it’s a romance drama, mixed with a political thriller, with man eating underground mutants that kind of sort of appear in the finale for a bit here and there. You go in to it expecting a creepy monster film, but what you get is “The China Syndrome.”
Greenlight (2019) [Shriekfest 2019]
A young filmmaker gets the opportunity of a lifetime to direct his first feature film based on the talent anhard work shown in his short films and a little luck. However, a few strings come attached to the offer.