Legend (1985)

legend

I would really only suggest “Legend” to the hardcore fantasy aficionados. It might even be a little too heavy for “Lord of the Rings” fans. As a kid I loved watching what Ridley Scott gave movie fans, but I never quite understood it until years later. Scott touches on some heavy concepts both philosophical and spiritual, and he does so with a palette of monsters and unicorns. Director Ridley Scott composes a rather brilliant and dark fantasy epic about the concepts of light and dark, and good and evil. In truth, “Legend” is a twist on the tale of Adam and Eve, except with more fantasy, magic, and monsters.

Continue reading

247°F (2011)

247FMan, is “247°F” ever a rough experience. And not just because directors Levan Bakhia, and Beqa Jguburia pay homage to Rob Zombie’s “Halloween” movies by casting Scout Taylor Compton and Tyler Mane in one movie. But mainly because what should have been a disturbing, claustrophobic and suffocating horror thriller really is just a mediocre movie where once again stupid people turn on each other rather than think rationally and try to think of a solution. For reasons I still can’t figure out, writers Levan Bakhia, and Beqa Jguburia start the film off with a prologue giving us only one crucial bit of information we need to know about Compton’s character Jenna. She’s claustrophobic.

After a vicious car crash took the life of her boyfriend, she was pinned in her car for a long time, giving her claustrophobia. Remember that. She’s claustrophobic, the writers have to insist we remember. Truthfully, a lot of what occurs is made even worse by sheer human stupidity and failure to grasp any kind of common sense. When the story fast forwards, Jenna tries to move on by going on a vacation with her three long time friends in order to re-charge. After a lot of clunky exposition, the writers place great emphasis on the sauna that Tyler Mane’s character Wade has in his basement. Seriously, he has a hot box capable of frying someone alive in the basement. And the doors are made of wood, which initially made me theorize the door would swell shut locking the poor saps in.

Mane’s character Wade is one of the stupider of the bunch, feeding his residents moon shine, and allowing them to roam free without checking up on them. So in the midst of one of their spats, character Michael drunkenly stumbles out of the sauna, and his three friends are trapped inside, left to fend for themselves. Oddly enough, the sauna is given significant screen time in an effort to give it an ominous presence. Really you’re just left wondering why the group keeps going in to the lake, and running back in to the sauna about four or five times. What’s the point of this repetitive montage? In either case, three of the friends are left in the sauna to roast as Jenna really does nothing but moan, whine, and whimper in a corner, as friend Renee instantly begins freaking out, and the only intelligent character Ian does nothing but instill fear in the other victims.

Really? Should you describe what heat stroke is like to two girls hyperventilating in a sauna? And would it have been so tough to just sit and wait for Michael or Wade to come down and check the sauna? It’s made perfectly clear the group loves the sauna, so eventually Michael would have gone down to steam for a bit. Surprisingly, what should have been the anti-“Frozen” really doesn’t accomplish its sense of turmoil and horrific suffocation, and that’s mainly because of the terrible writing. The characters are despicable so there’s zero empathy, and the directors don’t really indicate visually how much these people are suffering.

Besides, knowing they’d eventually be discovered ruins any suspense. There’s also a really awkward focus on character Wade as the directors seem to be padding out Tyler Mane’s role for more prominent screen time. You think it’s leading somewhere, but it’s just a clumsily staged plot device to add an obstacle to the characters’ fight for survival. The only competent performances are by Travis Van Winkle and Tyler Mane, both of whom are likable and interesting in their performances. Compton still is a terrible actress, so her “tragic” character just feels whiny. The directors try to become metaphoric injecting some hallucinations and attempts to signify Jenna’s torment, but it’s just one big misstep after another. If you have to see “247°F,” see it for Christina Ulloa. You can skip everything else.

Machine Head (2014)

machinehead

Jim Valdez’s “Machine Head” is a triple threat. The acting is abysmal, the directing is bush league, and the writing is incoherent nonsense. And what’s worse is the movie seems to be competing with itself to see which aspect is worse than the others. This results in a nearly unwatchable and putrid horror film that has no idea what it wants to be. Sometimes it’s a thriller, sometimes a slasher, and sometimes a road horror film in the vein of “Duel.” Truly, when you see the final scene that book ends this tripe, you’ll laugh, roll your eyes, and move on to something worth your time.

Continue reading

The Mothman Prophecies (2002)

341681_full

How have we not had a great movie about the Mothman yet? It’s one of the creepiest urban legends in American folklore and one of the spookiest series of events to unfold, and we still don’t have a compelling horror film about the phenomenon yet. Richard Gere stars as reporter Jeff Klein, a man who travels to West Virginia to potentially buy a new house with his wife Mary (Debra Messing). While driving home, Mary is frightened to her wits by a red winged demon that causes them to veer off the road and hit her head on the glass.

Continue reading

The Devil Incarnate (2013)

Gustavo Cooper skids the surface of a gimmick with “The Devil Incarnate” jumping from found footage, to pseudo-mockumentary, to classic narrative, and meta-horror erratically. And to the point where it becomes incredibly frustrating. “The Devil’s Incarnate” jumps between formats so much that it seems to try to unfold its narrative through these various formats to really emphasize the true horror of the scenario. And while you think that’d lead in to a very innovative and creepy horror film, it’s really just half baked and utterly mediocre when all is said and done. I can understand why people are sick of found footage movies, but what I’m sicker of these days are retreads of “Rosemary’s Baby.” And at least that story had something to say.

Continue reading

Skeeter (1993)

I almost want to sue the producers of “Skeeter” for false advertising, but then, what’s the use? And why bother? “Skeeter” really is better off being a very obscure and god awful horror film. Why even name a movie “Skeeter” if you’re only going to include four very short attacks by giant mosquitoes, most of whom seem anxious to take off before we really get in to the chaos?

Continue reading

Phobia (2013)

It’s interesting that director Rory Abel’s horror drama “Phobia” works on various levels. As a movie about a man dealing with the trauma of a horrible accident that left him an agoraphobe, “Phobia” works. I found much of the material involving agoraphobia to be very compelling, and often very suffocating. Director Abel is able to convey a shockingly accurate depiction of agoraphobia, with actor Michael Jefferson giving a remarkable turn as a man confined to his two story brown stone. It’s when the movie transforms in to a more supernatural thriller is where it falters.

Continue reading