A young, ambitious journalist meets up with a mysterious woman in the middle of nowhere as she has a big revelation for him. She puts him through a lot before starting to talk and having things take a bad turn. Written by Nathan Williams and Matthew Williams and directed by Nathan Williams, this thriller gains from its simplicity. The setting is almost desolate with fields and wind farms as far as the eye can see and mountain background.
Category Archives: Movie Reviews
Curse of the Man Who Sees UFOs (2016)
Christo Roppolo is a former filmmaker who now sees UFOs. Through interviews with him and people around him and videos he took of what he claims to be UFOs, this documentary explores his history of UFO sightings, how it has affected his life, how he almost preaches about them, and how he is seen as he basically obsesses over these sightings and what they may mean. Roppolo reached out to director Justin Gear by sending him hours and hours of video from his sightings and investigations of them. Gear takes this footage and mixes it with interviews of Roppolo and his neighbors, friends, and people of his town to show what he sees or claims to see with experiences from others and feelings directly from the source.
SiREN (2016)
Gregg Bishop adapts for the big screen one of arguably best segments from the “V/H/S” horror anthology entitled “Amateur Night.” The original segment was the most memorable of the bunch and was filled with tension, disturbing gore, and a very memorable final scene. Thankfully, “Siren” grabs on to most of the original short film’s aesthetic, including a lot of call backs to the original segment. Wisely, the director and studio re-cast Hannah Fierman who has a haunting beauty that most viewers really will have a hard time forgetting any time soon. What made “Amateur Night” so haunting was that Fierman could be oddly beautiful and shockingly horrifying at the drop of a dime. Here she invokes the same qualities, playing arguably the same character.
The Demolisher (2015) [Blu-Ray]
Director and co-writer Gabriel Carrer’s vigilante thriller film “The Demolisher” is one of the highlights of my coverage of Fantasia Fest back in 2015. While the plot points here and there are sloppily constructed, “The Demolisher” is an overall very good and strong tale about grief, sadness, and delusion that can stem from ones own guilt, in the end. While Gabriel Carrer’s film struggles to find its pacing and momentum in the first half hour, “The Demolisher” does inevitably pick up steam to build in to one hell of an interesting revenge thriller.
Leslie (2016)
It’s really striking how well director Alejandro Montoya Marin understands the experience of being an artist, most of all a starving artist. You feel something of a fire in your belly to express yourself and show the world how much you can give to them in the way of art, and sometimes it’s so difficult to get by. Alejandro Montoya Marin’s is a pretty remarkable short drama that focuses on the life of a singer and songwriter named Holly, who is struggling to get a solid gig at local clubs to perform for audiences. She’s barely scraping by and is now experiencing the end of a very intense relationship with the love of her life.
Home Alone 2: Lost in New York (1992)
“Home Alone” already stretched the idea of logic and suspension of disbelief already, but when Dreamworks squeezed out a sequel hoping for equal to more success, we instead got “Lost in New York.” Not only did this follow up basically prove that the original’s premise was a tad far-fetched, but something of a flash in the pan. This sequel is just leaps and bounds sillier than even the third “Home Alone” and even presents a ton of misguided morals within its narrative. You can sense the movie is one giant misstep, when it casts the likes of Tim Curry as one of Kevin’s adversaries, and turns Rob Schneider in to a hilariously slimy bellboy, and wastes them in favor of rehashing the same dynamic we saw with Marv and Harry from the first film.
Independence Day: Resurgence (2016)
One thing you can always count on with aliens, that no matter how advanced or sentient they are, their primary form of security is always two huge closing doors that slide together and seal as gradually as possible. You assume in their world they’d have laser doors that seal up in a matter of milliseconds, but no. It’s always very slow closing doors that never quite close fast to stop our heroes. But of course they always murder the alien pilots because–they’re obviously not trained to zip through the doors I assume. “Independence Day: Resurgence” is a sequel with such an obvious mission to launch an “ID4” cinematic universe that it’s almost not really worth watching “Resurgence” at all, when you get down to it.