Known as “Hooker’s Revenge,” and as “They Call Her One Eye,” Bo Arne Vibernius’s “Thriller” is the quintessential grindhouse revenge pic that begat so many after it. When you want to visit what helped influence Tarantino, “Thriller” (Vinegar Syndrome will debuting their own release of the film on 4K Ultra-HD Blu-ray with a different transfer and extras this summer) is where the template was established. While it suffers from narrative flaws here and there, “Thriller” is pure visceral exploitation revenge cinema that still feels about as grimy and gritty as “I Spit On Your Grave” in spite of its restoration.
Tag Archives: Crime
West Side Story (2021)
With Steven Spielberg’s “West Side Story” he manages to offer up a brilliant, dazzling, and engrossing epic retelling of the original musical. It’s stunning how much Spielberg is able to suck us in using the elements of dance as important and crucial moments of exposition in lieu of endless dialogue. To say that “West Side Story” is a surprise, is an understatement. While Spielberg is a wonderful director, there’s never been any indication he could deliver on a musical. But with his version of “West Side Story” is gives us the classic tale of star crossed lovers, and a race war amidst the back drop of New York. Except what Spielberg does is beautifully recontextualizes the entire tale of the Jets and the Sharks for Modern audiences.
The Fallout (2022)
Jenna Ortega has gone from former Disney Channel actress to one of the most mesmerizing young actresses in Hollywood. While she’s managed to slay the horror world with her immense performances, she’s also proven she can handle other plains of cinema, case in point the pretty great “The Fallout.” Director Megan Park’s drama handles a very relevant often volatile social topic, exploring the aftermath and what happens when victims simply can’t figure out how to process their grief.
Injustice: Gods Among Us (2021) [4K UHD/Blu-Ray/Digital]
As a bit of warning, I never played the “Injustice” video game series, nor have I ever read any of the comic books or spin offs. I’m vaguely aware of what the general premise is of “Injustice,” but that’s as far as it goes for me. Considering I was excited about it being adapted in to an animated movie, when the dust settled, I’m very disappointed by what we’re ultimately offered. What is it about DC and Warner unwilling to make a movie that’s longer than eighty minutes? It can’t possibly be for the child audience, as “Injustice” is as gory an Elseworlds tale that I’ve ever seen.
Scream (2022)
After Wes Craven’s unfortunate passing, the “Scream” franchise went in to a limbo where its fate seemed uncertain. It was still a hot property with a lot of ideas to bring forth but without the engineer Craven behind it, there didn’t seem much point. And with the MTV series and horrendous follow up mini-series, it definitely felt like there wasn’t a point in continuing the movie series. Thankfully, “Scream” (or “Scream 5”) doesn’t just do a bang up job of carrying on the legacy of meta-humor, movie commentary, and subverting movie tropes, but it brings a powerful statement about legacy.
The legacies we build, and the legacies we leave behind.
Maniac Cop 3: Badge of Silence (1993) (Unrated Version) [4K UHD/Blu-Ray]
There’s still a lot of value in the “Maniac Cop” horror movies (the first two are still top notch slashers), especially as they can be creepy slasher films that confront racism, classism, police brutality and police corruption. The first two “Maniac Cop” films almost hit the nail on the head, all the while “Badge of Silence” doesn’t do much with the formula at all. In the end of the day its low budget is its downfall as the movie does almost nothing to match the pacing and suspense of the first two movies.
You Have to See This! Last Night in Soho (2021)
Streaming On: Vudu, Amazon Prime Video, YouTube, Apple TV, Google Play Movies & TV
While director Edgar Wright is still fresh in to his career and has churned out so many superb films, his ambition has managed to help elevate him in to a better filmmaker, one of bigger substance and larger scale. “Last Night in Soho” prove it, as it feels like that poppy bizarre sixties thriller that we might have actually seen in the sixties. Perhaps starring Natalie Wood? Maybe Peggy Lipton? “Last Night in Soho” has everything going for it; it’s the type murder mystery that audiences have been craving. It has a unique horror bent, and Wright has delivered on pop culture cult films like “Shaun of the Dead” and “Scott Pilgrim vs. The World.”