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Finding Dory (2016)

findingdoryI, like many other people, were wondering why there even needed to be a sequel to “Finding Nemo” that focused on Dory. Granted, Dory was a charming supporting character, and Ellen DeGeneres was great, but Dory always seemed like a character you could quickly get bored with. Surprisingly, director Andrew Stanton not only proves that Dory is worth focusing an entire film on, but that her story deserved to be told just as much as Marlin and Nemo’s did. Stanton and co. follow a very non–linear storyline for the sequel; “Finding Dory” goes back in time to follow the blue Tang we know as Dory, then cuts off as she meets Marlin, and begins a year later where she’s now living with Marlin and Nemo and acting as Nemo’s surrogate guardian alongside Marlin.

Dory, much like Nemo, was born with just as much of a disadvantage. While “Finding Nemo” conveyed the trials, tribulations, and worries of raising a child with a physical disability, “Finding Dory” uses Dory’s short term memory loss as a metaphor for the trials, tribulations, and worries that come with raising a child with a mental illness or mental disability. Raising Dory isn’t so much a burden for her parents Jenny and Charlie, as they approach her lack of memory with as much patience and consideration as possible. They’re well meaning and lovely parents that do everything in their power to help Dory channel her disability in to an advantage all while turning it in to a fun game.

But they can only do so much, since they don’t really seem to accept that Dory’s condition is permanent and may be a part of who she is for the rest of her life. Plus, as she ages, the world is looking more and more appealing to her, so it soon becomes a race for her parents to make her handicapable before their worst fears of the ocean swallowing her up come to fruition. Sadly, Dory does get lost, and her short term memory becomes a constant pitfall in her efforts to reunite with her parents. Before long, she’s forgotten that she’s even lost, and years have passed on. Thus she meets her fate with Marlin and Nemo, which gives her a newfound perspective and the confidence that she can find her parents once again. “Finding Dory” opens up the world we saw in “Finding Nemo” by adding a new slew of fun and lovable characters.

I especially loved Hank the Septopus, Destiny a near sighted Whale Shark, and a pair of Walrus’ comically protective of their perching rock. “Finding Dory” isn’t just a callback to the original film, but the narrative literally centers on Dory trying to find her memories and her family which ultimately represents herself. DeGeneres is even better here than in the first film as Dory, as she injects a lot of complexity and true emotions in the character and her journey to find her family which she is convinced will help improve her memory in the long run. “Finding Dory” is fantastic as director Andrew Stanton and co. give Dory brand new obstacles and dimensions, and comprise a funny, exciting, and incredibly heartbreaking tale of overcoming a handicap and leaning on family when the world is at its darkest.

Fender Bender (2016)

FenderBenderI’ll admit I went in to Mark Pavia’s “Fender Bender” expecting almost nothing and was shocked at how effective it was in the end. It’s a solid stalk and chase slasher film mixing “Death Proof” and “The Hitcher” and director Pavia delivers a strong genre entry suitable for a lazy Friday night and some beers. “Fender Bender” centers on young Hilary, a girl living in New Mexico with her parents who just got her license. After a terrible break up with her cheating boyfriend, she accidentally runs in to another driver causing a minor fender bender. The stranger in question is a very forward and charming man who is very generous and friendly to Hilary after exchanging information.

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The Funhouse Massacre (2015)

FunhouseMassacreHaunted attractions are big business in the US around Halloween time, each one trying to outdo the other.  In the countryside, a new one called “Land of Illusion” decides to use local killers and their stories to up their scare factor.  Little do they know, the six maniacs escaped the asylum housing them and find their way to the fun house and bloody, bloody mayhem ensues.

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Ferris Bueller’s Day Off (1986)

FerrisBuellerI think one of the main reasons why “Ferris Bueller’s Day Off” has become such a classic, even thirty years later, is that Ferris Bueller is that character we wish we could be. Many of us have always dreamed of ignoring life’s responsibilities and obligations if only for one day, and Ferris has the guts to act on his desire. This is a guy who is working hard against becoming just another doting workaday suburbanite like his parents. And somewhere down the road, he might even become his best friend Cameron, a guy ruled by his fear and insecurity.

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The Forest (2016) [Blu-Ray/Digital]

forestI wish Hollywood would stop trying to turn the legend of the Aokigahara Forest in to a horror movie. While the story of the forest itself is sad, and often times very creepy, it just doesn’t translate in to a good horror movie. Not in the slightest. One of the worst examples yet is Jason Zada’s “The Forest,” an absolutely lack luster and painfully dull mystery starring Natalie Dormer. Dormer, who is typically a great performer with a strong on-screen presence isn’t given much to do but run around and react to scary sights in the forest. And she plays twins!

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Fifty Shades of Grey (2015)

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Adapted from the novel that made bored housewives across the world dream of being tortured by the most boring man in the world, “Fifty Shades of Grey” lives up to its reputation. It’s cheap, misogynist, Z grade exploitation masquerading as the romance of a woman trying to tame the ultimate man, who by all accounts should be alone left to his own demented fantasies. It began its life as fan fiction and reads like the cheap fantasies of a bored sexually repressed woman. “Fifty Shades of Grey” is about boring people doing stupid things to one another, and cardboard characters trying to create some sense of tension and conflict that never amounts to anything interesting. “Fifty Shades of Grey” is the film that essentially romanticizes abuse and misogyny as something that’s admirable in a man and can potentially be snuffed out with the right woman by his side.

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The Final Girls (2015)

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Todd Strauss-Schulson‘s “The Final Girls” is probably the best coming of age film of the year. Hiding beneath the veneer of a slasher horror comedy beats a touching and heartbreaking dramedy about letting go, and accepting that sometimes nature has to take its course. Taissa Farmiga is wonderful as young Max, the daughter of Amanda, a once popular actress who has unfortunately been typecast for her role as Nancy in a famous slasher movie named “Camp Bloodbath.” Max keeps the hope in her mom alive, despite Amanda completely losing faith in herself, and in the hope of becoming a popular actress once again. Tragically the pair gets in to a horrible car crash killing Amanda and leaving Max orphaned. Three years later, Max is still clinging to memories, and is convinced by friend Duncan to attend a double screening of mom Amanda’s “Camp Bloodbath” movies, in hopes of indulging hardcore fans of the movie series.

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