Well if anything, “Evil Dead: The Musical” is creative. It’s not as funny as it thinks it is, but it has a good time with the material Sam Raimi laid down. It’s kind of odd a musical that features the main character cutting off his hand shies away from the tree rape so blatantly. Not that I am anxious to see a woman violated by tree limbs, but I was wondering why they drew the line at some things and not other.
Category Archives: Movie Reviews
Evil Dead (2013)
I admittedly had little to no faith for the prospects of an “Evil Dead” remake. As many horror fans like myself originally perceived it to be nothing but a cash grab, I expected really nothing but a faint half assed reconditioning much like Platinum Dunes is want to do. Thankfully the 2013 version of “Evil Dead” is not only an excellent horror film, but a rather brilliant character study to boot. It works as a remake, a sequel, and a companion piece. However fans want to think of it, the movie works in that function, thus resolving any aggravation hardcore Sam Raimi buffs will have toward this new version.
The Censored Eleven, Part One: Hittin' the Trail for Hallelujah Land (1931)
“The Censored Eleven” are the unofficial eleven animated shorts that have been banned, censored, or edited from public consumption and haven’t been seen by most in America. While some of the shorts have been released with a commentary about its social and political context, most are strictly taboo. In this limited series, we’ll review the censored eleven and figure out why these titles are still very volatile.
Hittin’ the Trail for Hallelujah Land (1931)
Rudolf Ising
Merrie Melodies
Laserblast (1978)
Charles Band’s “Laserblast” is one of the many, many, many productions from Band that garners an interesting nugget of an idea, but has little resources of budget to pull it off. I guess Band is one of the many filmmakers who’d rather make it themselves than sell it to another studio, it’s just a shame that “Laserblast” is so god awful. Even its remake and sequel “Deadly Weapon” is bad. Tonally uneven, terribly written, and poorly trying to pass of Eddie Deezen as a bully, “Laserblast” is a nigh unwatchable science fiction film that has endure the wrath of many movie geeks. Including the group from the Satellite of Love.
Night of the Comet (1984)
I’m often surprised at how great “Night of the Comet” holds up. Watching it years after I saw it back in the mid-nineties, I was pleasantly entertained by it, and how it unfolded as that perfect post-apocalyptic tale. It garnered comedy, horror, suspense, and valid villains, all the while reveling in its eighties kitsch. “Night of the Comet” remains an influential apocalyptic horror film, and for good reason. It manages to touch upon the doldrums of the apocalypse while also setting down on some truly entertaining characters.
The Walking Dead: A Hardcore Parody (2013)
As a hardcore geek of Robert Kirkman’s “The Walking Dead,” the cover for Burning Angel’s parody of the show is incorrect and irritating. They mimic the poster for season two of the series, and feature most of the cast on Dale’s RV, and yet instead of Dale, we have Michonne in his place. I’m sure it was never their intention to have a bowl hatted seventy year old getting in to a threesome with Michonne and Andrea, but I’m sure there could have been a better way around it. And a “The Walking Dead” porn version without a XXX Maggie performer? Missed opportunity, Burning Angel. Joanna Angel does star as Lori, so it’s not a complete loss, all things considered.
Song of the South (1946)
It’s become well known that Disney has an immense history with creating some of the most racist characters of pop culture. There’s their noted hatred toward the Jewish religion, and even the infamous lyric to “Arabian Nights” in “Aladdin” that reads: “Where they cut off your ears if they don’t like your face,” and that film came out in 1992. But many of them are considered rather irrelevant when you bring up the name Uncle Remus.