Anna (2012)

The cast and crew really bring together what I can only describe as a short and sweet bit of sweet payback cinema that involves a woman who has just about had enough with her life. How many of us have the balls to go out there and take life by the cojones and risk it all to tell people what we really think about them? Once and for all Anna has decided to play by her own rules and after smashing her fist in to a mirror ventures out in to the world staring down a crude construction worker, telling off her boss and putting an end to a would be mugger that inevitably puts her in to the arms of her co-worker she’s infatuated with.

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Gut (2012)

gutbanner1It’s very rare that independent horror movies manage to make me turn away from the screen and cringe. Not even Tom Six’s “Human Centipede” accomplished that and those movies were desperate to be considered disturbing. “Gut” and its beauty is in what is not completely put in front of the screen. Director Elias has every chance to be gratuitous, gory, and absolutely grotesque, but “Gut” isn’t for the grue fans, so much as it is for folks who appreciate delving in to the disturbing corners of the mind. The corners that elicit arousal that would be otherwise deemed taboo by civilized human beings. We all have that darkness within our mind that find something somewhat enticing, and the same can be said for character Tom, whose friend and consistent hanger on Dan, shows him a special kind of erotic film that not only embeds itself in to their minds, but haunts Tom until he begins to re-assess his feelings for the film in general.

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5 Choice Indies of 2011

Beating Hearts
Directed by: Matthew Garrett
Written by: Matthew Garrett
Official Website
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Truly one of the most horrifying short films of the year, “Beating Hearts” is a disturbing and absolutely morbid look at a family ticking away to explode in to a hail of violence and carnage. That bombshell is incidentally the youngest daughter of a brood of middle class individuals who one day wakes up atop her mother’s heaving bosom only to mutilate her before her very eyes.

What follows is a suggestive and utterly unsettling look at cross generational love and disgusting symbolism that signals a horrific crime that was a long time coming and an erratic young girl who never quite figured out how to process her uneasy feelings.

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Cinema Crazed's Top 10 of 2011

It was a lackluster year for the movies. The bad movies were just slightly abysmal, while the good movies failed to be great movies. We couldn’t find a single amazing movie out of the bunch in 2011, but we came close to finding ten really good movies, and ten really bad movies for the year. 2011 was just a lull for everything in pop culture and the media and you’d be hard pressed to find something excellent that stood out among the rest of the muck. 2011 had a varied year of films, but while we did find more than enough great movies to fill our top 10 we didn’t find a masterpiece until the end of the year, and even then we’re having a hard time using the M word. Nevertheless 2011 was a year for new experiences, unique films, and most importantly underdogs. The best films flopped and the worst films excelled at the box office. There were surprises, some neat twists and of course the box office was at its all time lowest. While Congress is working on that censorship thing with SOPA, we appreciate our time delivering these top ten lists for our readers.

Sure they may not be the most agreeable lists on the site, but they arouse conversation and we love to debate with our audience. What with the increasing demand from the indie world we weren’t able to cover all of the year’s films, but we tried to tackle all of our most promising and we compiled lists of 10 great films, and 10 really bad ones. And for the first time ever we compiled five indie films you should look out for. Of course we couldn’t catch many films in time due to our demands on the site (Warhorse, The Girl With The Dragon Tattoo, Take Shelter, The Artist), but we have a nice little mélange of 2011’s banner films that we felt warranted mentioning. So by all means indulge in Cinema Crazed’s official Top 10 and Worst 10 of the year 2011!

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Green Lantern: Extended Cut (2011) [Blu-ray]

i07x4wSIt’s a shame when a movie has such potential to be greater than the whole of its sum and fails to live up to it in the end. That’s the case with “Green Lantern,” a movie with great promise to be one hell of a space epic with fantastical elements and a killer weapon, and yet… when all is said and done, “Green Lantern” is just a rank mess, a blunder of script faults and horrible exposition that jumps from scene to scene and only manages to pick up once our hero Hal becomes the Green Lantern. And then when he becomes the Green Lantern it’s all the movie is about. He becomes the Green Lantern and…? Nothing else. “Green Lantern” has the promise to be so much more than it puts on the screen, but what it makes up for in action set pieces it lacks in severely uninteresting characters.

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Melancholia (2011)

66265558Lars Von Trier’s examination of the apocalypse is a truly divine and ethereal cinematic experience that not only dares to explore the lasting effects of the end of the world, but also dwells on two states of mind concerning the end of the world. Like “On the Beach,” Von Trier examines the world putting on a show for itself in the wake of the apocalypse. In this version of the end of the world, Earth is destined to clash with an unknown planet from behind the sun. After centuries hidden, the planet tagged Melancholia by Earth’s denizens, has finally reached Earth’s orbit and is destined to smash in to our planet as the days progress.

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Warrior (2011)

warriorAt the end of the day when the dust settles, “Warrior” is going to be called a sports film. But deep down it’s a family film. It’s a man film about the male dynamic and the utterly fragile relationship between brothers that can be easily hampered by bad parenting. Most of all bad parenting by their father. “Warrior” is the big film of the year that will get many comparisons to 2010’s “The Fighter,” but in so many ways, Gavin O’Connor’s film is superior. Because while the previous film explored the all too common dynamic between mothers and sons, “Warrior” explores the father and son dichotomy, the fractured relationship that can blossom from years of alcoholism and disease.

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