In the realm of cinema, the 1975 blaxploitation feature “Dolemite” might be the closest thing that the medium has to folk art: its raw form carries strains of both naivety and shrewdness, resulting in a work that is mesmerizing for its utter lack of polished structure.
Kidnap Capital (2016) [Fantasia International Film Festival 2016]
Phoenix, Arizona. A group of kidnap victims are taken in a house like many others. There they are kept captive, beaten, and forced to contact family and friends for their ransom. Part of the group is an expecting couple who are split up as they keep the men and women separately. The father-to-be does everything he can to protect his wife and unborn child.
Realive (2016) [Fantasia International Film Festival 2016]
Marc Jarvis has made a good life for himself, a successful career, a house by the beach, great friends, and the love of his life by his side. That is until he is diagnosed with an incurable disease. He decides to live to the fullest and die on his own terms, then get cryogenically frozen until a time when his disease can be cured. When this day comes, he is put back together like some kind of futuristic Frankenstein’s Monster and brought back to life.
Session 9 (2001) [Blu-Ray]
Brad Anderson’s supernatural thriller is perhaps one of the most criminally overlooked genre entries of the early aughts. In a time where most audiences are embracing cinema about the supernatural, “Session 9” deserves another look and so much more praise than ever. Director Anderson doesn’t opt for cheap jump scares and shocks, so much as he does a slow boil and uneasy thriller that culminates in a rather disturbing explosion. Upon first viewing “Session 9” it’s safe to say the climax threw me for a loop and kept me thinking about it for days. “Session 9” feels so much like a real life dramatization of actual events, thanks to director Anderson’s digital photography and tendency to film in one setting for the duration of “Session 9.”
Clown (2016) [Blu-Ray/Digital]
For such a unique premise and concept, it’s surprising how unremarkable “Clown” ends up being, in the end. Despite its best efforts, “Clown” feels like a short film that perhaps should have stayed a short film, as most of its narrative feels spread out to fit a hundred minutes. And I don’t know how they’ll pull off a sequel, if the final scene is any indication. “Clown” probably watches a lot better as a short film, but it breezes through the premise in the first thirty minutes and stops being interesting by the end of the first hour. Kent is an average dad who finds out the clown he had booked for his son’s birthday has cancelled. Anxious to keep his promise of a clown, Kent goes rummaging through his basement and finds a clown suit locked in a mysterious chest.
X-Rated Alley: Up in Flames (1978), Tinto Brass 4-Set
Unofficially based on The Fabulous Furry Freak Brothers and Mr. Natural underground comics, “Up in Flames” is an adult film stinker that looks like someone took a bunch of stoners and tried to create their own X Rated comedy for the local grindhouses. At only an hour in length, we meet a trio of slacker stoners that are given one more day to come up with rent for their apartment, or else they’re going to be kicked out.
Agonie (2016) [Fantasia International Film Festival]
A law student starts a fling with another student. A young ex-military trains to become stronger. The law student works out his bedroom kinks with his girl in increasingly violent ways. The ex-military discovers a potential new side to himself that he has difficulty accepting. Both lash out in violent ways, one going to an unexpected extreme. David Clay Diaz creates an almost sober drama with his script writing and direction. The film shows the lives of two early twenties men and how their lives evolve. Both of their stories evolve slowly throughout most of the film until each of their story’s end when things take a turn with acts of violence changing everything for both of them.
Both stories are strong character studies of two very different men. The calm and control of the first, his disconnect from most of society, lead him to being able to do despicable acts without anyone expecting it or knowing why. The second is more volatile but also more involved with others, he has a short temper that leads him to bad decisions and violence, but for him it’s anything but cold, he is more connected to his surroundings, creating a much different character. This dichotomy of types and style is artfully contrasted in how David Clay Diaz represents each of their lives, their surroundings, their families, and the characters themselves.
As both stories are contrasted, each has its lead character. The law student, Christian, is played by Samuel Schneider who plays charming with a very cold side, like a calculated man who knows when to be charming but who gets satisfaction from inflicting pain of increasing intensity. As the film goes by, his shows an increasing to complete disconnect with society, very little bring a reaction out of him. The performance by Schneider reflects this perfectly. Playing the other lead of Alex is Alexander Srtschin bringing a nervous, twitchy energy to his scenes, even the calmer ones to some extent. He shows his characters inner turmoil without saying a word. Both of them show talent and how great casting can make all the difference.
The film’s story is slow and dark, so the cinematography by Julian Krubasik matches this. His framing showcases the grey weather, the coldness of the stories and of life. His style fits the film and its characters, showing everything as it is, no sugar-coating, no adding any hope with happy images.
Agonie is a very cold drama with little emotions from the characters besides various forms of anger and indifference. The little bit of love that is shown is quickly snuffed out. According to the director’s IMDB page, his next movie is one titled Agony to come out in 2016, which sounds a lot like a remake, so see the original first if you can.
Fantasia International Film Festival ran from July 14th until August 3rd, 2016 and will be back in the summer of 2017.