The sequel to Genndy Tartakovsky’s entertaining “Hotel Transylvania” is what I’d define as blatant cash grab. It’s a follow up with a very typical and broadly written turn of events, what narrative it offers for the follow up is slim and often times nowhere to be found, all the while the sequel as a whole feels like a glorified pilot for the inevitable “Hotel Transylvania” TV show. I almost expect an announcement after the initial sales for the home video release about a TV show coming down the pipe. The movie essentially sets up characters for a TV series, and it’s barely competent as a sequel. Of course rather than focus on the dynamic between Mavis and new husband Johnny, we now view them as parents.
Tag Archives: Animation
Our Top 10 Minority Movie Heroes Part II
I had a good time compiling a list of some of the best and most entertaining minority movie heroes, so I thought it’d only be fitting to offer up a sequel to the list with ten more movie minority movie heroes. I had a lot more suggestions this time thanks to the help of some friends, but narrowed them all down to these ten interesting and magnetic heroes of film. Did I miss any characters that you feel should have been included? Let us know!
The Diary of a Teenage Girl (2015) [Blu-Ray/Digital]
You have to appreciate the gutsy turn “The Diary of a Teenage Girl” takes when it dares to enter in to a coming of age tale that is about as realistic as it can get. When our character Minnie begins realizing her own sexual attraction to her mother’s boyfriend, it comes off more as creepy and awkward, no matter how much dreamer Minnie tries to romanticize it. She paints the dynamic between her and her mom’s boyfriend Monroe as something of a realization of her adulthood, when really it’s downright hedonistic self satisfaction with absolutely no thought toward the consequences she and her would be lover may face.
Though Minnie finds it fun to tempt Monroe by sucking his finger during a play fight, it’s about as gross as you’d expect with a thirty year old man hitting on a fifteen year old girl. When they finally do sleep together, director Marielle Heller drives the point of Minnie’s coming of age, when post-coitus, Monroe proudly smears Minnie’s blood along his thigh. A lot of Minnie’s own affair with Monroe is pure pleasure, and its eventual fall out is very real, causing her to sink somewhat in to a darker world of drugs and drinking. It becomes especially harrowing when she begins to dabble in darker corners of her city as a means of coping with her pseudo-affections for Monroe.
Alexander Skarsgård is very good as the slimy Monroe who presents opportunities for Minnie to dabble in to areas of her life she’s always been afraid to visit. All the while star Bel Powley handles the material like a champ, providing a very unique turn as main character Minnie whose actions eventually transform in to self destruction and self inflicted punishment. Her own moral code and decisions will cause the viewer to consider time and time again whether they really like Minnie or not, and even when we close the film, it’s never a surefire bet that she’s a good person that will redeem herself in the future. For her it’s something of a dreamy fantasy she’s fulfilling, while it looks to the objective viewer, like an older man preying on something of an idyllic young girl.
If I have any complaints it’s that Christopher Meloni and Kristen Wiig are wasted and never given a chance to really shine; especially Wiig who is given a smaller role that doesn’t compliment her ability to be funny or complex. “The Diary of a Teenage Girl” is nonetheless an entertaining and often compelling drama comedy that dives head first in to the coming of age of a young woman, warts and all.
Featured in the stuffed blu-ray is an audio commentary with director Marielle Heller and Actors Bel Powley and Alexander Skarsgård. The commentary is fine enough with some fun anecdotes, and information about the filmmaking process. There is a trio of deleted scenes all of which clock in at an average of two and half minutes.
“Marielle’s Journey: Bringing the Diary to Life” is a twenty three minute look at director Marielle Heller’s history with the source material, the look at the stage adaptation and the transition to feature film. There are interviews with the cast and crew, a look at the themes and details of the narrative, including characters, the process of casting, the process of including the sex as a plot element, the film’s tone and so much more. There’s a twenty five minute Q&A with Marielle Heller, Alexander Skarsgård and Bel Powley with moderator Jenelle Riley who engages in a very informative Q&A. Finally there’s the original theatrical trailer.
The Lion Guard: Return of the Roar
With “The Lion Guard,” you have to keep telling yourself, it’s mainly a show for the kids, and you might be able to forgive some of the mistakes it makes. While it does make the wise choice of somewhat ignoring the lackluster sequels to “The Lion King,” it also adds unnecessary dimension to what was already a complex animated movie. Since the series “The Lion Guard” is touted for kids, I doubt Disney will do much to patch up continuity problems, so you have to decide if you want to acknowledge “The Lion Guard.” This time around, “The Lion Guard” is set somewhere during Simba’s reign and obviously before “The Lion King 2.” As a matter of fact, “The Lion Guard” essentially ignores “Simba’s Pride,” altogether.
World of Tomorrow (2015)
The crude animation for “World of Tomorrow” seems like something that would distract from the overall experience, but thankfully Don Hertzfeldt’s short is still very powerful. The impact of the message and the ideas about time travel and unchangeable destiny still resonate, and the crude animation and simplistic voice work almost seem to compliment the abstract ideas presented here.
Heavy Metal 2000 (2000)
Boobs! Big Boobs! Big beautiful breasteses! Now that that’s out of my system, “Heavy Metal 2000” is primarily a sequel to pay tribute to the walking Amazonian that is Julie Strain. While it is adapted from a “Heavy Metal” novel like its superior animated entry, this is a film very much of its decade that is hell bent on convincing you that Julie Strain is a goddess. Not that it takes much convincing, mind you, but Strain succeeds in pull off a heroine who is very sexy but also tough as nails, and doesn’t mind getting her hands dirty; especially when her equally sexy sister is taken hostage.
Heavy Metal (1981)
There was always something about a rotoscope animated astronaut driving a top down corvette convertible from space to Earth that always screamed the eighties to me, and surprisingly it still works in encapsulating the surrealism of “Heavy Metal.” If you can accept the film for what it is, which is basically a man’s wet dream filled with misogyny, sex, big breasts, and mild exploitation, “Heavy Metal” is a solid animated anthology with some damn good music to accompany its epic sprawling tale. After the astronaut Grimaldi brings home mysterious green orb from space for his daughter, he’s melted and his daughter is shown by the sentient sphere named Loc-Nar, the extent of its power and influence through time and space.






