After watching “A Lonely Place to Die” it’s a darn shame that Melissa George isn’t more widely acknowledged by American audiences. She has a unique striking beauty, a dazzling on-screen presence, delivers some truly strong performances, and plays a dashing on-screen heroine. After watching her in the hidden gem “Triangle” and now this near masterpiece of a thriller, I find it shocking that George isn’t a huge star in the states as she should be. She’s prone to playing strong often independent women and here she flexes her muscle and scowl with what can only be described as a teeth grinding thriller that will leave most audiences clutching their seats in agony.
The Three Musketeers (2011)
You can usually tell when you’re watching a Paul WS Anderson film. For one, you can often hear him salivating at the presence of his wife Milla Jovovich, an untalented waif of a woman who Anderson persists in turning in to an action star, placing her on the highest of pedestals. And secondly, most of the best fight scenes are filtered through some of the most painful slow motion imaginable. I’m still not sure what Anderson fetishizes more at the end of the day, Milla or slow motion, but surely enough he revisits both corners with his re-working of “The Three Musketeers.” Anyone expecting a sophisticated, adult, and masterful adaptation of the Alexandre Dumas novel will have to wait a lot longer as Anderson is mostly content with subjecting audiences to a brutally infantile and wholly bland version of one of the greatest stories of all time.
Scream 4 (DVD) (2011)
It’s funny. Even with all of the technological improvements and modern facets that Wes Craven implements with “Scream 4” for his new Ghost Face Killer, this 2011 output of the “Scream” franchise still feels painfully dated and utterly irrelevant. At a time where slasher films were once old news and horror was a dead genre, “Scream” came on to the scene and revived both the slasher sub-genre and the horror genre once more. But during a time where horror has become choked with new directors, original visionaries, foreign artists, and remakes galore, “Scream 4” feels much too little and much too late. “Scream” maintained a firm relevance through the years for quite sometime because it was a welcomed revival that brought to mind why we liked the genre in the first place. But with the film industry becoming more and more a bastion for the new filmmaker with at home technology that allows him to cut a film in under a year so easily, “Scream 4” doesn’t really do much for the genre. Had this entry arrived five years ago I can safely say that Craven would have surely been welcomed in to theaters by yours truly, but there simply is nothing left to do with the “Scream” premise.
The Night Caller (2011)
One thing you can be sure about in horror is that if someone makes a promise, they’re going to keep it no matter what. Thus is the conundrum with “The Night Caller.” Originally I thought this would be yet another iteration on the famous urban legend about the babysitter, but alas it ended up being something completely different. And so much more uncomfortable in its premise. Though “The Night Caller” doesn’t have any ghouls of vampires or amazing special effects, it has a shocking ending that will leave audiences uneasy for a good period of time.
Alien Vault (Special Edition Hardcover)
It doesn’t matter whether or not fans prefer the raucous party that is “Aliens” or the slow burn terror that is “Alien,” no matter what there will never be another film like Ridley Scott’s “Alien.” Many have tried to duplicate the subtle horrific tale of a group of scavengers stuck on a ship with a creeping alien capable of striking them down at any moment, but very few have been able to capture that thrill and chill that Scott embodied so well with his fixture. Though “Aliens” is a welcome addition to any repertoire, not even James Cameron could capture the dark essence of the alien creeping in the corners of this creaky barge ready to murder and harvest any human host it could seek out. Ian Nicholas brings together an absolutely incredible compilation book that makes up the essential encyclopedia chronicling the development and making of “Alien.”
The Walking Dead Season Two, Episode One: What Lies Ahead
What we see in “What Lies Ahead” is a group of people trying to prove someone wrong. At the end of the first season they were told by Doctor Jennings from the CDC that there is nothing in the world, and there is simply no hope. Which is why he attempted to commit suicide with the group aboard.
But the end of the episode showed that they were all willing to fight for their lives because there was hope. Hope had to mean something to him and to them. What we witness in “What Lies Ahead” is a group on the raggedy edge where they’re now laying witness to the wasteland where all hope is lost.
The Walking Dead: Season Two, Episode One – What Lies Ahead
What we see in “What Lies Ahead” is a group of people trying to prove someone wrong. At the end of the first season they were told by Doctor Jennings from the CDC that there is nothing in the world, and there is simply no hope. Which is why he attempted to commit suicide with the group aboard. But the end of the episode showed that they were all willing to fight for their lives because there was hope. Hope had to mean something to him and to them. What we witness in “What Lies Ahead” is a group on the raggedy edge where they’re now laying witness to the wasteland where all hope is lost. But damned if they’re willing to admit to one another and to themselves that they were perhaps better off dying in a ball of flames at the CDC. What Rick’s dilemma ultimately is in this episode is a man searching for a miracle.