Wes Craven was a man who managed to re-invent the horror genre at least three times during his entire career. Craven was a man who helped define a lot of the modern tropes we take for granted, and yes, even brought the nineties out of the drudges with his jolt of adrenaline known as “Scream.” However, sometimes Craven’s efforts didn’t always click, and while he had a knack for fascinating characters and complex situations, “Deadly Friend” is one of his more notable genre misfires.
Snakehead (2021)
A newly arrived immigrant works off her debt to the people who helped her get to America. In doing so, she finds herself working as a human smuggler and making some hard decisions along the way.
Ninja Badass (2020) [Nightmares Film Festival 2021]
When a mega corp of ninja training comes to town and a super babe is kidnapped, Rex much leap into action to save her and the area from ill-intentioned bad guys.
Can We Talk About Joan Rivers?
Joan Rivers could have a major force in movies, but she somehow never found her niche despite several attempts from both sides of the camera. Actor/writer Joe Mannetti offers his insight in this episode of “The Online Movie Show” podcast, which details Joan’s highs, lows and missed opportunities in the movie world.
Frankenstein’s Daughter (1958): The Film Detective Special Edition [Blu-Ray]
The Z Movie to end all Z movies, “Frankenstein’s Daughter” is both a cult classic and a classic piece of cinematic trash. It’s a god awful attempt to take the Frankenstein tale and retro-fit it in to a teen horror drama about coming of age, legacy, and uncomfortable scenes of men aggressively hitting on high school girls. In either case, “Frankenstein’s Daughter” is something of an anomaly, it’s a movie that’s been widely accepted within the genre, but it’s just so painfully bad when you finally experience it.
You Got Red On You 2022
The sequel you knew was coming!
This 4th year, folx know what to expect: a calendar focusing on horror. In particular this year, its indie creators with a queen of the horror world who is a regular of indie films, big budgets, and everything in between as the cover lady. If you have not recognized her yet, she is the one and only Eileen Dietz (The Exorcist, Itsy Bitsy, a total of 119 credits to this day).
Kratt (2020) [Screamfest 2021]
When left under their grandma’s care while their parents go on vacation, a brother and sister find themselves without electronic devices. When they meet two local kids and find a mysterious book, they work together and awaken a Kratt who is hellbent on causing mayhem if not kept occupied with a job at all times.