This movie is a big step up for director Ti West whose debut film was like an immature fan boy’s homage to everything schlocky, while his sophomore film was nothing more than a terrible sequel to a rather terrible film. West matures considerably with what is basically a slow boil homage to the seventies that is obviously inspired by the classic “Rosemary’s Baby.” Everything from the marketing campaign to the posters works under the pretense that this is a time capsule of the seventies, an unexplored gem from that decade that many haven’t quite explored yet.
Tag Archives: Drama
Triangle (2009)
My experience with Christopher Smith has been mixed over the years. I thought “Creep” was a good concept but pretty painful to sit through while “Severance” was an underrated horror comedy that suffered from comparisons to “Shaun of the Dead.” Surely though, Smith is a man whose genre outputs have been quite varied and he seems to be coming in to his own by directing films that benefit the horror genre rather than exploit it. Take “Triangle” a movie that by all accounts should have been given a theatrical release in the states. Sadly it’s basically just a direct-to-DVD release that will get lost in the shuffle. Which is a shame because while “Triangle” is a pretty atmospheric horror film, it’s so much more than that.
Cinema Crazed's Top 10 of 2009
10. Trick ‘r Treat
Michael Dougherty’s love letter to Halloween experienced so many problems since its introduction that it took literally years for horror fans to finally be able to watch it. When they did the reception was mostly positive. “Trick R Treat” is a classic anthology film that perfectly captures the feel of Halloween and celebrates the holiday’s greatest elements. From urban legends to classic monster mashes, Dougherty pulls out all the stops to tell various stories, all of which are filled with twists that you simply won’t see coming. So brilliant is it that you’ll need to see it three times to fully capture the essence of its in jokes and tricks and treats. Dougherty’s ode to All Hallow’s Eve is a title that won’t easily be forgotten.
Up in the Air (2009)
Ryan Bingham is panicking. It’s not that he’s losing his job. There are no dilemmas that are plaguing his family. Ryan is panicking because, for once, he has to settle down and face the fact that soon he’ll have to stop and take a catalogue of what his life has become over the last few years of his life. Traveling around the world, Ryan is the man companies hire to break it to employees that they have been terminated. And he prides himself in being ruthless and merciless in regards to emotions and insecurities involving people he just met and will probably never meet again. Ryan now has to take stock and decide what he has to do now that his company has decide to take its employees and bring them back down to Earth downsizing their traveling due to their slowly decreasing funds and productivity.
The Lovely Bones (2009)
Peter Jackson is usually a very competent director. Hell, he’s a skilled director who can take any concept he wants to tackle and tackle it with great prowess almost never failing. With “The Lovely Bones” the man doesn’t seem to be hitting his stride and instead looks to be sleepwalking through what could have been an excellent film. I never read the novel before but I felt that was what would give me the ability to see through what Jackson was attempting to accomplish. Instead what I received from his latest was a story that was often confused about what it was trying to say. He seems to want to jump on every theme and plot point possible and this causes a cluster fuck in its focus hopping from character to character from perspective to perspective.
The Girlfriend Experience (2009)
We live in a world where fantasies are manifested in the drop of a dime. We can access our fantasies online, we can purchase them, and with enough money we have the ability to live out our fantasies through any means we deem necessary. “The Girlfriend Experience” is about those fantasies and the lengths we’re willing to go to have them lived out. Soderbergh examines the man of today and what situations would indicate their need for companionship. Chelsea is an escort but not the typical one.
Julie & Julia (2009)
Based on true stories, Nora Ephron’s dramedy is actually based on two novels. This allows Ephron and co. to take parallel storylines and turn “Julie and Julia” in to a bonding ground for a lost woman and a budding chef, both of whom are starting their lives out in new places when we first meet them, and are about to embark on a rather interesting adventure involving food, changing the way they and others think, and fulfilling ambitions regardless of how grand or minute it may seem. Julie is a woman just starting out in her new job as a woman who takes complaints involving 9/11 in Queens. After days of listening to people’s problems, she decides to emulate her hero Julia Child pursuing a different kind of natural high after realizing her life hasn’t been taken advantage of after a meeting with her high powered best friends. Back in the forties we meet a young Julia Child who is just beginning to follow her dreams as a professional chef in Le Cordon Bleu.