After watching “A Lonely Place to Die” it’s a darn shame that Melissa George isn’t more widely acknowledged by American audiences. She has a unique striking beauty, a dazzling on-screen presence, delivers some truly strong performances, and plays a dashing on-screen heroine. After watching her in the hidden gem “Triangle” and now this near masterpiece of a thriller, I find it shocking that George isn’t a huge star in the states as she should be. She’s prone to playing strong often independent women and here she flexes her muscle and scowl with what can only be described as a teeth grinding thriller that will leave most audiences clutching their seats in agony.
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Attack the Block (2011)
As a product of its environment, “Attack the Block” is not only the definition of an independent film, but one of the finest films of the year. A true testament to the ingenuity capable by filmmakers under a small budget and limited resources, director Joe Cornish’s “Attack the Block” is that rare cinematic adventure that manages to live up to expectations and surpass them at the same time. It’s one of the most pleasant experiences I’ve had at the movies in years mainly because it’s so competently made and well imagined that it doesn’t require the respective movie goer to do much except watch mankind fight some alien monsters in the middle of the UK.
Almighty Thor (2011)
Never ones to be outdone by the big budget action spectacular that is “Thor,” The Asylum continues their tradition of finely timed mock busters releasing “Almighty Thor” for the masses and what a dilly of a pickle it is. As a production it’s quite a creative bit of wannabe big budget entertainment, but deep down it lacks all the basic necessities of filmmaking that include competent special effects and solid performances. The second best option to Anthony Hopkins, Kevin Nash for one, is hilarious as the father Odin, who can barely squeeze out a bit of dialogue without panting.
Anneliese: The Exorcist Tapes (2011)
In 2006 when The Asylum’s “Halloween Night” was released, the studio claimed the film about a mental patient that crashes a Halloween party and begins slaughtering the guests, was based on true events because at the time there were reports of a mental patient on the loose and for a moment they were sure the patient snuck in to the party only to be assured he wasn’t. That’s their reasoning for calling something a true event, so I expect the same amount of circular logic and convoluted reasoning from Asylum’s spin doctors for proclaiming “Anneliese: The Exorcist Tapes” completely and one hundred percent true in footage when it becomes painfully apparent from the opening that not only is the film one hundred percent staged, but about as poorly acted as any other Asylum farce to boot.
Aaah! Zombies!! (2007)
There’s something absolutely genius about director Matthew Kohnen’s horror comedy in which he concocts a formula that’s been done before, and yet feels absolutely brand new. We’ve seen it a thousand times: the government is devising a new toxin for war fare and before they realize it they’ve created a breeding fluid for zombified soldiers. Choosing instead to do away with it, they camouflage the chemical as baby formula and drive it off to a deserted locale. Thanks to inept truck drivers, a barrel falls off the truck and in to a local town behind a bowling alley.
All Star Superman (2011) (DVD)
“My last adventure is about to begin…”
I never actually was able to read all of Grant Morrison’s much hyped and controversial “All Star Superman” when it was originally released in newsstands back in 2005, so for me watching “All Star Superman” was mostly new territory. While I loved Morrison and Quitely’s treatment of the man of steel (for what I read), I lost track of the series, so 2011’s “All Star Superman” is fresh terrain that I was mostly excited to sit through, especially when you consider the cast of seasons heavyweights like Christina Hendricks, Anthony LaPaglia, Frances Conroy, and John DiMaggio respectively. “All Star Superman” remains about as true to Frank Quitely’s unique artistic design as possible while adhering to the neo-anime tone that DC has sidled with over the years. While the 2011 movie is short in the tooth, it is absolutely satisfying, especially in its ability to remain firmly entrenched in anime devices that keeps “All Star Superman” anything more than another stock Superman title.
The Awakening (2005)
Believe it when I say that I wanted to love “The Awakening.” Truth be told when I popped in the DVD for Mike Conway’s action science fiction film, I was excited and wanted to see what he could do with a budget of just six thousand dollars. While he manages to pull off some neat tricks with his budget that can barely feed a household for two for a year, “The Awakening” suffers from glaring flaws that bog it down in to dismal heights.