Bomani J. Story’s horror film is one part family drama, one part Frankenstein, and one part Re-Animator. Deep down beneath its grue and gore is a very relatable and heartbreaking tale of a family divided by death and a girl determined to beat it. Much of “The Angry Black Girl and Her Monster” is centered around young Vicaria, a literal mad genius who is convinced that she can cure death, and like most mad geniuses, she finds out along the way that what is dead should stay dead, and that her madness might be symptomatic of the world she lives in.
The 10 Most Intriguing Lost Screen Tests of All Time
For every sure-bet in movie casting, there are scores of questionable decisions on whether an actor can handle a certain role. And that’s where the screen test comes in.
A screen test provides the opportunity for a director and producer to determine whether a specific part should go to an actor who might not be the obvious choice for the role. David O. Selznick memorably shot scores of screen tests to find the right actors that would bring Margaret Mitchell’s characters to life in the film version of “Gone with the Wind” – except for the role of Rhett Butler, which was always envisioned for Clark Gable. Several decades later, George Lucas brought together a line-up of promising under-the-radar talent to test for his “Star Wars.”
Spider-Man: Across the Spider-Verse (2023)
While “In to the Spider-Verse” demonstrated Stan Lee’s philosophy that anyone can be Spider-Man, and anyone could be a hero, “Across the Spider-Verse” is an exploration of the hero’s biggest mantra. “Spider-Man’s” core philosophy has always been that with great power, comes great responsibility, and with the follow up to the immensely successful “In to the Spider-Verse” we garner a look at the fallout from the abuse of massive power, and how it can corrupt even the best of us.
The Aimless Joy of Youth: “Dazed and Confused” at 30
One thing Richard Linklater can never be accused of is someone that deals in concepts of fate and destiny. He’s also pretty much an atheist when it comes to storytelling. His characters aren’t fulfilling destiny or living up to a higher purpose (e.g. “Boyhood”). They’re merely characters drifting and crashing in to one another, creating random occurrences that may or may not work out the way they want to. Jessie and Celine in “Before Sunrise” are just drifting along the world until they meet one day. The dreamer in “Waking Life” is just drifting through his sub-conscious meeting others. Jake is ostensibly drifting around in “Everybody Wants Some!!” Hell, even Dewey in “School of Rock” doesn’t truly fulfill any grand destiny, except merely learning to grow.
Hollywood Dreams & Nightmares: The Robert Englund Story (2023)
For fans that are expecting another documentary about Robert Englund as Freddy Krueger, “Hollywood Dreams & Nightmares” ends up being much more about Englund the actor. While the documentary, clocking in at two hours, does explore a lot about Robert Englund’s time as Freddy Krueger, Gary Smart and Christopher Griffiths’ film is so much more about the actor and thespian Robert Englund. I’m quite happy that that’s the angle that they aim for, as “Hollywood Dreams & Nightmares” is able to set itself apart from so many other horror documentaries. Robert Englund is a seasoned actor and thespian who was classically trained and spent his life trying to perfect his craft.
Western Wednesdays: The Range Busters (1940)
SYNOPSIS:
After a series of mysterious murders at the Circle T Ranch, owner Homer Thorp [Horace Murphy] decides it is best to enlist some outside help to track down the phantom killer. When Thorp himself is shot, his daughter Carol [Luana Walters] insists there be action taken. In comes the Range Busters consisting of “Crash” Corrigan [Ray “Crash” Corrigan], “Dusty” King [John “Dusty” King] and “Alibi” Terhune [Max “Alibi” Terhune] with his dummy Elmer to unravel the mystery and they immediately engage in a brawl with Torrence [Leroy Watson] and his henchmen.
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Brooklyn 45 (2023)
“Brooklyn 45” is a film that only Ted Geoghegan is capable of. It’s a ballsy, richly developed, and fascinating character study masking as a supernatural horror film. It’s like watching a stage play unfold on film with a seasoned, brilliant cast putting to life an absolutely compelling narrative. While “Brooklyn 45” features ghosts, and poltergeists, and some gnarly gore, it’s merely window dressing for a deeper look at the aftermath of a horrible war, and our grappling with the concept of death. Director Ted Geoghegan has a real flair for ensemble movies and creating genre entries that are just out of left field.