Every Bugs Bunny Ever: Any Bonds Today? (1942)

2023 marks the 85th Anniversary of Bug Bunny’s first animated appearance in 1938’s “Porky’s Hare Hunt.” Debuting originally as Happy Rabbit, Bugs eventually became one of the most iconic animated characters of all time. In honor of the landmark anniversary, we’re discussing every animated appearance by Bugs Bunny. We’re big fans of Bugsy and we hope that you are, too.

Follow us on this massive journey where we discover and re-discover Every Bugs Bunny Ever.

Any Bonds Today? (1942)
Directed by Bob Clampett
Written by Bob Clampett
Music by Irving Berlin, Carl W. Stalling
Animation by Virgil Ross, Bob McKimson, etc.

The tall man with the high hat and the whiskers on his chin, Will soon be knocking at your door and you ought to be in, The tall man with the high hat will be coming down your way, Get your savings out when you hear him shout “Any bonds today?”

In 1942, the war effort was strong and America did whatever they could to promote patriotism and support for the armed forces during World War II. Among one of their tactics was to use one of the most popular cartoon characters of the time, Bugs Bunny, to promote the purchase of war bonds. In what is one of the most blatant uses of propaganda for the war, Warner implements the use of Bugs Bunny (a real testament to his popularity during this era) who appears in the ninety second musical short to encourage theater audiences to buy war bonds.

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Money Shot: The Pornhub Story (2023)

With the advent of modern technology and the internet becoming accessible through any handheld device allowing the ease of pornography distribution, the emergence of a titan of porn distribution was inevitable. It arrived in the form of Pornhub, a multi-faceted database of every type of fantasy, fetish, and kink you can imagine–for better and for worse. The pornography industry has been one that’s become a topic of conversation since the early 1900’s. Does it influence sexual deviancy or deter it? Does it victimize its performers despite their vocal consent?

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Hitman Hart: Wrestling with Shadows (1998)

There are still people out there that complain that wrestling is “completely fake”; I am always compelled to argue that wrestling is in fact not fake. In many ways the performers that wrestle give up their body and health to entertain. In Bret Hart’s case, it he gave up his livelihood, his self respect, and his family. “Wrestling with Shadows” is still a pretty sad and shockingly mesmerizing tale of one of the biggest athletes of the 1990’s and the incident that shook his world and nearly tore him apart.

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VHS Massacre Too (2020)

“VHS Massacre” was one of many looks back at the golden age of VHS and how physical media is dying in the age of streaming. Thomas Edward Seymour produced a very good and insightful glimpse at a time where the death of physical media seemed imminent. So it feels only logical that he’d follow it up with a further look in to the death of physical media. The problem though is that “VHS Massacre Too” is a less focused and somewhat confused successor that never quite knows what it’s trying to tell its audience.

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Requiem (2021)

A film like “Requiem” is just begging to be turned in to a feature, as I think a lot of the whole Salem Witch Trials is capable of interesting stories. “Requiem” is not so much a tale about the Salem Witch Trials, and how it became a scapegoat for hate, repression, and homophobia.

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Star Wars Kid: The Rise of the Digital Shadows (2022) [CINEJOY 2023]

To his friends he’s known as Ghyslain Raza, but if you grew up during 2003, in the infancy of the digital age, you know him as “Star Wars Kid.” What began as an innocent test with a high school project turned in to one of the most viral videos every conceived on the internet. It’s also probably the earliest incident of internet bullying ever to develop, as a young high schooler by Ghyslain Raza became the object of media scrutiny and mockery by literally everyone from the UK to America.

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Back to the Drive-In (2023)

In 2020, when the pandemic hit America and the government was demanding strict social distancing laws, the sudden need for the American Drive-In signaled an incredible renaissance. What was once considered an antiquated facet of movie going suddenly began thriving once again. Everyone in desperate need of the experience of movie going took their vehicles to the lots again, and it indicated that no matter what happened, you couldn’t kill the movies. Then the pandemic loosened its grip on the country.

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