Black Coffee (2009)

Posted on March 11, 2010 by Felix Vasquez

Tran Quoc Bao is a very talented filmmaker who I first was introduced to with his short “Bookie” which was a pretty good neo-noir crime thriller. The only reservation I had with this is that Bao has potential to stage a truly exciting feature length thriller here and whether it’s about the budget or the capabilities to do so, I would love to see this eventually made in to a full length mystery that could fully realize the talents of the entire production crew. “Black Coffee” is a film that aspires to take a page from the Hitchcock book of filmmaking.

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The Blind Side (2009)

Posted on February 17, 2010 by Felix Vasquez

Admittedly I’m an old cynical bastard in a young man’s body, so nine times out of ten inspirational sports films don’t connect with me at all. “The Blind Side” took everyone by surprise and I don’t think anyone expected it to hit as big as it did. But sure enough it did and I’m more surprised than anyone that I quite enjoyed myself most of the time because normally I’d find a reason to bash this film as being melodramatic. Sure it is melodramatic but oddly enough most of the events that occur here actually happened. Someone actually did take a poor African American child from the ghetto and turn them in to a fine upstanding citizen with a plethora of opportunities and it’s because of the Tuohy’s that Michael Oher was able to pursue his dreams and break free from the prison that is poverty and crime. John Lee Hancock directs quite a visually soft film that doesn’t play too heavy on the sap.

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The Lovely Bones (2009)

Posted on December 19, 2009 by Felix Vasquez

Peter Jackson is usually a very competent director. Hell, he’s a skilled director who can take any concept he wants to tackle and tackle it with great prowess almost never failing. With “The Lovely Bones” the man doesn’t seem to be hitting his stride and instead looks to be sleepwalking through what could have been an excellent film. I never read the novel before but I felt that was what would give me the ability to see through what Jackson was attempting to accomplish. Instead what I received from his latest was a story that was often confused about what it was trying to say. He seems to want to jump on every theme and plot point possible and this causes a cluster fuck in its focus hopping from character to character from perspective to perspective.

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Fast & Furious (2009)

Posted on December 13, 2009 by Felix Vasquez

I want to live in the world that Justin Lin has created in the fourth film of the “Fast and the Furious” franchise. In it people can smash through windows like they’re cutting through paper, bullets don’t necessarily harm them, racers can speed through city streets without being pulled over or tracked by traffic cops, and they’re able to fly in stealth mode evading authorities in the loudest most conspicuous cars imaginable. That’s the world I want to be in. Probably the biggest turd of the series, “Fast and Furious” presents us with four actors with no other option than to sleepwalk through a hundred minutes of explosions, car chases and the prerequisite bad acting. Particularly from Rodriguez and Diesel whose chemistry is still there and seems to amplify their horrible acting abilities.

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Why Hire a Killer? (2009)

Posted on December 7, 2009 by Felix Vasquez

I always say that you can tell if a movie is going to be really good or flat out stink by the first ten minutes. And that’s because the first ten minutes is when any sensible filmmaker starts off with a hook. It’s a device that gives us something of a bang for our buck that convinces us to stay or just flat out leave it out in the cold for someone else to deal with. Sadly, “Why Hire a Killer?” leaves very little reason to stick with it. Judging by the five minute long opening credits, Director Oscar Sanders really doesn’t have the ability yet to hit us with a hook.

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Northville Cemetery Massacre (1976)

Posted on July 3, 2009 by Felix Vasquez

With a bigger budget, a better cast of actors, and higher production qualities, “Northville Cemetery Massacre” could have been one hell of a movie. But the catch is that it would have never achieved its status as a cult classic if it did have all the perks listed above. Based on a real biker gang, directors/writers William Dear and Thomas L. Dyke’s action thriller set down on the Spirits (known as the Scorpions Biker Club in real life) a kind band of pious cycle riding nomads who peruse the road for something to do. They’re so kind in fact that they stop mid travel to help an old couple whose car has been run off the road. Dyke and Dear’s story set out to educate people on the good biker clubs actually try to do and how stereotyping is the very essence of ignorance.

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The Warriors (1979)

Posted on June 28, 2009 by Felix Vasquez

It was like something out of a Western this film; a gang called “The Warriors” is blamed for the death of the highest gangster of them all and must race to their Coney Island turf before trouble stirs beyond their grasp. It sounds simple enough except every single gang in the city is out for their blood and they must fight their way through colorful delinquents all of whom want to make the small band of rejects pay for the murder. “The Warriors” is a movie I fondly remember being introduced to by my pops who rented this one night and sat us down to bask in the glow of the television and let Walter Hill perform his magic.

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