John Moore’s “I.T.” is like a digital version of “Fear,” where a young charming man is able to slide in to a normal family’s life by means of trust and quick wits. Pierce Brosnan does a good job with the sometimes half baked material as rising mogul Mike Regan. Regan is a man who is bordering on financial ruin and has invented a private form of uber involving custom jets. After a failed presentation, Regan garners the help of temp Ed. After Ed saves the presentation, Mike takes him within his inner circle, allowing him to work on his home automated system, and to relax with him. When Ed meets Regan’s young daughter Nancy, he begins to form an obsession that involves gradually intruding on Regan’s life with his family. When Regan warns Ed to back off, soon Ed begins a mission to make Regan’s life miserable, and it involves using his technological skills.
Tag Archives: Drama
Sendero (Path) (2015) [Horrible Imaginings Film Festival 2016]
Ana and her friends head on the road for a weekend in the countryside. After breaking down and getting help from a delivery driver who warns them to not stay in the area, they keep going and come across a bloody, hurt, and scared woman on the side of the road. As Ana insists on helping the woman, things go very, very wrong. Writer/director Lucio A. Rojas creates a horror story that starts off more than a little reminiscent of The Texas Chain Saw Massacre, then as the group of friends are taken to a big country house, it turns into something more reminiscent of “Frontière(s)” with a crazy with crazy family, humans turning into prey if they do not meet a certain series of criteria with many suffering gruesome injuries and deaths.
The Magnificent Seven (1960)
John Sturges’ “The Magnificent Seven” is such a pitch perfect example of how to accomplish a remake. And Sturges has his work cut out for him as “The Magnificent Seven” is a remake of Akira Kurosawa’s “Seven Samurai.” Kurosawa’s film was already considered a classic by 1960, and was a juggernaut of foreign cinema that influenced filmmakers and studios worldwide. Even today its influence over cinema is immense. So it’s no small feat that “The Magnificent Seven” is just as good as the original and can stand side by side with it as another version of the tale that is as compelling and action packed. In fact Kurosawa loved it so much he allegedly sent Sturges a ceremonial sword as a bid a token of approval for his version.
Foreign Body (Corps Etranger) (2016) [Toronto International Film Festival 2016]
A group of people risks their lives crossing to France in a small, unsafe boat, escaping the Jasmine Revolution in Tunisia. A few of them survive, including Samia who tries to adapt to the life of an illegal in France as best she can. She comes across some people from back home and a woman willing to help as she discovers the joys and fears of her new life. Writer/director Raja Amari writes and directs a masterful film about a young woman adapting to her new environment. She shows the plight of many illegal (and legal) immigrants who are escaping violence and bad situations with nothing but the clothes on their backs.
Alena (2015) [Horrible Imaginings Film Festival 2016]
After a traumatic event, Alena is forced to change school and ends up under the watch of a therapist at an all-girl private school. Here she attempts to make friends, love, and move on with her life as her past clings to her. As she tries to live her life and be happy, ghosts of her past haunt her. The film is based on a graphic novel by Kim W. Andersson and is adapted for the screen by Kerstin Gezelius, Alexander Onofri, and Daniel di Grado with di Grado directing. The characters are strong, well developed people, mainly female given the all-girl school setting, and varied.
It All Goes Away (2016)
We are in dire need of tales about Superman that are more thoughtful and awe inspiring. Superman can inspire hope and heroism and act as an avatar for humanity, and “It All Goes Away” proves it. Director Zachariah Smith adapts the short Superman story “Sam’s Tale.” Penned by comic book writer Jeph Loeb, the story was written him as a form of grieving for his son Sam who, very sadly, died of bone cancer in 2005, just as he was beginning to break out in the comic book world. Originally titled “Sam’s Story,” Loeb takes a very contemplative look at Clark Kent living in a world where death is an inevitability.
High Noon (1952): Olive Signature [Blu-Ray]
Fred Zinnemann’s classic Western is an absolute masterpiece that continues to hold its place as my favorite Western of all time. It’s a marvel of cinema, and a wonderful dramatic thriller set in the old West and ponders on the question of what happens when the helpers need help. It’s also a stunning albeit cynical glimpse at the ultimate summary of a hero and how they can sometimes be cast aside by those that they’ve protected for so many years. Gary Cooper’s role as Will Kane is absolutely pitch perfect, especially when it pertains to his role as a man desperately seeking help in staring down imminent death and settling score that will meet him at the end of his day, no matter what he does.