Much of Scott Cooper’s revenge drama is based heavily around themes that set our characters down a path where they’re doomed from the moment we meet them. Harlan DeGroat, played Woody Harrelson who is terrifying in the role, is a man that stains everyone that he runs in to. And he becomes especially a stain on the pair of brothers, both of whom struggle to find some way out of their pitiful go nowhere lives. Everything in “Out of the Furnace”: leads right in to DeGroat, who isn’t just a villainous scum, but also revels in being a violent monster.
Category Archives: Movie Reviews
Boiler Room (2000)
It’s a shame to see a movie filled with so much talent all to add up to absolutely nothing. “Boiler Room” trots out a who’s who of really good actors, many of whom were in vogue performers that eventually got their due. I’m especially a fan of Nicky Katt. That said, “Boiler Room” is a crummy retread of “Glenngarry Glenn Ross” sans the plays on “Death of a Salesman.” Ben Affleck appears twice to give a really raucous and loud speech to perspective stock brokers, and really you can’t help but think that Alec Baldwin did it better.
I Heart Monster Movies (2012)
I admire director Tyler Benjamin’s ambition to create a documentary that chronicles what it’s like to be a horror fan. “I Heart Monster Movies” is a simple and very low budget look at the horror convention scene in Portland and some of what many horror fans within that region have done to celebrate their love for the genre. If you’re a Portland denizen, “I Heart Monster Movies” will definitely help you to decide where to visit that’s associated with your beloved genre. If you’re just a random horror geek, “I Heart Monster Movies” is a passable time filler.
Pacing the Cage (2014)
The moment Max Lyons steps out of prison and enters in to the world, not only is his life on the line, but his soul is too. He’s still a very weathered prisoner who is a victim to his drug addiction, and his grasp for a normal life is hopelessly out of his reach. Lyons is one of the many poor ex-convicts hanging on by a thread, and director E.B. Hughes’ crime drama about a man fighting for his soul is a brilliant take on what is typically a tired sub-genre of dramas.
Alien Arsenal (1999)
Once again David DeCouteau and Charles Band re-invent “Laserblast” for a new audience. The wretched original is once again re-conditioned in to a teen friendly adventure in the vein of “Power Rangers,” and it’s an apparent attempt to market on the audience. The movie is silly and often makes no sense, but I do tend to miss the old days when Full Moon and Charles Band attempted to appeal to children and teenagers. Ralph and cute Tomboy Baxter are nerds in their school, both of whom spend their time riffing on science fiction and being picked on for reasons I have tough time fathoming. Truth be told, they don’t stand out really.
Sparks (2013)
For me, “Sparks” was an easy sell. I’m someone who loves serials, and classic pulp heroes that used their fists and fell for dames while fighting crime. Though “Sparks” is obviously an indie production, it garners the spirit of classic pulp heroes through and through. From a murder mystery, hard boiled cops, masked heroes, and the like, “Sparks” is an entertaining throwback to pulp heroes that, while flawed, is still worth a watch. If only for the great cast. Directors Todd Burrows and Christopher Folino leave no stone unturned in their ode to classic forties comic books, even featuring characters that smoke like it’s going out of style.
Maniac (2012)
As a man who had absolutely no faith in the remake of William Lustig’s grindhouse classic, it’s quite telling that the opening of the film inspired a gasp out of me, followed by a “Holy crap.” Director Franck Khalfoun also wisely sidesteps the grit of New York (New York now no longer the wasteland is was in the eighties) entirely in favor of the more menacing and vast Los Angeles, all the while injecting an artistic gloss that makes the madness seem more surreal. “Maniac” is a gruesome and disturbing re-working of the classic horror film, that pays respect to the original, while also challenging its gore and violence, in the process. Elijah Wood’s performance is surprisingly unsettling and occasionally horrifying, since his character Frank Zito is a victim of his own madness.