Movies about celebrity scandal, even pseudo-celebrity scandal are pretty much bullet proof and critic proof. They’re trashy on purpose, deliberately badly acted, and perhaps about ten percent of what we see claimed is true. Likely less. The same could be said for “The Unauthorized Saved by the Bell Story,” which is not so much trashy as it is forgettable and kind of dull. If not based on accounts and centered on actual people, the movie would just be another goofy tale of the perils of fame. Hedonism, egomania, love triangles, scandals, resentment, it’s all here, and there’s nothing remotely shocking about what transpires. Mainly it’s just a goofy dramatic moaner devoted to how battered and misunderstood Dustin Diamond was, more than the conception of the show and its influence on teenage America. Unless you consider Gosselaar dying his hair frantically behind stage as scandalous and worth talking about.
Tag Archives: Drama
Point of No Return (1993)
The biggest difference that sets John Badham’s remake apart from Luc Besson’s original “La Femme Nikita” is the context of the decade. Even set in the late eighties to early nineties, Besson’s original has a very timeless appeal to it and is still a template for many action films. John Badham’s remake though is very soaked in nineties ephemera, to the point where you can almost hear “90210” playing in the background of every scene. Thus it distracts from the story Badham is trying to tell. Which is a stacked deck, considering “Point of No Return” is a weak retread of an action masterpiece.
The Walking Dead: The Complete Fourth Season [Blu-ray/Digital]
Season four of “The Walking Dead” is a big leap forward for the series, in where it re-captures a lot of the dread and urgency of season one, while also rebooting the narrative once more. After the big war in season three where the group managed to beat an army by cunning and sheer luck, Rick and his surviving group from Hershel’s farm, along with the remnants of Woodbury, have now settled down in the prison, and have built a respectable society for themselves. Rick is now committed to farming alongside Hershel as his apprentice, while he’s also focused most of the time on giving Carl a childhood, however twisted it may be. The series has a good time with misdirection, and begins the season premiere with Rick outside the prison farming and listening to music, drowning outside noise. As he turns to look back at the prison, we cut to a wide scene of the walking dead clutching the gates in droves only inches from Rick. Try as the survivors might to pretend otherwise, the world is still for the dead.
Youngblood (1986)
I have a history with “Youngblood” as I do with a lot of movies from the eighties. It was one of those movies that always played on local television and all I remembered about it was the idea that hockey involved a lot of fist fighting, and methodical fist fighting at that. “Youngblood” was always that really entertaining sports movie that was more about the idea of the male spirit than the sport of hockey itself. It’s not the most sports oriented movie, but more a coming of age action flick with a hefty amount of romance, bromance, and typical eighties homoeroticism. And I still find it to be a raucous action drama, regardless of its age.
300: Rise of an Empire (2014) [Blu-Ray/DVD/Ultraviolet]
One of the biggest mistakes that “300: Rise of an Empire” makes is that it insists on imitating Zack Snyder’s style of filmmaking. Whether if by choice or by the order of the studios, director Naom Murro spends more time in the movie trying to copy Zack Snyder’s excessive slow motion and blurry flourishes, rather than actually trying to help this sequel stand out from its predecessor. Murro is so focused on convincing audiences that it’s legitimate extension of the original film, that he can never solve the movie’s biggest problem: The fact that it’s so utterly mind numbingly dull. The movie spends a lot of time in the first twenty minutes reminding us of the first film that it can never really build momentum for its own narrative.
Tarzan (1999)
Edgar Rice Burroughs’ titular Tarzan has gone through a ton of botched adaptations over the last few decades. Speaking as a fan of the character and story arc, Disney’s “Tarzan” is probably my favorite adaptation of all time. Surely, it suffers from Disney tropes that make it very much a Disney movie, but damn it, it’s also a heart felt tale about a hero fighting for his unofficial family teeming with excellent performances and a haunting soundtrack. Plus, it garners the classic Disney themes of lost parents and a child being forced to grow up very quickly.
Get on Up (2014)
Get on Up is the latest Hollywood biopic and this one follows the life and times of the godfather of soul, the hardest working man in show business, James Brown. He is played brilliantly with great energy, enthusiasm, and electricity by 42’s Chadwick Boseman, who also played Jackie Robinson. He IS James Brown and he is the lifeblood of the movie. Every moment he’s on screen, you are captivated by his performance and what he brings to the table. While he doesn’t sing the original songs himself, as he is lip synching, he does bring the dance moves and overall essence of James Brown to the big screen.