Say whatever you want about 1994’s guilty pleasure “The Fantastic Four” but I’ll take it any day over the god awful big budget films released in 2005 by director Tim Story. There may not be much of a budget to draw on, but at least there’s Dr. Doom in all of his glory and much of what made the comics so readable back in the early nineties. Plus, while much of it is generally in line with the kid friendly tone of the big budget films, director Oley Sassone opts for a darker tone that works much more than the big budget successors in the next decade.
The Surge (2002)
I guess it’s too much to ask for a good time from a film from The Asylum, but I’m an ever so optimistic movie watcher. Some would say naive, in fact. “The Surge,” also known as “The Secret Craft” also known as “The Source,” has a relatively good idea on its shoulder that could be turned in to something of a magnificent low budget epic if it really had some talent in its corner. Alas it doesn’t, thus we’re subjected to what is primarily a really bad rip-off of “The Craft.”
Batman: Year One (2011) [Blu-Ray]
Frank Miller basically re-thought how we look at Batman today. Everyone from Bruce Timm to Christopher Nolan has taken a cue from the master writer who completely re-worked Batman for the modern era where the camp was no longer present and the grim takes on morality and justice became ever present in what we know as the character so well. “Batman: Year One” attempts to take the original Frank Miller graphic novel and transform it in to a small film that does its job in telling the tale of two forces of good that would walk in to Gotham City almost at the same time and become a true force of nature in changing the law and transforming the seedy underworld in to a haven for cowards and thugs.
S: A Superman Fan Film (2011)
Director Johnny K. Wu thankfully doesn’t try to re-invent the wheel when it comes to “S: A Superman Fan Film.” Essentially it’s an homage to the classic tropes of the Superman mythos that tells its story under thirty minutes and uses its array of dazzling green screen effects and top notch costumes to get the job done in conveying a simplistic and rather meat and potatoes Superman tale. While at times a bit campier than I would have liked, “S: A Superman Fan Film” is a loyal and rather entertaining Superman fan film that pits the man of steel against his two greatest nemeses.
The Ark (2007)

Some viewers of Grzegorz Jonkajtys’s work may consider his films to somewhat pessimistic about the world, but I view them as a refreshing state of animation where we can reflect upon our own humanity for once. Not all animation has to have dancing penguins and talking teapots to be considered watchable. Most times animation can be used to reflect humanity as a whole. That’s what “Ark” essentially is. While it’s another post-apocalyptic tale, it’s also a meaningful one about one man’s struggle to stave off a disease that’s consuming his very essence.
Zombie Apocalypse (2011)

The Asylum never met a trend they didn’t hop on to for all the moolah in the world. Since zombies are all the rage and have become something of a culture in the world, The Asylum naturally jumps on the bandwagon to offer up their own view of what the world would look like under the rule of the walking dead. Or “zombies” as the characters call them. This time around director Nick Lyon is at the helm and brings us a movie that is not so much an original film so much as it is a pastiche of better sub-genre offerings.
Drive (2011)

Director Nicolas Winding Refn’s 2011 masterpiece may be one of the most misunderstood gems of the year. Rather than opting for a simple take off on the Ryan O’Neal classic heist film, he instead focuses in on the consequences of the choices made by criminals and the deeply meditative state of life that can ultimately be a reflection of the crimes we commit throughout our years. “Drive” feels almost like that lost jewel of the late seventies and early eighties, a film that focuses solely on the aftermath of crime rather than the crime itself and zeroes in on a sole individual whose own choices have come back to haunt him and ultimately put him in a position where he must seek redemption before the evil corrupts the only good in his life.

