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Realm of Souls (2013)

RealmofSoulsA group of filmmakers go ghost hunting at a site reputed for sightings and paranormal phenomena.  Once on the site, they take a quick tour and set up before finding cameras and equipment from a previous group.  What they find on the recordings is disturbing and also a warning.

Written and directed by Chase Smith, Realm of Souls is a mix of found footage and traditional footage with a touch of night vision and false damage on the found footage.  The story is typical of the found footage ghost story/demon sub-genre in horror.  It goes in the expected ways: Team goes in woods, investigates, films, disappears, second team finds their work.  The writing and directing here are decent but the story feels a lot like “been there, done that”, especially for anyone who watches a lot of horror movies.

The characters or people (as we are supposed to think of them as real people, and not actors playing parts) here are fairly run of the mill for the sub-genre with the added touch they are filmmakers so the found footage is halfway decent, shot in a more stable camera style (thankfully), and with decent focus.  There are a few original twists and turns, but most were a bit predictable still.  The dialogue needs to be notes here as it does come off mostly natural and not forced or grating as in many found footage films recently.

The cast is composed of some of Chase Smith’s regulars and new faces.  Most of them are not going to be familiar to most viewers, which is something absolutely necessary for found footage films to work as a famous face can throw the viewers out of the story and the experience.  Once again, Smith works with a big cast here, making it harder for anyone to stand out unless they are absolutely magnificent or completely dreadful.  Neither happens here, however no one being really bad is a good thing as so much rests on the cast in this type of films.

The special effects are decent for what can be seen in the found footage and night vision scenes.  None of it will revolutionize effects or the genre, but what is there fits with the movie and looks nicely bloody.  Added effects that this reviewer could have done without were the fake damage on some of the footage and the blue screens between some of the scenes.  The former was an annoyance while the latter just takes the viewer right out of the film while wondering why this is happening.  This breaks any kind of tension there might have been and kills the mood of the film far too often.  These do not add anything really to the film and distract way too much from the story.

The idea of filmmakers going to tramping grounds to film paranormal phenomena is interesting but the way it’s exploited here makes it lose most interest as the pace of the film is beyond slow, spending far too much time on its too numerous characters instead of the actual creepy and scary parts of the story.  The film takes a very long time to get going and but the time it truly does, it’s too little too late and not enough time is spent on building dread and fear to make the reveals any kind of impactful.

Realm of Souls is a well shot but wasted with found footage effects, such as night vision and fake damage, which will most likely only appeal to hard core fans of the sub-genre.  The casual viewer and those not into this style will most like be quite bored by the proceedings.

Realm of Souls was produced by Spirit World Films.

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The Phoenix Incident (2016)

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On March 13th 1997, mass hysteria and dozens of conspiracy theories followed the sighting of a massive series of lights over the city of Phoenix Arizona. Known as “The Phoenix Lights,” said sighting has been a hot topic for UFO enthusiasts for years, and remains a mystery that the government has been very vague about discussing since. Director and writer Keith Arem has a good idea on his hands with “The Phoenix incident” and dares to combine various filmmaking formats including found footage, documentary, and action thriller. While it doesn’t amount to a flawless science fiction thriller, Arem’s ambition and concept is still pretty admirable when you step back and soak in the entire experience.

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Occupants (2015)

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For anyone like me who take interest in the concept of parallel worlds, director Russell Emanuel embraces the found footage sub-genre while also dodging the gimmicky trappings in favor of a much more intelligent genre title involving the scientific idea. “Occupants” explores the theory of parallel realities, and how it’s theorized our lives can align with alternate versions of ourselves. Much like “Paranormal Activity,” Emanuel sets his film primarily in one setting, but the similarities end there. Emanuel has his finger on the pulse of science fiction, exploring a realm where every movement is intricate and our characters begin to dabble in the God Complex resulting in some absolutely horrendous consequences.

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Our 10 Worst Movies of 2015

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With the good comes the bad, and 2015 had its fair share of awful films that left audiences and critics running for the doors. There were some films we outright refused to see this year, so you won’t see “The Human Centipede 3” on this list, nor will you be seeing “Joe Dirt 2,” either. We just will not go out of our way to watch a David Spade vehicle. We also didn’t bother with “The Cobbler.” There’s only so much Happy Madison junk we can stomach.

Bad Movies in 2015 that almost made the list includes the pure havoc Happy Madison wrought with the terrible Pixels, the brutally unfunny Paul Blart Mall Cop 2, and the absolutely unwatchable The Ridiculous 6. We almost included Johnny Depp’s terrible Mortdecai, the piss poor lazy prequel Pan, and also considered the Adam Green self love fest Digging Up the Marrow. We also considered adding the lame and dull We Are Your Friends, and seem to be one of the only five people on Earth who hated Bone Tomahawk. There were just more deserving candidates. On to the Worst of 2015…

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The Visit (2015)

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After a considerable slump with “The Last Airbender,” and “After Earth,” Shyamalan gives us yet another humanistic, demented, mystery that is filled with his trademark themes about life and coming of age. In this case, it’s young Becca and Tyler, both of whom are still healing from a broken marriage that saw their father leave them years before we meet them. Cut like a mock documentary, Shyamalan tailors the film to give us more of a personal view in to the dilemma Becca and Tyler find themselves in, and what it ultimately means in their development as adults.

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The Gallows (2015)

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“The Gallows” watches like a really bad “Fear Street” novel. If it were written by RL Stine at gun point. It’s beyond me that “The Gallows” managed to achieve a wide North American theatrical release with a pretty good ad campaign all around. Meanwhile, “It Follows,” a brilliant horror offering, had to rely on word of mouth. Beneath the hype “The Gallows” is a brutally boring and unscary attempt to cash in on the found footage fad that reaches the scares you’d find in a normal young adult novel. And I am being kind, since even young adult novels can often achieve some semblance of suspense and tension when they want to. “The Gallows” however is a forgettable and downright stupid effort that lacks in brains, common sense, and general creativity.

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Digging up the Marrow (2015)

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You figure a pro like Adam Green would remember rule number one about film making: Never star in your own movie. Green isn’t exactly Woody Allen, and doesn’t take his advice opting instead for a starring role in a movie that’s thick with smug nods and pats on the back from Green to Green. I don’t mind a little self indulgence from filmmakers, but “Digging up the Marrow” focuses on a guy who’s barely in to his film career and wants to convince the world he has a hardcore rabid fan base. He advertises it as such.

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