I will never understand the reasoning behind Frank Miller ever wanting to direct his own superhero movie. It’s not that he’s directing a movie, either, it’s that he’s directing a movie in the style of Robert Rodriguez’s fast and cheap process where he merely places his cast in front of a green screen for ninety percent of his film. And we must endure a hundred minute crime thriller with people that stumble around a CGI world. Frank Miller has no idea how to grasp at anything other than dark, violent, and gritty thus he takes Will Eisner’s groundbreaking comics and tacks it on to his “Sin City” neo-noir universe. Miller doesn’t outright say it to us, but Miller wants us to very much believe that “The Spirit” is a shared universe with “Sin City.”
Tag Archives: Drama
Air Force One (1997)
I think it’s a requirement for every American action star that they must have at least two movies on their resume that is their “Die Hard.” Harrison Ford happens to have one that’s pretty good, even if it’s about as jingoistic as John Wayne punching a Mexican bandit while talking about Baseball. “Air Force One” is one of the stronger vehicles for Harrison Ford, where he plays James Marshall, an ex-Vietnam soldier with a military background, who is president of the US. He is pushed in to a conflict involving a Russian dictator who is threatening to start a new Cold War, and said dictator has a host of loyal followers that want him freed. As a means of leveraging the release of their dictator, a group of Russian terrorists disguise themselves as American journalists and board Air Force One.
The Voice in the Head (2015)
Speaking as someone who has dealt with mental illness for my entire life, “The Voice in the Head” brought a tear to my eye. Cyrus Trafford’s short film is a riveting and gut wrenching look at mental illness and how small the disparities are between those with a mental illness and those that perceive themselves as sane. Most of all, “The Voice in the Head” is a unique look at how often we jump to conclusions toward those with a mental illness or with people that seem to indicate mental illness. Too often in society has mental illness been stigmatized and demonized, and there are still too many individuals with zero understanding of psychological illness and how it can destroy lives and those around them.
V: The Final Battle (1984)
This time around “V” embraces its science fiction roots more, allowing for a lot more looks in to the rebellion, and the inclusion of new corners of the visitors’ world and the rebels. Most of all, there’s the introduction of a Visitor/Human hybrid that becomes one of the larger symbols of the war, and is pushed back and forth between the resistance and people that think the visitors can stop the invasion and work with Earth. Months after the humans sent out the beacon for other alien species to help them take down the Visitors, nothing has happened and the humans are still trying to stop the Visitors and their plans. Now the Visitors are building new tactics, which includes armor that can deflect bullets, and a form of torture leader Diana has concocted that allows her to convert humans to the side of Visitors for programming.
V: The Original Miniseries (1983)
It’s been said time and time again that if we don’t learn from history that we’re doomed to repeat it, and “V” is a remarkable miniseries that examines what happens when history repeats itself. Set in a not too distant future, Earth is visited by a massive race of anthropomorphic alien beings that looks very human in nature. Though imposing, the alien race presents itself in a charming and docile manner, and interrupts civilization to settle alongside us. Known as the Visitors, they’re a very uniform mass of beings, all of whom proclaim themselves our friends after arriving in a fleet of large ships one day. By garnering help from various governments and influential people to acquire various chemicals and minerals for their ailing world, they agree to give Earth access to their advanced technology which they promise will cure diseases of all kinds. Soon enough, though they begin to insinuating themselves in to the general populace and before long create an environment of unease and tension among some individuals.
Model by Day (1994)
If you ever wonder what comic book fans who grew up the nineties mean when they mention there being slim pickings on television by way of superheroes and fantasy, look no further than “Model By Day.” Penned by Jeph Loeb “Model by Day” was about as good as it got in the realm of live action superheroes. Before she became an X-Man, Famke Jannsen took on the role of the hero known as Lady X for this failed television movie and backdoor pilot. Back in 1994, The Fox Network’s big draw was sleazy soap operas, so they endeavored to make their own superhero show by adapting an indie comic that was a weird mixture of “Models, Inc.” and “Batman.”
The Death of the Incredible Hulk (1990)
Even with the success of “Batman” a year prior, director Bill Bixby had a hard time accumulating the budget and network support for what became the final hurrah for the famed seventies series. Apparently “Death” was supposed to be a vehicle for Iron Man and She-Hulk, but the budget just didn’t allow for it. Not to mention around this time Bill Bixby received the unfortunate news that he had prostate cancer, so “Death” was ultimately a swan song for the series as a whole. It’s a mixed blessing, though, since the budget allows for this final film to give the Hulk what is a bittersweet finale. The movie isn’t at all perfect, and completely meanders in the middle of the film, but overall the final scene paired with the classic theme song is gripping and a great testament to Bill Bixby’s commitment as an actor before his untimely death.