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Teenage Mutant Ninja Turtles: Out of the Shadows (2016)

TMNToutoftheshadowsWhile 2014’s “Teenage Mutant Ninja Turtles” was a watered down remake of the 1990 Jim Henson production, “Out of the Shadows” is a larger and sillier remake of “Secret of the Ooze” taking a lot of the ideas from the aforementioned film and realizing them to a more “TMNT” accurate vision. “Secret of the Ooze” had all the implications of the Krang, Baxter Stockman and the like, but “Out of the Shadows” takes that and re-introduces it to make about as much sense as it can. Rather than Tokka and Rahzar, we finally have Bebop and Rocksteady in their full disgusting glory, battling the Ninja Turtles, and playing stooges to the Shredder. “Out of the Shadows” isn’t a masterpiece by any means, but it’s ten times better than its 2014 predecessor.

That might be because it comes up with a radical new idea and focuses the majority of the sequel on the titular Ninja Turtles. April O’Neil is still a major character but is pushed to the sidelines more and more, allowing the characters we came to see a bigger spotlight and more of a chance to grow and blossom. The Platinum Dumbs version of the turtles is still wildly imperfect and stupid, but “Out of the Shadows” is at least fun, and tries to give us as many elements from the canon as possible. After Shredder’s plans from the first film are thwarted, he’s taken to jail and sent to a maximum security prison, supervised by Officer Casey Jones. When Shredder is broken free by his foot clan, he brings along thugs Bebop and Rocksteady to set off a plan to take over the world alongside a new alien ally.

Armed with mad scientist Baxter Stockman, Shredder plans to build a mutant army, and use his alien allies to help him rule. When the Turtles, with the help of April, learn of the mutagen, they learn the ooze has potential to turn them in to humans. With the turtles still pariahs of the city, Raphael is tempted to become human, while Leonardo tries to convince them to stay true to themselves. This time around there’s a larger focus on the dynamics of the brothers, as Leo and Raph bicker and fight for command over this current development, while Michelangelo is no longer making erection jokes, and is now the party dude we know and love, making cracks, fawning over pizza, and approaching every challenge with a chuckle worthy of Spiccoli. Stephen Amell is also a fun addition to the cast, providing a charismatic take on Casey Jones.

“Out of the Shadows” is a really good time and about as close to great as can be expected from something starring Megan Fox. I wish she’d drop out and allow an actress with actual ability and chemistry with her co-stars to take the reins as April. “Out of the Shadows” also has no idea how to handle so many elements of the narrative as there’s so much going on for a hundred minute movie. A lot of conflicts are tacked on, sub-plots go nowhere, and Splinter being retconned to have no connection to Shredder makes him a virtually pointless addition to the team. He literally does nothing but meditates in the background and offer convenient pearls of wisdom to his sons, with no actual emotional investment in their battle. You could have cut Splinter out of this movie, and it would have had no effect on the overall production.

Meanwhile there is the gaping wide hole of the new mutagen presented from Dimension X and the Krang. If the mutagen turns Bebop and Rocksteady from humans to animals, why can the mutagen possibly turn the turtles in to humans? They weren’t humans before they became teenage turtles. The implication of being mutants is that they’re anthropomorphic and human like, so wouldn’t they revert back to normal everyday turtles if given the mutagen? Also, I’m not a science wiz, but since when do the turtles have human DNA in them? Wouldn’t becoming human being a mutation be very redundant to the narrative? That said, if you can forgive the canyon wide plot hole, “Out of the Shadows” is an entertaining diversion that improves on a lot of the glaring flaws from the 2014 reboot.

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Lumette (2016)

lumetteProduced at The University of Hertfordshire, director Phoebe Warries’ “Lumette” is a brilliant and sweet animated short fantasy about the symbioses of nature and its relationship with the wildlife. Though Warries explains the movie is a fantasy, “Lumette” really illuminates how beautiful nature at its most raw can be.

Mixing computer animation and 2D animation, “Lumette” follows a lone wolf, as he struggles to move the moon across the land and on to the highest peak of a mountain. Along the way, the wolf is faced with all kinds of elements and obstacles, but is relentless in restoring the natural order.

Warries’ animated style is absolutely vibrant and mesmerizing, as she unfolds a grand landscape of nature, from woodland creatures, to fireflies buzzing around tall grass. “Lumette” is a very vibrant love letter to nature and the natural order of life, and Warries has potential to deliver a fine animated film down the line. “Lumette” is a beautiful concept realized in to a stellar and mesmerizing short film with a very poetic climax.

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Videoport: A Short Doc (2016)

videoportKids today will never understand the joy of going to the local video store and spending hours within the aisles of your favorite titles just to find something to bring home. I fondly remember walking through my local video shop watching a graphic horror movie on a mounted television while my parents staggered to the counter with a stack of titles they planned to bring home to watch that night. And no, I don’t speak of “Blockbuster” video. I speak of actual video stores that were once as common as Laundromats.

Running for nearly three decades, production company p3 explores the beginning and painful end of one of Maine’s most popular and beloved communities for film lovers “Videoport.” With the advent of digital rental and streaming, every year more and more beloved video rental spots are closing down and “Videoport” is sadly one of the many to close down. What with almost twenty thousand movies to rent, and three decades of building a community and massive fan base, it stings to think that the store may be replaced by an outlet or discount store by a faceless entity.

