Lucky (2014)

It’s hard to believe this film took eight hours to shoot. Director Jakob Bilinski manages to cut together such a tightly wound and excellent little horror film that it’s impossible to believe it came out so great, let alone coherent. “Lucky” is a fantastic horror film in the tradition of classic comeuppance stories that really do allow the audience to revel in the twist before us.

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In the Blood (2014)

The excellent Gina Carano takes her shot at her own version of “Breakdown,” and “Frantic,” with an action thriller that delivers on all fronts. If you loved Ms. Carano in “Haywire,” you’ll really enjoy the turn Carano takes here. “In the Blood” features a very respectable supporting cast along with Carano, playing a honeymooner with a tortured past who discovers her husband Derek has suddenly disappeared during their Caribbean getaway after a zip lining accident. Has he been kidnapped? Murdered? Is it a ruse from his over protective wealthy family to end the marriage?

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Nymphomaniac Vol. I & II (2014)

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One thing Lars Von Trier makes it apparent from the outset is that the sex in his epic tale of a nymphomaniac named Joe is never erotic. It’s ugly, uncomfortable, weird, funny, disgusting, and surreal. But never erotic. He begins the tale of her discovering her sexuality as a toddler, and then explores her pre-pubescent obsession with her “sensations” between her legs and the tricky methods she implemented to experience them, and then recalls the awkward encounter where she lost her virginity to a local boy that garnered immense pain and unusual emotions.

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Paper and Plastic (2014)

Director Mike Clarke’s film could have easily worked its way in to a feature length adaptation, but on its own it’s a very fine and sweet drama. Director Mike Clarke is very adept at switching genres this time around, providing a very heartfelt and utterly interesting character drama that involves a disjointed family finding solace in life, before it runs out. Star Anthony Quinlan plays Thomas, a successful businessman whose spent his entire childhood with a dad that insisted he do nothing but work. Work was all that counted, and getting a good future is what mattered.

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Philomena (2013)

Stephen Frears’ drama about a woman touching down on her roots and seeking some sense of purpose is a sweet and simple dramedy that really reaches emotional lengths beyond its quaint story. Based on a true event, Steve Coogan is fantastic as a jaded and somewhat disgraced political journalist Martin Sixsmith who decides to leave his world in exchange for writing about Russian history. He’s approached by Jane, a waitress, at a party who offers him a chance to help her mother Philomena search for her long lost son. At first he’s put off by the idea of the search but soon sees it as his opportunity for a best seller.

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The Wolf of Wall Street (2013)

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One of the main aspects about “The Wolf of Wall Street” that I loved is that through and through Jordan Belfort is an unapologetic amoral hedonist. When we see him in the opening, right until the final moments of the film, he’s barely apologetic and really misses the days when he swam in money, women, and recreational drugs. Because deep down he felt be earned what he sewed, and right until his downfall, he loves the man he was. Deep down no matter how much he changes, he’s still the same Jordan Belfort, a man who is addicted to satisfying his base pleasures no matter who he hurts.

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