The Son of The Stars (Fiul Stelelor/Ultima Misiune) (1987)

One of the advantages of boutique physical releases is that American audiences are able to check out films that they wouldn’t have otherwise been able to before. This year, the never before officially released in the U.S. “The Son of the Stars” makes its way to American shores. The animated adventure described as a “wild mid-80s mash-up of The Empire Strikes Back, Alien and Tarzan” was directed by the creative team of Călin Cazan and Mircea Toia, and features a pretty trippy original score by synth-rock pioneer Stefan Elefteriu. I can safely say while you can see the “Star Wars” influences dripping all over it, it’s a wild experience for any animation buff.

Continue reading

Diomysus (2022) [Slamdance 2023]

DOCUMENTARY SHORTS BLOCK
Emily Morus-Jones’ documentary short is an absurdist and colorful look at a subset of society that is often misunderstood and demonized by the public. She emphasizes the inherent prejudice of said subset by exploring their world through mice. Mice are some of the more misunderstood animals and through great puppetry, we learn about the lifestyles of the polyamorous.

Continue reading

You Have to See This! Dead Man’s Shoes (2004)

“When they get to heaven they’ll be forgiven. God will forgive them and let them in. And I can’t live with that.”

I’ve been a fan of Paddy Considine’s since I saw him in his utterly frightening performance as a mentally imbalanced recluse in “A Room for Romeo Brass.” I also loved him in the schmaltzy albeit well-intentioned family drama in “In America,” and he flexes his keen ability to be both menacing and vulnerable with Shane Meadows’ “Dead Man’s Shoes”. Meadows’ revenge thriller is a very visceral revenge film that delves in the fall out from the breaking of a cardinal rule: Don’t ever fuck with a man’s family.

Continue reading

The Thing That Ate the Birds (2021)

Director Dan Gitsham and Writer Sophie Mair’s horror short is a masterful creepy tale about dysfunction and what happens when your actions have dire consequences. I wasn’t sure what to expect with “The Thing that Ate the Birds,” but partners Mair and Gitsham deliver on all fronts as a complex and creepy genre entry.

Continue reading