Tag Archives: Foreign

Wyrmwood: Road of the Dead (2015) [Blu-Ray]

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With the glut of zombie entertainment choking pop culture right now, it’s rare you get to come across a zombie film that’s genuinely good. “Wyrmwood” wasn’t a win for me when I first sat through it, but watching it a second time I can safely say it really is worth a shot for open minded horror buffs. Not only is it a really damn good zombie movie, but it’s a new and fresh approach to the zombie sub-genre. It invents its own rules, it creates its own world, and it’s a lot of fun to boot. Of course I have a soft spot for post apocalyptic horror films of most kinds, but “Wyrmwood” really thrives on being an absurd and wonky take on the horror genre.

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Snow Girl and the Dark Crystal (2015) [Fantasia Film Festival]

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Peter Pau and Zhao Tianyu’s “Snow Girl and the Dark Crystal” is nothing short of a mesmerizing and surreal romance epic. It’s a marvel for the eyes, and the ears, and provides one of the most engrossing tales of good versus evil I’ve seen in a long time. “Snow Girl and the Dark Crystal” has a meaty narrative that requires a lot of back tracking and flashbacks, but thankfully the sharp writing prevents the narrative from falling apart by the second half. I was worried I was losing track of the story but the movie would always come full circle and really explain a lot of the twists, leaving no loose ends.

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Crumbs (2015) [Fantasia Film Festival]

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FANTASIA FILM FESTIVAL

It’s amazing how a film like “Crumbs” is only an hour or so in length and can feel like an eternity. Goodness knows how much I love post apocalyptic films, but “Crumbs” ventures for surrealism and often too strange for its own good. Judging by the research I’ve performed online, the confusing material and disjointed story is intentional and director Miguel Llanso really had no answers for the symbolism in the film any more than the audience.

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Big Match (2015) [Fantasia Film Festival]

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FANTASIA FILM FESTIVAL

Director Choi Ho’s “Big Match” is probably one of my favorite action movies of the year. It’s a wonderful amalgam of action, comedy, and thrills acting on a fast pace with a multi layered story of a man running against the clock. Choi Ik-ho is a man kicked out of professional soccer for rough housing and enters in to MMA to get his aggression out. With the help of his big brother Young-ho, Choi Ik-ho has become one of the greatest fighters of modern times. He’s kept under tight supervision by his big brother, a retired MMA fighter. But when he suddenly disappears, Ik-ho is suspect number one. Young-ho is suspected of being murdered, and Ik-ho is arrested.

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The Case of Hana & Alice (2015) [Fantasia Film Festival]

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FANTASIA FILM FESTIVAL

Shunji Iwai’s “The Case of Hana & Alice” is apparently an animated prequel and adaptation of a much beloved indie titled “Hana and Alice.” The pair of women are almost like pop culture’s most iconic best friend in its home country, and this film chronicles how they met and became the best of pals. You really don’t have to see the original film, claims much of the press releases, but I’ll say that it might just help. Surely, there aren’t many references to the original film, but the original actresses return to voice their younger selves, and this might be exciting to folks that love the original film. For me, it was just a nice little bit of lip service and nothing more.

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Crimson Whale (2014) [Fantasia Film Festival]

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FANTASIA FILM FESTIVAL

I was completely mixed with “Crimson Whale” as a feature, because when you get down to it, it feels like it pads its run time. It’s only seventy minutes in length, and a lot of it feels like its treading water to get to the inevitable confrontation with its titular foe that happens to be anomaly of nature. “Crimson Whale” isn’t the worst anime film I’ve ever seen. It just isn’t all that good. It gets the distinction of being middle of the road mainly because it’s just so damn gloomy and mean spirited. It’s violent, and dark, and definitely does not thrive on supplying a happy ending. It barely has an ending, when you cut to the chase.

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Spider (2007)

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Nash Edgerton’s “Spider” has a cruel sense of humor to it, but one that I loved. It’s definitely reliant on a simple formula, but also very dependent on a chain effect that garners disastrous results in the very end. I was cringing, I was in disbelief, and by the very end I was laughing awkwardly for all the wrong reasons.

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