Director Christopher Haydon’s short film is both a compelling drama, and a rather captivating mystery. In its own way it’s a horror movie, but more a horror movie about loneliness, isolation, and repetition. The entirety of “Martha” is meant to be cryptic, as Haydon begins the film on a single scene of a woman sitting in a hall with a single red balloon.
Tag Archives: Foreign
Belle de Jour (1967) [LA&M Film Fetish Forum]
Luis Buñuel’s film is not just a celebration of protagonist Severine’s penchant for sadomasochism, but it’s also an examination of her desire for it. When we first meet Severine, she’s riding in a carriage with her husband. After some words are exchanged, he violently tears her off and drags her in to the woods. There she’s tied up, whipped, and savaged by his two coachmen, both of whom delight in taking advantage of her. We then see it’s nothing more than a depraved fantasy from a woman who is absolutely bored. As someone who is a part of the elite, who finds herself in the mountains at a ski lodge every weekend, she desires something so much more that money can buy.
Requiem (2021)
A film like “Requiem” is just begging to be turned in to a feature, as I think a lot of the whole Salem Witch Trials is capable of interesting stories. “Requiem” is not so much a tale about the Salem Witch Trials, and how it became a scapegoat for hate, repression, and homophobia.
The Good, The Bad, and the Buggy (2023) [CINEJOY 2023]
I can’t say that “The Good, The Bad, and the Buggy” works as a short film, so much as a potential sketch for a web comedy. It’s a funny and cute sort of short film about parents being about as petty as humanly possible. One thing that hinders “The Good, The Bad and the Buggy” is that there isn’t any actual extrapolation as to why these parents are feuding with each other.
On The Line (2023) [CINEJOY 2023]
I have a great respect for what Director-Writer Oliver Pearn pulls off with “On the Line.” It’s a competently directed and well constructed thriller that takes its low budget and implements it to create genuine atmosphere. Sadly, I wish I liked it more than I did, mainly because I wasn’t invested in the core mystery that fuels his drama thriller. Fans of audio dramas will especially be fond of how the movie enhances the narrative by depending more on the delivery of its voice cast, encouraging us to envision what’s unfolding rather than showing.
Winnie-the-Pooh: Blood and Honey (2023)
One of the things I hate worse than a bad horror movie is a boring one. I can take that the producers of the film took the IP of “Winnie the Pooh” and turned it in to a slasher flick. People have been doing that for decades, and now with “Winnie the Pooh” in the public domain, we’re going to get so much more Winnie the Pooh iterations. The problem with “Blood and Honey” is that it’s boring. It’s so woefully boring and uncreative. How do you have a chance like this and blow it on such a dull run of the mill slasher flick?
The Boy, The Mole, The Fox, and the Horse (2022)
“Asking for help isn’t giving up. It’s refusing to give up.”
Based on a best selling book by British author and illustrator Charles Mackesy, who co-wrote and co-directed the film version, “The Boy, The Mole, The Fox, and the Horse” is a beautiful short worthy of a young audience. It was released around the holidays in 2022, and while it does compliment the Christmas aesthetic, it works wonderfully as a genuine fable about empathy and innocence.