From Mill Creek comes the complete collection of the Steve McQueen star making television series “Wanted: Dead or Alive.” Easily one of my favorite Western action series of all time, Steve McQueen plays the complex and often swift anti-hero and bounty hunter Josh Randall. Brandishing his trademark sawed off shotgun named “The Mare’s Leg,” Randall travels across the country capturing his latest bounties and being forced to often travel alongside them.
Director Barry Levinson’s 1996 “Sleepers” is a rich and compelling movie that straddles many genres from the coming of age, to courtroom, to the thriller, to revenge. “Sleepers” is a movie for anyone with a taste for cinema that explore childhood innocence and the end of it at the hands of pure evil. Director Levinson’s film tells the story of young boys in the 1960’s slums of Hell’s Kitchen in Queens. Bonded due to their religious loyalties and their relationship with patriarchal Father Bobby (DeNiro in one of the last great roles of his career), they often find themselves constantly walking the line between saintly and pure criminal.
Friedberg and Seltzer’s “The Starving Games,” because we haven’t seen enough fucking jokes about “the most interesting man in the world”! The only advantage to watching “The Starving Games” (beyond Maiara Walsh) is that the Beavis and Butthead of comedy film making seem to be operating on a lower budget, thus the piss poor effects perfectly reflect the utterly piss poor comedy.
9. The Itchy & Scratchy & Poochie Show
1997
Season Eight
The Simpsons tackle that classic television series trope where a successful series has begun dwindling in the ratings, and adds a new character. As we’ve seen with “Diff’rent Strokes,” and most famously, “The Brady Bunch,” the results are almost always disastrous. This time around the Simpsons not only comment on the desperate grasp for ratings the stunt always is, but they’re also never afraid to get meta. Homer is set to play a hip new character being shoe horned in to the Itchy and Scratchy show in an effort to improve the ratings. Meanwhile the Simpsons have a hip new house guest named Roy, who is a walking nineties cliché with a Fonzi attitude.
Director Christian James’ “Stalled” is a very creative, and often clever horror comedy that takes the zombie movie to a new direction. It tries, at least. “Stalled” really seems to have a grasp on its premise for the first forty minutes, and then scrambles to keep monotony from setting in the rest of the way. In spite of that, “Stalled” is a creepy, interesting, and very unique zombie horror comedy that takes a few notes from “Shaun of the Dead.” It’s a horror movie about a perpetual loser who gets his life together in the wake of a bona fide zombie apocalypse. But it tries to add its own twists to the conventions, which make for a good experience.
The crux of “American Mary” depends on the performance by Katharine Isabelle. While the film itself is a unique and very entertaining tale about revenge, madness, and masochism, the lead performance of Mary is most important. Almost any other actor probably would have played the character of Mary Mason completely over the top, but Katharine Isabelle’s turn as a slowly unraveling sadist with revenge on her mind is incredible. Even brilliant.
“Juan of the Dead” is a silly and occasionally creepy zombie movie, but one that also dares to have a brain and display some very volatile commentary about the state of Cuba, and the inherent poverty that runs rampant. Though Juan lives in poverty and is mostly considered a loser by most in his neighborhood, he’s managed to carve out a comfortable existence for himself, and is something of a saving grace for neighbors. After Juan and his friend Lazaro come across a rotted corpse while fishing that attempts to bite them, they kill it and then decide never to talk about it again. What’s funny is that most of the situations may seem like a warning sign to most, but director Brugués comments on the state of Cuba through it.