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The Bootleg Files: Kokoda Front Line!

BOOTLEG FILES 671: “Kokoda Front Line!” (1942 Australian newsreel).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: No perceived commercial value for the U.S. market.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It can be found on Australian DVD, but it is not likely to be released on a U.S. label.

If you are an Academy Award trivia buff, you will recognize “Kokoda Front Line!” as the first Australian film to win an Oscar. If you are World War II history buff, you will be familiar with the importance of “Kokoda Front Line!” in covering an important battle in the Pacific combat. But if you are not up to speed on either your Oscar factoids or your World War II knowledge, then hopefully you might come away from this week’s column with something worth learning.
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Valentine (2001): Collector’s Edition [Blu-Ray]

Jamie Blanks’ “Valentine” is one of the many latter day slasher films that would completely steal from the premise of “Slaughter High” and retrofit it to a new generation, as well as blatantly ape the gimmick of “I Know What You Did Last Summer.” “Valentine” is one of the more ambitious slashers that not only steals from “Slaughter High” but also jumps on the valentine holiday as its primary gimmick for the stalking and slashing. “My Bloody Valentine” always has my loyalty, while “Valentine” is just a sub-par absolutely vanilla slasher thriller with the classic whodunit plot motivation that also became a common element of latter day slashers post-“Scream.”

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Tito and the Birds (Tito e os Pássaros) (2019)

It’s a very good element of animation that it is so accessible and can be fit to work in any story no matter how extraordinary it may be. Animation allows the creator to be as unique and individual as possible, while also conveying an important message that deserves to be heard now more than ever. I can’t say that I loved “Tito and the Birds” but I very much enjoyed it is an imaginative and entertaining adventure with an important message to give its audience about prejudice, xenophobia, the value of animals, and the irrational hysterical fear of the impoverished that’s become so common.

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United We Fan (2019)

I wasn’t aware of the idea of the fan campaign until 1999 when the quest to save the science fiction show “Farscape” made a ton of headlines. I soon realized that what happened wasn’t an isolated incident, especially as “Firefly” earned a ton of fan support. While fan campaigns like petitions and mail in campaigns have become common place on the internet, fan campaigns reach far back before even home computers were ever made available. “United We Fan” is an original and quite fantastic look at the birth of fan campaigns, how the entire concept represents the best of fandom and the fan community, and the destruction of stereotypes that’s followed the concept of fan campaigns for years.

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Mothering (2018) [Slamdance Film Festival 2019]

There are those short films that you go in to, and when they’re done, you wish they could have been so much longer. Lucy Bridger’s drama about a young girl name Mia (Sapphire Paine) who learns to live with a new foster family is subtle, sweet, touching, and actually quite excellent. I would have to see director Bridger adapt this in to a full length film someday very soon.

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Reign of the Supermen (2019) [Blu-Ray/DVD/Digital]

One of most controversial and divisive story arcs of the nineties is brought to the small screen in an epic fashion, and DC and Warner manage to adapt the final half of the “Death of Superman” storyline for a broader audience. While nineties kids will love to see the whole mystery of the Four Supermen once again, DC works within the limitations of the characters they’re allowed to use, and re-imagines most of the storyline of the Reign of the Supermen, right down the primary antagonist working behind the scenes.

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Remembering the Excellence of “Superman: The Animated Series”

With the success of his iconic adaptation, “Batman: The Animated Series” behind him, creator Bruce Timm was asked by Warner Bros. in 1996 to produce a companion series to the darker crime drama. The natural jumping off point from Batman was, of course, Superman, the equally recognizable and ever immortal character from DC Comics. With “Batman: The Animated Series” ensuring the success of DC translating in to the animated medium, Superman was a welcome change of pace for the medium Timm had helped innovate for the decade. It was also a welcome reboot for Superman fans who wanted the Man of Steel brought in to the decade.

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