After watching “A Lonely Place to Die” it’s a darn shame that Melissa George isn’t more widely acknowledged by American audiences. She has a unique striking beauty, a dazzling on-screen presence, delivers some truly strong performances, and plays a dashing on-screen heroine. After watching her in the hidden gem “Triangle” and now this near masterpiece of a thriller, I find it shocking that George isn’t a huge star in the states as she should be. She’s prone to playing strong often independent women and here she flexes her muscle and scowl with what can only be described as a teeth grinding thriller that will leave most audiences clutching their seats in agony.
Tag Archives: Action
The Three Musketeers (2011)
You can usually tell when you’re watching a Paul WS Anderson film. For one, you can often hear him salivating at the presence of his wife Milla Jovovich, an untalented waif of a woman who Anderson persists in turning in to an action star, placing her on the highest of pedestals. And secondly, most of the best fight scenes are filtered through some of the most painful slow motion imaginable. I’m still not sure what Anderson fetishizes more at the end of the day, Milla or slow motion, but surely enough he revisits both corners with his re-working of “The Three Musketeers.” Anyone expecting a sophisticated, adult, and masterful adaptation of the Alexandre Dumas novel will have to wait a lot longer as Anderson is mostly content with subjecting audiences to a brutally infantile and wholly bland version of one of the greatest stories of all time.
The Horde (La Horde) (2009)
It’s cops and robbers meets zombies in Yannick Dahan and Benjamin Rocher’s French zombie spectacular entitled “La Horde.” One of the main things I love about today’s zombie films is that we don’t often go too deep in to what’s causing a zombie apocalypse, nor do we ever find the characters questioning what is causing this mayhem. We just know their asses are about to be chomped on and they have to move quick. From “Dead Set” to “Rammbock” right down to “The Walking Dead,” not much is made of what is the cause of the apocalypse so much as is how to work around it. “La Horde” is one of the many zombie flicks that just doesn’t understand a good zombie movie has to be about the people in and around it and less about the zombies.
Creature (2011)
If you’re looking for a good old fashioned horror film with a man in a rubber suit painted to look like one ferocious motherfucking monster, you need look beyond “Creature.” What is “Creature” but a poor man’s “Creature from the Black Lagoon,” a movie about a bunch of tourists, and a backwoods monster in New Orleans who has a hefty appetite for attractive women and muscle bound men. Shocking enough, “Creature” is a theatrical release in 2011, and tells the tale of a bunch of American tourists–a few of whom happen to be Navy Seals (this is important for the second half of the film)–who happen in to the back woods of New Orleans in search of adventure. Little do they know that if you come across Sid Haig on any adventure, you’re bound to find trouble and terror. It’s just common sense. Granted, Haig is an icon of the horror culture, but he should be in the horror rule book as a word of warning to anyone seeking adventure.
Attack the Block (2011)
As a product of its environment, “Attack the Block” is not only the definition of an independent film, but one of the finest films of the year. A true testament to the ingenuity capable by filmmakers under a small budget and limited resources, director Joe Cornish’s “Attack the Block” is that rare cinematic adventure that manages to live up to expectations and surpass them at the same time. It’s one of the most pleasant experiences I’ve had at the movies in years mainly because it’s so competently made and well imagined that it doesn’t require the respective movie goer to do much except watch mankind fight some alien monsters in the middle of the UK.
Nikita: The Complete First Season (DVD)
I didn’t think it was actually possible, but the CW and Warner actually managed to create yet another “La Femme Nikita” television series, and one that has managed to be the most entertaining yet. After the critically panned “Point of No Return” and the instantly forgettable Peta Wilson vehicle “La Femme Nikita,” I was admittedly very skeptical a network could tackle the Luc Besson action masterpiece and provide a watchable spin on it. Admittedly season one of “Nikita” isn’t perfect. The first three or four episodes meander in to romance melodrama and the writing is pretty clumsy all things considered, but once the season and the show finds its footing it manages to be a rather entertaining and dark spy thriller. Maggie Q finally gets her due leading the series “Nikita” which takes a new spin on the Luc Besson picture of the same name.
I Hate Anime!
I hate Anime. I know. I often get looks of shock and awe from people who know me and know I’m a complete pop culture junky but I hate Anime. I hate it in every incarnation and rarely do I ever approve of it. Liking anime is akin to having a tattoo. You grab the most obscure and edgy design imaginable only to discover your next door neighbor who happens to collect potato chips in the shape of Jesus has one and suddenly you realize you’re not really as ahead of the game as you think, and that’s just where anime fans and the anime trend finds itself. Anime fans always pretend they’re ahead of everyone else as if they’re on to something other people aren’t, when in fact all of mainstream has embraced anime as the norm and is transforming every single property it can in to anime from “Spider-Man” to “Cloverfield.” It’s not hip, and the ones that actually are obscure are much too disturbing for anyone to actually indulge in.