“Videoport” explores in a nut shell how much the once prominent video rental store was a beacon, not just for discovering unusual films, but for commuting alongside like minded people. Many of the individuals interviewed for the documentary discuss how they met their significant others, and built lifelong friendships, only to see it now dissipate with time. “Videoport” ends on a bittersweet note with the curators of the store donating their entire catalogue to the local library, making it available to a new generation of film aficionados. It’s their last noble favor to a community that they’ve helped nurture for thirty years.

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Jeepers Creepers 2: Collector’s Edition [Blu-Ray] (2003)

JCreepers2With the follow up to the criminally overlooked “Jeepers Creepers,” director Victor Salva completely loses all sight of the potential for his first film and embraces the B movie roots of the Creeper. That’s not to say that’s a bad thing, but “Jeepers Creepers 2” ends up being a brutally silly movie that offers a solid diversion, even in spite of its massive flaws and lapses in logic. To add to the unusual experience, the follow up to the original is filled with so much homoeroticism and subtle sexual overtones, you’ll feel just as uncomfortable as the characters do while they’re being stalked by the Creeper.

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Jeepers Creepers: Collector’s Edition [Blu-Ray] (2001)

JCreepersVictor Salva’s “Jeepers Creepers” is a pretty excellent and haunting horror gem in the early aughts when horror was pretty stagnant for a while. A mix of Duel and a genuine monster movie, director Salva presents a well paced and very scary film that only accentuates how terrifying films on the wide open road can be with the proper premise. Justin Long and Gina Phillips is top notch, keeping the film afloat with their memorable chemistry and fantastic interplay. They play siblings Trish and Darry, two college students tasked with delivering a car to their cousin across the country. Along the way as they bicker and deal with boredom, they’re confronted with a menacing truck that nearly runs them off the road.

While mistakenly crossing its path, they find the truck and its menacing driver seemingly sliding corpses down a storm drain. Deciding to investigate it, the pair arouses the anger and obsession of the truck’s driver, who slowly reveals himself to be anything but a simple psychopath. Quite obviously working on a limited budget, director Salva keeps a lot of the elements of the villain ambiguous and left wildly up to speculation by the viewer. Rather than piling on a lot of knowledge, our characters literally drop right in to the lair of our villain and slowly realize the severity of their discovery and how it will greatly affect their lives if they don’t get off the road and back to civilization.

The terror is amped up minute by minute, as both protagonists slowly run out of options in their efforts to get home, and try to outwit the monstrous driver who reveals himself to be much more clever and vicious than they ever imagined. Long is especially very good as his sanity slowly dwindles the deeper in to this nightmare he and his sister drop. Phillips plays well alongside Long, keeping up with his strong turn as a very strong heroine. A lot of “Jeepers Creepers” is beautifully paced and well edited, allowing for a ton of simple but brutally creepy moments. Some of the best scenes involve an attack on two beat cops in the background as our characters drive ahead of them, and the final reveal of our villain which is both jarring and shocking.

What would have been a simple “Duel” knock off spirals out of control in to a bonafide tense monster movie that keeps its pace pretty brisk and introduces us to a twisted new horror fiend with survival instincts that make it relentless, vicious and remorseless. What’s more is that many elements are introduced that are very supernatural and out of the ordinary with ideas about premonitions and fate that either favor this being’s hunt for prey, or ultimately work against it. “Jeepers Creepers” is a fine horror yarn, and one that goes criminally under appreciated mainly for Salva’s very public sordid criminal past, and the sub-par sequel.

Disc One from Scream Factory includes an audio commentary with director Victor Salva, whose work on this feature is informative, if kind of tedious. The second commentary features Salva with cast members Justin Long and Gina Phillips. It’s a fun little reunion, as the trio seems very casual and friendly toward one another. On Disc Two, there’s the thirty seven minute “Jeepers Creepers: Then And Now” a collection of interviews with the cast and crew. “From Critters To Creepers” is a twenty minute interview with producer Barry Opper, who discusses in length his career, working with legends of horror, and his involvement with the film.

“The Town Psychic” is a seventeen minute interview with Patricia Belcher who plays the town psychic introduced in the second half. “Behind the Peepers” is an hour long HD transfer of the original Standard Definition documentary. It’s a six part making of for “Jeepers Creepers,” with cast and crew interviews, video clips, production stills, the creature designs, and so much more. There’s a seventeen minute “Deleted Scenes” reel containing extended scenes and alternate openings and ending. There’s also the original trailer, a radio spot, and a trailer gallery with production stills, on set photos, and concept designs for the creature.

Angel III: The Final Chapter (1988)

Angel3Angel the prostitute with the heart of gold returns for the final installment (psst—not really) to investigate the disappearance of her long lost sister. For this even lower budget third part in the “Angel” saga, all of Angel’s colorful cohorts are gone, and the narrative suffers this time around because of it. Kit Carson and Solly are nowhere to be found, and Angel is pretty much just a free agent being led to the California strip, yet again. No longer a law student, Angel is now a freelance photographer who spends a lot of her nights running around with the police taking pictures of stings and busts for her paper.

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Avenging Angel (1985)

avengingangelThe saga of Angel the prostitute with the heart of gold and a thirst for vengeance reaches new levels of camp with “Avenging Angel.” While “Angel” wasn’t exactly high art, “Avenging Angel” makes the former film look like a John Ford Western by comparison. That’s not to say “Avenging Angel” is an awful movie. It’s just so deliriously stupid and absurd, and I couldn’t help but enjoy everything from the goofy protagonists we have to root for, to the shoddy stunt work. If you liked the transvestite fighting off the serial killer in “Angel,” prepare for two transsexuals getting in to a fist fight with two armed thugs. Try not to notice the stunt doubles wearing bad wigs during the fight scene.

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