With the rise of the zombie sub-genre, every filmmaker and their brother have their own story to tell. With zombie media at an all time high in popularity, there are an abundance interesting approaches toward the zombie sub-genre. And unfortunately there are also countless forgettable attempts. Immediately, “Chronicles of the Dead” from 3N films is under pressure to perform outside the norm and offer a form of zombie fiction that is entertaining and unique. “Chronicles of the Dead” so far has potential in the range of tone, atmosphere, and direction, it just has to now step up its game and provide us with a story that we can get behind. With only episode one to judge on, the series can go anywhere at this point. We may end up with a web version of “The Walking Dead,” or we could end up with a web version of “Night of the Dead.”
Tag Archives: found footage
Reel Evil (2012)
I’m yelling! I’m yelling very loudly and at the same time as everyone else thus creating the facade that there is conflict in a boring movie! I am angry for some reason! I am lost in a labyrinth of an abandoned insane asylum and am yelling louder for some reason! Watch me yell some more proving there is conflict where there is none! Loud noises! My temper is inexplicably short! It is very scary when people are lost in dark halls for almost eighty minutes only to hear the occasional whisper and no pay off!
Chronicle (2012)
If history has taught us anything, it’s that time and time again it all comes back to the same old adage. Absolute power corrupts, absolutely. A bold mix of “The Craft” and “Akira,” director Josh Trank completely embodies such a notion with “Chronicle” a film that demonstrates what occurs when sentient power is put in the hands of three people with major chips on their shoulders and a god complex. “Chronicle” is in essence a superhero movie without a comic book source, but deep down it’s a brilliant examination of what could happen if real amazing power were to belong to average human beings with their own vendettas and selfish goals. No matter how good a person, deep down we all know it would become incredibly disastrous and absolutely and chaotic.
Paranormal Activity 2: Tokyo Night (2010)
Whether or not you enjoy “Paranormal Activity 2: Tokyo Night” is directly proportioned to whether or not you enjoy the “Paranormal Activity” franchise at all. At the end of the day this is Japan’s piece of the Paranormal pie and it is officially a sequel to and an extension of Oren Peli’s lore that he established with he first film and that has been established with the second film. This is not the first time an American film has seen a foreign sequel matched with an American sequel as George Romero saw his film “Dawn of the Dead” become its own franchise in Italy while “Day of the Dead” was simultaneously released and for once it’s refreshing to see Japan take on an American hit film and provide their own adaptation of the source material.
YellowBrickRoad (2011)
Anyone who is anyone knows that if there is a legend that is set in the woods you never go looking for it to find out of it holds any logical weight in this reality. We’ve seen this movie a thousand times already, but that doesn’t mean it’s not worthy of a watch as directors Jesse Holland and Andy Mitton put together a classic horror yarn that mixes documentary footage with live action footage.
Paranormal Activity 2 (2010)
Like it or not, “Paranormal Activity” was the indie success story of the decade. After the big take off of “The Blair Witch Project,” director Oren Peli proved a valuable successor to the end of the twentieth century sensation by providing a horror film for the digital age where the chronicling of a couple at the mercy of a demon was filmed through HD camcorders and the advent of the then seasoned instrument of the worldwide web. “Paranormal Activity 2” commits what is almost an impossible task. It completely compliments the storyline of the original film while also adding to it.
Paranormal Activity (2007)
In the days of overexposed, computer heavy FX extravaganzas, horror films that go for a more subtle build of terror are usually dismissed as cheap throwaways that just don’t have the budget to compete with the big studio thrill rides. It’s no secret that the “less is more” philosophy is the independent filmmaker’s best friend, but occasionally there comes along a movie that embraces its sense of mystery and uses a building sense of menace to its advantage.