In a film that’s an interesting hybrid of “Reservoir Dogs” and “Goodfellas”, we’re first given a glimpse into an aged and weathered mobster played by the immortal Malcolm McDowell (A Clockwork Orange) who gives the audience his origin of his rise to power. Played by Paul Bettany, he is a young McDowell who is recruited by the top gangster in the neighborhood Freddie Mays (David Thewlis) and takes on a job as one of his henchmen instantly adapting to his line of work. The young gangster is violent, determined and soon begins to eye Mays’ job despite the fact that Mays takes a special liking to him and takes him under his wing.
Tag Archives: Foreign
About a Boy (2002)
Will is a self-centered rich bachelor who enjoys the fine art of meeting women and basically tends to himself. Marcus (Nicholas Hault) is a young boy who lives with his hippie Mother and is bullied non-stop at school. In a chance meeting, Will and Marcus meet, and after Marcus’ mother attempts suicide, Marcus begins clinging to Will, asking for his advice and going to his house. Will, basically frustrated, begins to take a liking to the kid, and begins wondering if there is more to life than watching television and trying to get laid. This movie garnered rave reviews, so when that occurs, I just have to see what I’m missing for myself.
The Greatest Store in the World (1999)
The Greatest Store in the World” is one of those films you can finish watching and look back on with a smile later on. What this film does is take a somewhat dramatic plot and turn it into a bittersweet tale with occasional laughs that a family can watch together. Like “A Miracle on 34th Street”, the film presents a large store so big it’s capable to house a small family. Dervla Kirwan plays Geraldine a basically free-spirited mother who uses the store as a home for her children and quite cleverly is able to dodge security guards, the doorman “Mr. Whiskers” and the stores snoopy Santa and his elf who swagger around the store bothering people.
Winged Migration (Le Peuple Migrateur) (2003)
Though heavily staged, “Winged Migration” gives us a rare and never before seen glimpse into nature and the life cycle and migratory patterns of birds seeking shelter and struggling to survive amidst the common enemy known as Man. Done in a period of four years, “Winged Migration” features a team of incredibly gifted and brilliant Cinematographers that so eloquently capture the essence of the landscapes presented within the hunting and scavenging of these incredible species that it becomes such a thrill to watch.
Rabbit-Proof Fence (2002)
Based on the book by Doris Pilkington, “Rabbit Proof Fence” follows the early nineteen hundreds when the government would take Aboriginal children from their villages and families supposedly for their own good where they would be placed in a concentration camp to be educated and trained to be civil. Three young girls are taken from their mother to be taken to the camp. After a while, the oldest daughter Molly decides to escape the camp with her sisters and trek over one-thousand miles to get back home to their mother and must dodge a skilled tracker who must take them back to the camp. What make this movie so heart-wrenching is the fact that these three children are willing to walk more than a thousand miles just to get back to their family.
28 Days Later (2003)
Occasionally within the throes of watered down horror movies, a director comes along and decides to completely re-write the way horror is done. Danny Boyle is one of those people who will undoubtedly change horror movies. The movie constantly changes into pastels of moods within its canvas setting constantly going from light moods, ala the shopping scene, instantly cranking up the tension. He can leave us smiling with delight and in a split second leave us biting our nails and cringing in our seats. Boyles relies a lot on isolation to scare us, showing massively long scenes of lonely landscapes forcing us to feel even more terror and insecurity.
After animal rights terrorists invade a science lab, they begin breaking monkey’s free from their cages despite the frantic warnings from a scientist and are violently attacked by the apes that tear them apart and infect them. 28 days later, a man awakes from a coma in a hospital bed to discover a desolate and trashed hospital before him. He begins to inspect the marvel before him as the entire city of Britain is empty with no one in sight. He stumbles upon survivors that save him and tell him a virus has broken free on the general population and mankind as he knows it ceases to exist. The results of the virus are the infected. People that growl with beaming red eyes that kill anything in their path and infect others by tearing them apart or vomiting blood on them. It only takes twenty seconds to become one, so they waste no time disposing of their friends.
They stumble upon father and daughter survivors who decide to travel a military base where they supposedly have everything under control, but what they will find is not what they will expect. Boyle dares to break the mold of the horror genre by masterfully giving us a range of moods and colors, and terrifying sequences non-stop. Writers Boyle and Garland actually gives us characters we can care about and the director helps us by exploring the psychological effects this horror is having on them. We see Jim, the coma patient, have dreams that he is alone and deserted; we can see the desperation within the father’s eyes, and the torment in the daughter’s. These are actually characters that we feel bad for and within a split second Boyle takes them away from us. Characters in this movie come and go and Boyle snatches them without hesitation. Boyle often drops the characters off in small cramped dark places making the audience even more nervous and more anxious as we know terror is looming but we can do nothing about it.
The infected are horrifying as they stare with beaming red eyes and bloody faces and growl aloud; they can run and jump and dash and never stop. While “28 Days Later” is horror first and foremost it’s also more of a commentary on humanity and how we never really learn from our mistakes. We watch four people forced to live and exist in a world without order, a world with carnage, a world not very different from ours. This forces them act upon themselves and begs the questions: In a world without order, how do you achieve it? Who decides what life should be like, and is it all ultimately futile? This shows what humans do when there’s no structure or basis for order and basically take it upon themselves to do it with unsuccessful results. Danny Boyle is a genius director and might as well have re-invented the horror genre. Bravo Mr. Boyle, bravo.
Formula 51 (2002)
There have been many rip-offs of “Pulp Fiction” over the past years, many movies mimicking the exact formula that made this influential movie so famous. This movie is an incredible mess including crude humor, a lot of which involving butts and farting, a running gag that plays throughout the movie about a common stereotype of African American genitalia, and a few plot holes here and there including one large one that made absolutely no sense. After Elmo McElroy is caught with marijuana, his potential career as a pharmacist is over. Thirty years later, a crime syndicate led by the Lizard wants his formula for the ultimate addictive drug POS Formula 51.