We live in a world where fantasies are manifested in the drop of a dime. We can access our fantasies online, we can purchase them, and with enough money we have the ability to live out our fantasies through any means we deem necessary. “The Girlfriend Experience” is about those fantasies and the lengths we’re willing to go to have them lived out. Soderbergh examines the man of today and what situations would indicate their need for companionship. Chelsea is an escort but not the typical one.
Tag Archives: Drama
Julie & Julia (2009)
Based on true stories, Nora Ephron’s dramedy is actually based on two novels. This allows Ephron and co. to take parallel storylines and turn “Julie and Julia” in to a bonding ground for a lost woman and a budding chef, both of whom are starting their lives out in new places when we first meet them, and are about to embark on a rather interesting adventure involving food, changing the way they and others think, and fulfilling ambitions regardless of how grand or minute it may seem. Julie is a woman just starting out in her new job as a woman who takes complaints involving 9/11 in Queens. After days of listening to people’s problems, she decides to emulate her hero Julia Child pursuing a different kind of natural high after realizing her life hasn’t been taken advantage of after a meeting with her high powered best friends. Back in the forties we meet a young Julia Child who is just beginning to follow her dreams as a professional chef in Le Cordon Bleu.
H2: Halloween II (2009)
In Rob Zombie’s first bastardization of the Halloween franchise, we’re told that Michael is so intent on going home that he’s willing to do anything to get there and is perfectly willing to remain unresponsive to psychological help. We’re also told that he’s completely emotionless and cold to just about everyone. And yet here we are with “Halloween II” where we get to see how cute and affectionate he is with his mother. This is further proof that Zombie just doesn’t know what the hell he’s doing ninety percent of the time. How can we ever expect to see a good movie from this man again if the story he’s telling is inconsistent? Seeming to have no other option these days, Zombie continues chucking rotten eggs our way from the contrived “Halloween II” (I refuse to call it H2) right down to the awful animated mess that was “El Superbeasto.”
9 (2009)
One thing Acker has going for him is the animation. I haven’t seen a movie filled with such fluid motion and sheer detail outside of a Pixar film, and Acker seems to challenge “Wall-E’s” apocalyptic wasteland with his own that sparks on facets like steam punk and whimsical quite often. The burlap dolls are magnificent and make for some appealing heroes and heroines because their designs are so fantastic. From their glass eyes, right down to their wooden hands, these pint sized heroes are such a sight upon their introduction. Beyond their personalities, it’s easy to know which character is which and what they’re meant for as bits of their master’s soul. The wonderful technology keeps the terrain and lands looking like steaming piles of rubble where artifacts are left behind and humans have been all but decimated at the claws of their war machines.
My Sister's Keeper (2009)
We’re told from the very beginning that young Kate has Leukemia and yes, she’s dying. This presents with it a domino effect on the family, all of whom are still in denial that she’ll be taken away from them so deep in to her childhood. Why? Because she has a sister named Anna who was genetically designed to serve as a matching donor for her. This denial has led to no sense of happiness for everyone. Mom Sara and dad Brian are basically closed off from their emotions as resentment builds, brother Jesse has basically been pushed to the wayside in spite of his reckless habit of staying out at all nights, and most surprising, sister Anna is hazy on her purpose in life and among her family.
The Hurt Locker (2008)
I honestly think that given enough time, Hollywood is going to understand how to create a great film about the Iraq War. In the eighties we observed the sixties and its impact on society and given another five or six years we’ll get the right film about the Iraq war that chronicles its impact on civilization. Few movies have done it successfully (“In the Valley of Elah” was excellent, though). That is until now where Kathryn Bigelow has managed to capture the chaotic fervor and flat out insanity of the occupation of a foreign land told through the eyes of three soldiers, one of whom happens to be a bomb specialist who takes risks time and again to ensure the safety of his platoon.
Where the Wild Things Are (2009)
2009 saw an unusual change in the status quo. What were once edgy indie filmmakers soon turned to directors aiming for children’s entertainment that was raucous and quite unusual. First Wes Anderson and then Spike Jonze. That’s no caveat though as Jonze takes his knack for the surreal and the unusual and makes a family film that’s quite edgy. Never shying away from mild violence and scary images, Jonze adapts a famous children’s book in to one of the most fantastic piece of family filmmaking ever made. Displaying hints of danger, Jonze’s film is about unbridled childhood fun and the innocence that’s lost once confronted with the prospect of growing up. Do we all have to lose our imagination from a world that demands even children to leave childish things behind?