Netflix’s 2018 surprise hit “Birdbox” was a pretty good movie that skated on thin ice from minute one since it was accused of aping the concept for “A Quiet Place.” But the efforts of a sequel have firmly placed it as a movie better off left as a one and done horror film. “Barcelona” is considered kind of a sequel and kind of a spin off, but in reality it’s kind of a glorified pilot. I don’t know if Netflix is planning more sequels down the road, or a TV series, but “Barcelona” feels like the first of many incoming spin offs. And it never once feels like a complete movie, but only a buffer and promise of things to come. And as a follow up to the original, it fails epically assuring I won’t be back to see how they further develop this premise.
Tag Archives: Foreign
Final Cut (Coupez!) (2023)
If you, like me, were blown away by 2017’s “One Cut of the Dead,” you’ll have been surprised to learn that there was indeed a French language remake right down the pipeline. I’ll admit that I was very annoyed by this news, but everyone’s experience making movies is different and this story translates well to any one that has endured making art. “Final Cut” when all is said and done is a very good remake of the 2017 original. It’s funny and clever, but it never quite hits the emotional highs and sincerity that Shin’ichirō Ueda’s original ever does.
Cosa Nostra: Franco Nero in Three Mafia Tales by Damiano Damiani – 3 Disc Collector’s Edition [Blu-Ray]
From Radiance Films, fans of the Italian crime cinema sub-genre will adore what this three disc box set has for fans, as “Cosa Nostra” features three key films from director Damiano Damiani and film icon Franco Nero. Included is “The Day of the Owl” with Franco Nero as a police chief who, while investigating the death of a construction worker, goes up against corrupt officials and a ruthless mafia boss (Lee J. Cobb). “The Day of the Owl” is adapted from the novel by Leonardo Sciascia; The Day of the Owl was the first book to openly deal with organized crime in Sicily.
Bad Girl Boogey (2023)
I give filmmaker Alice Maio Mackay a lot of credit for pressing forward with a slasher movie that’s based a lot around the LGBTQ community and a slasher that’s centered on murdering citizens of that community. There aren’t many horror movies that focus on the whole LGBTQ experience and on a slasher that’s centered on them and only them. While I do credit director and writer Alice Maio Mackay for trying to offer something different, “Bad Girl Boogey” excels in the directorial department but sorely needed work in the script department. The script is an aspect of “Bad Girl Boogey” that could have stood at least a few more rewrites and re-thinking.
I Am T-Rex (2023 release)
A young T-Rex is living the life in the valley with his father, the king of the valley. Soon, they find themselves in trouble and his father dies, so he goes on an adventure, meets some friends, and comes back to save the valley from bad guys.
Extra Terrestrial Visitors (1983) [Blu-Ray/CD]
Full Disclosure: This title was purchased at our own discretion from Severin Films.
Wackiness ensues as an alien meteor housing crash lands in to a forest. Then there’s a weird little boy named Tommy who collects bugs all day. Then there’s a pop band that goes on vacation in the woods. And there’s an old couple in the woods living in a cabin. The aliens are now on the loose in the forest. And there are these armed poachers hungry to kill some animals. And then Tommy (Óscar Martín) finds an egg that he realizes is an unborn alien. Said alien, nicknamed “Trumpy,” is desperate to get back home. How will these hilarious storylines converge? Will Trumpy consume mankind?
Sisu (2023)
Director Jalmari Helander’s “Sisu” is a bat shit insane action movie in a year filled with some pretty good action entries. It’s like Indiana Jones and The Punisher were mashed together with a hint of Jason Voorhees, and out came “Sisu.” It’s a Nazi killing, dismembering, mutilating, head stabbing, revenge saga that manages to competently take its paper thin premise and produces an absolutely gore soaked homage to exploitation action films of the seventies and eighties.